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A Companion to Fritz Lang “Fritz Lang’s movie-making spans a major part of the history of cinema, across genres, styles, and national contexts. With smartness and sharpness, the essays in this essential volume come from many angles to capture the richness of Lang’s cinema and bring great insight to its study.” Dana Polan, Cinema Studies, NYU Fritz Lang’s influence on cinema cannot be overstated, with a career that stretched from the silent era in Germany to the decline of the Hollywood studio system in the late 1950s, from the Weimar Republic to Nazi Germany, from Depression America to the McCarthy era. One of the best known émigrés from Germany’s school of Expressionism, Lang is also credited with influencing the emergence of film noir. A Companion to Fritz Lang offers the first full-scale collection of scholarship available in English on one of the most important filmmakers of all time. Addressing much of Lang’s voluminous body of work, from Metropolis and M, to lesser-known titles such as Western Union and Clash by Night, this volume offers a superb overview of Lang’s cinema with revealing insights into his enduring influence on directors such as Godard, Scorsese, Chabrol, and Tarantino. The two dozen essays presented here are an unrivaled and up-to-the-minute assessment of the prolific and resilient life and vision of one of cinema’s greatest auteurs.

This anthology offers an account of German cinema in the fifties, focusing on popular genres, famous stars and dominant practices, taking into account the complicated relationships between East and West Germany, and by paying attention to the economic and political conditions of film production and reception during this period.

This book offers a new interpretation of political reform in the settler colonies of Britain’s empire in the early nineteenth century. It examines the influence of Scottish Presbyterian dissenting churches and their political values. It re-evaluates five notorious Scottish reformers and unpacks the Presbyterian foundation to their political ideas: Thomas Pringle (1789-1834), a poet in Cape Town; Thomas McCulloch (1776-1843), an educator in Pictou; John Dunmore Lang (1799-1878), a church minister in Sydney; William Lyon Mackenzie (1795-1861), a rebel in Toronto; and Samuel McDonald Martin (1805?-1848), a journalist in Auckland. The book weaves the five migrants’ stories together for the first time and demonstrates how the campaigns they led came to be intertwined. The book will appeal to historians of Scotland, Britain, Canada, Australia, New Zealand, South Africa, the British Empire and the Scottish diaspora.

This anthology offers an account of German cinema in the fifties, focusing on popular genres, famous stars and dominant practices, taking into account the complicated relationships between East and West Germany, and by paying attention to the economic and political conditions of film production and reception during this period.