The story of a little girl who wants to fly high, from the author of the Cowgirl Kate and Cocoa series! When little Lana suggests a family adventure to the moon, Papa, Mama, Jay, Ray, and even Furry the dog have excuses not to go. But that’s not enough to stop the imaginative and resourceful Lana from rocketing into space and ultimately getting her whole family to blast off with her… Vroom! Zoom! Whoosh! Welcome to Lana’s World!

Welcome to Lana's World, where a highly imaginative girl reels her loving but "too busy" family into an afternoon of pretend-play and side-by-side togetherness.

Rat-a-tat-tat! Dum-da-da-dum! Sis-boom-ba! Little Lana wants to have a parade with her family. But it's raining and Mama, Papa, Ray, and Jay don’t want to get wet. Of course, the pitter-pitter-pat of the rain isn’t enough to dampen Lana’s imaginative spirit or plans! She knows how to create a parade all by herself, a parade so fun that her family will soon be marching right along. Welcome to Lana’s World!

From the author of the “fast-paced, heartbreaking, and hopeful” (Kristin Harmel, author of The Room on Rue Amélie) The Light After the War, a riveting and heartfelt story of a young woman recruited to be a spy for the resistance on the French Riviera during World War II. Paris 1943: Lana Antanova is on her way to see her husband with the thrilling news that she is pregnant. But when she arrives at the convent where he teaches music, she’s horrified to see Gestapo officers execute him for hiding a Jewish girl in the piano. A few months later, grieving both her husband and her lost pregnancy, Lana is shocked when she’s approached to join the resistance on the French Riviera. As the daughter of a Russian countess, Lana has the perfect background to infiltrate the émigré community of Russian aristocrats who socialize with German officers, including the man who killed her husband. Lana’s cover story makes her the mistress of Guy Pascal, a wealthy Swiss industrialist and fellow resistance member, in whose villa in Cap Ferrat she lives. Together, they gather information on upcoming raids and help members of the Jewish community escape. Consumed by her work, she doesn’t expect to become attached to a young Jewish girl or wonder about the secrets held by the man whose house she shares. And as the Nazis’ deadly efforts intensify, her intention to protect those around her may put them all at risk instead. With Anita Abriel’s “heartfelt and memorable” (Pam Jenoff, New York Times bestselling author) storytelling, Lana’s War is a sweeping and suspenseful tale of survival and second chances during some of the darkest days of history.

Lana is one who faced choices from childhood right on through time as she became aged. She faced the loss of a child, the loss of what would have been a generous inheritance, and triumph through Gods intervention in her life. Everyone has to make choicesfrom the moment of rising in the morning to the hour of settling in at night. Some choices are very difficult, while many result in great joy. The choices Lana made throughout her lifetime are encouragement for others who must make choices in their lives. Lanas choices may not always have been right, and you may think you would have chosen differently. But as you read this story, note how God weaves in and out of life according to our choices.

Lana and Lilly Wachowski have redefined the technically and topically possible while joyfully defying audience expectations. Visionary films like The Matrix trilogy and Cloud Atlas have made them the world's most influential transgender media producers, and their coming out retroactively put trans* aesthetics at the very center of popular American culture. Cáel M. Keegan views the Wachowskis' films as an approach to trans* experience that maps a transgender journey and the promise we might learn "to sense beyond the limits of the given world." Keegan reveals how the filmmakers take up the relationship between identity and coding (be it computers or genes), inheritance and belonging, and how transgender becoming connects to a utopian vision of a post-racial order. Along the way, he theorizes a trans* aesthetic that explores the plasticity of cinema to create new social worlds, new temporalities, and new sensory inputs and outputs. Film comes to disrupt, rearrange, and evolve the cinematic exchange with the senses in the same manner that trans* disrupts, rearranges, and evolves discrete genders and sexes.

From the author of the “fast-paced, heartbreaking, and hopeful” (Kristin Harmel, author of The Room on Rue Amélie) The Light After the War, a riveting and heartfelt story of a young woman recruited to be a spy for the resistance on the French Riviera during World War II. Paris 1943: Lana Antanova is on her way to see her husband with the thrilling news that she is pregnant. But when she arrives at the convent where he teaches music, she’s horrified to see Gestapo officers execute him for hiding a Jewish girl in the piano. A few months later, grieving both her husband and her lost pregnancy, Lana is shocked when she’s approached to join the resistance on the French Riviera. As the daughter of a Russian countess, Lana has the perfect background to infiltrate the émigré community of Russian aristocrats who socialize with German officers, including the man who killed her husband. Lana’s cover story makes her the mistress of Guy Pascal, a wealthy Swiss industrialist and fellow resistance member, in whose villa in Cap Ferrat she lives. Together, they gather information on upcoming raids and help members of the Jewish community escape. Consumed by her work, she doesn’t expect to become attached to a young Jewish girl or wonder about the secrets held by the man whose house she shares. And as the Nazis’ deadly efforts intensify, her intention to protect those around her may put them all at risk instead. With Anita Abriel’s “heartfelt and memorable” (Pam Jenoff, New York Times bestselling author) storytelling, Lana’s War is a sweeping and suspenseful tale of survival and second chances during some of the darkest days of history.