First published in 1986, Landscape Meanings and Values presents a major contribution to the debate concerning the relationship between theory and practice in landscape analysis and planning. It brings together a number of the most eminent researchers, commentators and practitioners from both the United States of America and Britain to pursue the fundamental meanings and values in landscape. The insights into the theory behind landscape management will force a fundamental rethink of the role of landscape architect and land management. Academic researchers will find the feedback from eminent practitioners a stimulation for more practical research. The collection of ideas in the last chapter provides a unique synthesis of the need for an expansion of study into the fundamental significance of landscape today. This book will be of value to students of geography, environmental studies, landscape architecture and land management.

Compiling nine authoritative essays spanning an extensive academic career, author Kenneth R. Olwig presents explorations in landscape geography and architecture from an environmental humanities perspective. With influences from art, literature, theatre staging, architecture, and garden design, landscape has come to be viewed as a form of spatial scenery, but this reading captures only a narrow representation of landscape meaning today. This book positions landscape as a concept shaped through the centuries, evolving from place to place to provide nuanced interpretations of landscape meaning. The essays are woven together to gather an international approach to understanding the past and present importance of landscape as place and polity, as designed space, as nature, and as an influential factor in the shaping of ideas in a just social and physical environment. Aimed at students, scholars, and researchers in landscape and beyond, this illustrated volume traces the idea of landscape from the ancient polis and theatre through to the present day.

In Landscapes in India, Amita Sinha shows that landscapes can be read like languages, as arrangements of symbols that reveal cultural values. South Asian landscapes'rich with formalized symbols, from the Cosmic Tree in Buddhist landscapes to cities patterned on mandalas'offer a training ground for reading landscapes everywhere. In a readable narrative heavily illustrated with spectacular color photographs, Sinha introduces readers to sacred and secular landscapes, identifying archetypal forms that have evolved over millennia. According to Sinha, landscape symbols express all that a culture holds dear and externalize deeply felt emotions'of security, kinship, and relationship with the divine. Architects, landscape architects, and planners will rely on this beautiful book's idation of archetypal forms and how they co-evolve with nature and culture. Landscapes in India also offers fresh perspectives for travelers and readers interested in geography, anthropology, and religion.

The roots of environmental aesthetics reach back to the ideas of eighteenth-century thinkers who found nature an ideal source of aesthetic experience. Today, having blossomed into a significant subfield of aesthetics, environmental aesthetics studies and encourages the appreciation of not just natural environments but also human-made and human-modified landscapes. Nature and Landscape is an important introduction to this rapidly growing area of aesthetic understanding and appreciation. Allen Carlson begins by tracing the development of the field's historical background, and then surveys contemporary positions on the aesthetics of nature, such as scientific cognitivism, which holds that certain kinds of scientific knowledge are necessary for a full appreciation of natural environments. Carlson next turns to environments that have been created or changed by humans and the dilemmas that are posed by the appreciation of such landscapes. He examines how to aesthetically appreciate a variety of urban and rural landscapes and concludes with a discussion of whether there is, in general, a correct way to aesthetically experience the environment.

How does knowledge of everyday environments foster deeper understanding of both past and present cultural life? Traditional studies in this field have been of rural life. Here, contributors explore aspects of the emergent field of urban cultural landscape studies--with the challenging issues of class, race, ethnicity, and subculture--to demonstrate the value of investigating the many meanings of ordinary settings. 67 illustrations.

This book looks at research methods that are specific to and for landscape architecture, and contributes to the further development of landscape architecture as an academic discipline in its own right.

This eloquent and powerful book combines poetry and pragmatism to teach the language of landscape. Anne Whiston Spirn, author of the award-winning The Granite Garden: Urban Nature and Human Design, argues that the language of landscape exists with its own syntax, grammar, and metaphors, and that we imperil ourselves by failing to learn to read and speak this language. To understand the meanings of landscape, our habitat, is to see the world differently and to enable ourselves to avoid profound aesthetic and environmental mistakes. Offering examples that range across thousands of years and five continents, Spirn examines urban, rural, and natural landscapes. She discusses the thought of renowned landscape authors--Thomas Jefferson, Frank Lloyd Wright, Frederick Law Olmsted, Lawrence Halprin--and of less well known pioneers, including Australian architect Glenn Murcutt and Danish landscape artist C. Th. Sørensen. She discusses instances of great landscape designers using landscape fluently, masterfully, and sometimes cynically. And, in a probing analysis of the many meanings of landscape, Spirn shows how one person's ideal landscape may be another's nightmare, how Utopian landscapes can be dark. There is danger when we lose the connection between a place and our understanding of it, Spirn warns, and she calls for change in the way we shape our environment, based on the notions of nature as a set of ideas and landscape as the expression of action and ideas in place.