The Landsknecht (meaning 'servant of the country') flourished during a key period for military organisation and practice. In the late 15th century, the Holy Roman Emperor, Maximilian I, recruited thousands of mercenaries from Central and Northern Europe, with the aim of creating a reliable source of men for his armies – and the Landsknecht were born. This book reveals the true-life experiences of the Landsknecht soldier during conflicts such as those of the Italian Wars (1494-1559), using numerous first-hand accounts. It takes a close look at the recruitment, training, daily life and and careers of these formidable soldiers, and examines in detail their clothing, equipment and weaponry. Many fine, contemporary illustrations, some drawn by Landsknecht themselves, accompany the text.

The German Landsknechte (German plural, singular Landsknecht), meaning "servants of the land", were colourful mercenary soldiers with a redoubtable reputation, who took over the Swiss forces' legacy and became the most formidable military force of the late 15th and throughout 16th century Europe, consisting predominantly of German and Swiss mercenary pikemen and supporting foot soldiers, they achieved the reputation for being the universal mercenary of early modern Europe. Was Maximilian I, Holy Roman Emperor from 1493 to 1519, the founder of the first mercenary Landsknecht regiments in 1487. He called upon Georg von Frundsberg (1473–1528), known by many as the Father of the Landsknechte, to assist him in their organization. Our book, cover all the history of this soldiers with finest illustration and 16 colour plates.

The Landsknechts were German mercenaries who served during the reigns of Maximilian I and Charles V in the sixteenth century. Having signed up, these Landsknechts were read a very detailed code of conduct, organized into companies, paid one month in advance, and sent into battle! Their major weapon was the pike, which could be up to 18 feet in length, but those whose duty it was to advance in the front line carried instead the fearsome Zweihänder; an enormous battle-sword around 66 inches in length! Douglas Miller describes in detail the organisation, tactics, weapons, uniforms and history of these remarkable soldiers.

Mercenaries have been active in battle from the beginning of military history and, as private armies and military support firms, they are a major component of warfare today. Security, military advice, training, logistics support, policing, technological expertise, intelligence, transportation—all are outsourced to a greater or lesser degree in the U.S. military. However, privatization is not a uniquely American phenomenon. Countries as diverse as Saudi Arabia and Australia rely on privatization in one form or another. Historically, heads of state, politicians, and other administrators have justified use of mercenaries on the basis of their effectiveness, and cost-savings. These reasons and others continue to serve as rationales for use of private military companies in military strategy. Mercenaries: A Guide to Private Armies and Private Military Companies provides a comprehensive survey and guide to mercenary forces, entrepreneurs, and corporations active on the international military scene today, including a concise history of mercenaries and private armies on land, sea, and in the air. Narrative chapters are amply supplemented by sidebars including biographies of major figures, key statistics, historical and current documents, contracts, and legislation on private armies and outsourced military services. Each chapter includes a bibliography of books, journal articles, and web sites, and a general bibliography concludes the entire work.

The Italian Renaissance marked a period of political and military turmoil. Many regional wars were fought between the states ruled by Milan, Venice, Genoa, Florence, the Papacy, Siena and Naples. For more than 50 years starting in 1494, major foreign powers also exploited these divisions to invade Italy; both France and Spain made temporary alliances with city states to further their ambitions, and early in the 16th century the Emperor Charles V sent armies from his German realms to support the Spanish. These wars coincided with the growth of disciplined infantry – carrying not only polearms and crossbows but also handguns – which proved capable of challenging the previously dominant armoured knights. The widespread use of mercenaries ushered in the early development of the 'pike and shot' era that succeeded the 'High Middle Ages'. During this period costumes, armour and weapons varied greatly due to their national origins and to the evolution of tactics and technology. This masterfully illustrated study offers a fascinating insight into the many armies which fought in Italy during this turbulent period, explaining not only their arms and equipment, but also their structure and successes and failures on the battlefield.

A sacred pledge and a gypsy’s curse drive this medieval love story. Günter Behaim, a professional soldier in the service of Emperor Charles V, has been hardened by betrayal and disloyalty in his life, and he has sworn to make few promises of his own and keep those until death. When his closest friend is mortally wounded on the battlefield, however, Günter pledges to marry the other man’s betrothed and keep her safe. That woman turns out to be a Spanish beauty named Alonsa García de Aranjuéz, but she will have no part of such an agreement. Trying to keep his promise, Günter uses every weapon in his romantic arsenal to convince the reluctant woman to marry him, and he begins to love her very much. Meanwhile, Alonza is falling in love too, but she dares not reveal her feelings because she is under a curse that brings misfortune to any man who loves her. As war draws near and danger surrounds them, the couple has to make a crucial decision: accept their fates or risk everything to be together?

At the end of his long, prolific life, Titian was rumored to paint directly on the canvas with his bare hands. He would slide his fingers across bright ridges of oil paint, loosening the colors, blending, blurring, and then bringing them together again. With nothing more than the stroke of a thumb or the flick of a nail, Titian’s touch brought the world to life. The clinking of glasses, the clanging of swords, and the cry of a woman’s grief. The sensation of hair brushing up against naked flesh, the sudden blush of unplanned desire, and the dry taste of fear in a lost, shadowy place. Titian’s art, Maria H. Loh argues in this exquisitely illustrated book, was and is a synesthetic experience. To see is at once to hear, to smell, to taste, and to touch. But while Titian was fully attached to the world around him, he also held the universe in his hands. Like a magician, he could conjure appearances out of thin air. Like a philosopher, his exploration into the very nature of things channelled and challenged the controversial ideas of his day. But as a painter, he created the world anew. Dogs, babies, rubies, and pearls. Falcons, flowers, gloves, and stone. Shepherds, mothers, gods, and men. Paint, canvas, blood, sweat, and tears. In a series of close visual investigations, Loh guides us through the lush, vibrant world of Titian’s touch.