Classic fairytales get a refreshing satirical twist in this collection of illustrated stories in which gnomes, pixies, and other fairy folk share tall tales of the strange and unbelievable human world and its inhabitants. Brimming with keen observations and wild assumptions on human anatomy, customs, languages, rituals, dwellings, and more, The Land of Stone Flowers is as absurd as it is astounding, examining contradictory and nonsensical human behaviors through the lens of the fantastic: from the bewitching paper wizards who live in humans' wallets to their invisible hats, known as "moods," which cloud their view of the world. Bursting with intricate and evocative illustrations, The Land of Stone Flowers will draw readers into a world of fantasy and fable that slyly reveals many hidden truths about human existence.

Children of the Stone is the unlikely story of Ramzi Hussein Aburedwan, a boy from a Palestinian refugee camp in Ramallah who confronts the occupying army, gets an education, masters an instrument, dreams of something much bigger than himself, and then inspires scores of others to work with him to make that dream a reality. That dream is of a music school in the midst of a refugee camp in Ramallah, a school that will transform the lives of thousands of children through music. Daniel Barenboim, the Israeli musician and music director of La Scala in Milan and the Berlin Opera, is among those who help Ramzi realize his dream. He has played with Ramzi frequently, at chamber music concerts in Al-Kamandjati, the school Ramzi worked so hard to build, and in the West-Eastern Divan Orchestra that Barenboim founded with the late Palestinian intellectual, Edward Said. Children of the Stone is a story about music, freedom and conflict; determination and vision. It's a vivid portrait of life amid checkpoints and military occupation, a growing movement of nonviolent resistance, the past and future of musical collaboration across the Israeli-Palestinian divide, and the potential of music to help children see new possibilities for their lives. Above all, Children of the Stone chronicles the journey of Ramzi Aburedwan, and how he worked against the odds to create something lasting and beautiful in a war-torn land.

The engaging autobiographical account of a poet-in-residence at a psychiatric hospital who helps a silent young man regain his speaking voice through writing poetry. For more than a decade, Karen Chase taught poetry writing to severely incapacitated patients at a large psychiatric hospital outside of New York City. During that time, she began working with Ben, a handsome, formerly popular and athletic young man who had given up speaking and had withdrawn from social interaction. Meeting on the locked ward every week for two years, Chase and Ben passed a pad of paper back and forth, taking turns writing one line of poetry each, ultimately producing 180 poems that responded to, diverged from, and built on each other’s words. Land of Stone is Chase’s account of writing with Ben, an experience that was deeply transformative for both poet and patient. In Chase’s engrossing narrative, readers will find inspiration in the power of writing to change and heal, as well as a compelling firsthand look at the relationship between poet and patient. As she tells of Ben’s struggle to come out of silence, Chase also recounts the issues in her own life that she confronts by writing with Ben, including her mother’s recent death and a childhood struggle with polio. Also, since poetry writing seems to reach Ben in a way that his clinical therapy cannot, Chase describes and analyzes Ben’s writing in detail to investigate the changes that appeared to be taking place in him as their work progressed. A separate section presents twenty-two poems that Chase wrote with Ben, selected to show his linguistic development over time, and a final section offers Chase’s thoughtful reflections on the creative process. Land of Stone will provide honest and valuable insight to psychologists, psychiatrists, social workers, alternative therapists, and other mental health practitioners, and will also surely be of interest to creative writers, teachers, linguists, and anyone looking to explore the connections between language and healing.

The stories in this anthology are the work of a new generation of Palestinian writers who began to appear in the 1960s both inside Palestine & abroad.

The misty fog drifts in swirls, over, around and through the wispy gray moss hanging low from the branches of the giant Live Oak Trees that dot the dark, errie banks of the Bayou Teche. The full silver moon was riding low through the Live Oak tree branches in the dark Mid-night sky. Everywhere you looked the sky was pelted with bright stars. Further down the bank of the Bayou, shining through the ghostly trees, stands a big Plantation House, white, silent, and tall. It's white columns gleaming in the silvery moonlight. The Plantation house is empty and lonely! SSSSSSsssssss.......What's that? Who's there? A wispy, white, filmy, uh, uh, uh, SOMETHING, can be seen floating through the Giant Live Oak Trees, floating, floating, and swirling around the gray Spanish Moss that trails to the ground. A gently breeze tugged at the filmy, gauzy, white 'STUFF....!!! 000000OOOOOooooooN0.....A GHOST!!! En Petit' Cajun Spirit. -------A----GHOST!!! ALON' MES AME', Come join the fun, be like this lazy little Cajun French boy, roll with laughter and puzzle over this mystery. Come, fly with Christian and the littlest ghost and learn the story on the back of the old door of the Plantation House. You will love this petit ghost story. Alon', Alon', Mes Ame' (come, come, my friend).