This text is an exploration of the origins and lasting influence of two contesting but intertwined discourses that persist today when we use the words landscape, country, scenery, and, nature.

Marilyn Monroe is alive and well in the American imagination. She is the stuff of memory, living as icon, mysterious suicide, transgressive goddess—a character that tells the story of America itself. American Monroe explores the ways we remember Marilyn—from playing cards, books, and fan clubs, to female impersonators, political conspiracies, and high art, her ubiquitous presence informs our cultural common ground. Finding in Marilyn a "representative character" of our time, Baty explores some of the cultural lives she has been made to lead. We follow "the mediatrix" from the biographies by Mailer and Steinem, to the shadowy Kennedy connection, to the coroner Noguchi's obsession with the body of the dead star. Representations of Marilyn, Baty shows, displace neat categories of high and low culture, of public and private, male and female. She becomes a surface that mirrors everything it touches, a site upon which to explore the character of the postmodern condition. American Monroe is an innovative, scintillating look at the making and remaking of popular icons. It explores the vocabulary of memory as it moves the reader past vistas of American political culture. It seeks to understand Marilyn's enduring power and how, through our many-layered rememberings of her, we come to understand ourselves and our shared history.

Compiling nine authoritative essays spanning an extensive academic career, author Kenneth R. Olwig presents explorations in landscape geography and architecture from an environmental humanities perspective. With influences from art, literature, theatre staging, architecture, and garden design, landscape has come to be viewed as a form of spatial scenery, but this reading captures only a narrow representation of landscape meaning today. This book positions landscape as a concept shaped through the centuries, evolving from place to place to provide nuanced interpretations of landscape meaning. The essays are woven together to gather an international approach to understanding the past and present importance of landscape as place and polity, as designed space, as nature, and as an influential factor in the shaping of ideas in a just social and physical environment. Aimed at students, scholars, and researchers in landscape and beyond, this illustrated volume traces the idea of landscape from the ancient polis and theatre through to the present day.

A reflection on the metaphor of the body politic throughout American history

The Body Politic is the first comprehensive history of the significance and struggles over science in America.

n the past decade, spanning from the aftermath of the 2008 financial crisis to the beginning of the Covid-19 pandemic, rural poverty in the United States has risen dramatically. The impact of the pandemic is set to intensify these inequalities as the decades of neoliberal dismantling of public healthcare and other social institutions leave inhabitants of impoverished rural areas particularly vulnerable. Even before this current exacerbation, representations of rural landscape in American cinema have sought to spatially visualize the country’s social inequalities and focus on the victims of poverty and marginalization. The films discussed in this monograph, Ballast (2008), Winter’s Bone (2010), Beasts of the Southern Wild (2012), and Leave No Trace (2018), address deep rural poverty in a complex manner and facilitate an interactive, social understanding of landscape. New Rural Cinema suggest a novel way of looking at landscape in cinema that responds to and guides its readers through this recent development in American Independent film. It views the chosen films as expressions of a growing awareness of the dire inequality caused by neoliberal capitalism in the United States and the role landscape plays both in its mechanisms of social exclusion as well as in its collective contestation.

Landscape Citizenships, featuring work by academics from North America, Europe, and the Middle East, extends the growing body of thought and research in landscape democracy and landscape justice. Landscape, as a milieu of situated everyday practice in which people make places and places make people in an inextricable relation, is proving a powerful concept for conceiving of politics and citizenships as lived, dialogic, and emplaced. Grounded in discourses of ecological, environmental, watershed, and bioregional citizenships, this edited collection evaluates belonging through the idea of landscape as landship which describes substantive, mutually constitutive relations between people and place. With a strong international focus across 14 chapters, it delves into key topics such as marginalization, indigeneity, globalization, politics, and the environment, before finishing with an epilogue written by Kenneth R. Olwig. This volume will appeal to scholars and activists working in citizenship studies, migration, landscape studies, landscape architecture, ecocriticism, and the many disciplines which converge around these topics, from design to geography, anthropology, politics, and much more.