Ian McHarg’s ecological planning approach has been influential since the 20th century. However, few empirical studies have been conducted to evaluate the performance of his projects. Using the framework of landscape performance assessment, this book demonstrates the long-term benefits of a renowned McHargarian project (The Woodlands town development) through quantitative and qualitative methods. Including 44 black and white illustrations, Landscape Performance systematically documents the performance benefits of the environmental, social, and economic aspects of The Woodlands project. It delves into McHarg’s planning success in The Woodlands in comparison with adjacent Houston developments, which demonstrated urban resilience after Hurricane Harvey in 2017. Lastly, it identifies the ingredients of McHarg’s ability to do real and permanent good. Yang also includes a number of appendices which provide valuable information on the methods of assessing performance in landscape development. This book would be beneficial to academics and students of landscape architecture and planning with a particular interest in Ian McHarg.

This book defines, illustrates, applies, and explores current and future tools and methods for measuring landscape performance using the Houston Arboretum and Nature Center (HANC) as a case site, providing the most extensive, comprehensive description and application of existing landscape performance tools in the current literature to date. Landscape performance is a measure of the effectiveness with which landscape solutions fulfill their intended purpose and contribute to sustainability. The design of the HANC is a prime case for measuring landscape performance as the site has undergone a pervasive transformation of its 65-acre core as an initial phase of improvements. The massive six-year effort has reconfigured arrival, circulation, and parking, developed new educational facilities, constructed a network of walks and trails, and established sustainable ecologies of prairie, savannah, riparian woods, and upland woods across the northern half of its property. This book uses landscape performance as an integral method of not only blending science into the design process but using scientific outputs as the rationale for design-decision-making. Through this, the book showcases a multitude of proven quantitative and qualitative evaluation methods which can be applied to other designs and plans, calculating their specific impacts on the HANC, and guiding readers through how to use each tool through an applied process. This book provides a comprehensive set of tools and approaches to measuring landscape performance that could be used as a guide for other projects to replicate or expand upon. The book helps move the design professions beyond simple stereotypes of simple beauty of form, showcasing and describing how the design professions (primarily landscape architecture) are an extremely scientific and evidence-based industry.

This is a guidebook for landscape architects to learn the fundamental practices and use of the computational software Rhino 3D and the plugin Grasshopper for parametric modeling, landscape inventory, and performative analysis. This process visually connects intangible and abstract information with physical and spatial relationships to signify the impact ecological, climate, and cultural factors have on landscape performance and decision making. Each chapter begins with a summary of the performance method and its application in different projects, outlining the expected goals from industry standard equations and operations. Chapters cover parametric modeling scripts to measure ecosystem services of stormwater management, erosion control, tree benefits, outdoor comfort, accessibility, and many others. Using photographs, tables, and parametric scripts to create qualitative and quantitative representations of landscape performance and ecosystem services, readers will learn to communicate the impact and significance of their outputs. This book will be beneficial to educators, students, and professionals interested in using computational modeling as a performance assessment and graphic visualization tool.

The Routledge Companion to Performance Philosophy is a volume of especially commissioned critical essays, conversations, collaborative, creative and performative writing mapping the key contexts, debates, methods, discourses and practices in this developing field. Firstly, the collection offers new insights on the fundamental question of how thinking happens: where, when, how and by whom philosophy is performed. Secondly, it provides a plurality of new accounts of performance and performativity – as the production of ideas, bodies and knowledges – in the arts and beyond. Comprising texts written by international artists, philosophers and scholars from multiple disciplines, the essays engage with questions of how performance thinks and how thought is performed in a wide range of philosophies and performances, from the ancient to the contemporary. Concepts and practices from diverse geographical regions and cultural traditions are analysed to draw conclusions about how performance operates across art, philosophy and everyday life. The collection both contributes to and critiques the philosophy of music, dance, theatre and performance, exploring the idea of a philosophy from the arts. It is crucial reading material for those interested in the hierarchy of the relationship between philosophy and the arts, advancing debates on philosophical method, and the relation between Performance and Philosophy more broadly.

This book is about materials. The fundamental properties and technical aspects are reviewed within a context of a material’s history, the theories of its meaning and making, and its use. Information about the sustainability aspects of each material is included (as a critical necessity in construction). Innovative design comes from an understanding of materials for what they are, how they have been used in the past, and how they can support human activity. The author provides essential information to students and professionals concerned with advancing their design at a time when the consumption of natural resources and the consequences of wasteful practices are of urgent concern. Instructors considering this book for use in a course may request an examination copy here.

Breaking with the idea that gardens are places of indulgence and escapism, these studies of ritualized practices reveal that gardens in Europe, Asia, the United States, and the Caribbean have in fact made significant contributions to cultural change. This book demonstrates methods and the striking results of garden reception studies. The first section explores how cultural changes occur, and devotes chapters to public landscapes in the Netherlands, seventeenth-century Parisian gardens, Freemason gardens in Tuscany, nineteenth-century Scottish kitchen gardens, and the public parks of Edo and modern Tokyo. The second part provides striking examples of construction of self in vernacular gardens in Guadeloupe and American Japanese-style gardens in California. Finally, the third section analyzes struggles for political change in gardens of Yuan China and modern Britain.

As an international ecotourism destination, Yosemite National Park welcomes millions of climbers, sightseers, and other visitors from around the world annually, all of whom are afforded dramatic experiences of the natural world. This original and cross-disciplinary book offers an ethnographic and performative study of Yosemite visitors in order to understand human connection with and within natural landscapes. By grounding a novel “eco-semiotic” analysis in the lived reality of parkgoers, it forges surprising connections, assembling a collective account that will be of interest to disciplines ranging from performance studies to cultural geography.