First in “a crime trilogy so searing it will burn forever into your memory. McIlvanney is the original Scottish criminal mastermind” (Christopher Brookmyre, international bestselling author). The Laidlaw novels, a groundbreaking trilogy that changed the face of Scottish fiction, are credited with being the founding books of the Tartan Noir movement that includes authors like Val McDermid, Denise Mina, and Ian Rankin. Says McDermid of William McIlvanney: “Patricia Highsmith had taken us inside the head of killers; Ruth Rendell tentatively explored sexuality; with No Mean City, Alexander McArthur had exposed Glasgow to the world; Raymond Chandler had dressed the darkness in clever words. But nobody had ever smashed those elements together into so accomplished a synthesis.” In Laidlaw, the first book of the series, readers meet Jack Laidlaw, a hard-drinking philosopher-detective whose tough exterior cloaks a rich humanity and keen intelligence. Laidlaw’s investigation into the murder of a young woman brings him into conflict with Glasgow’s hard men, its gangland villains, and the moneyed thugs who control the city. As the gangsters running Glasgow race Laidlaw for the discovery of the young woman’s killer, a sense of dangerous betrayal infests the city that only Laidlaw can erase. “From the opening chapter of Laidlaw, I knew I’d never read a crime novel like this.” —Val McDermid, international bestselling author “It’s doubtful I would be a crime writer without the influence of McIlvanney’s Laidlaw.” —Ian Rankin, New York Times–bestselling author “Laidlaw is a tough novel, with an exciting ending, and it is superbly written. You should not miss this one.” —The New York Times “A classic of the genre.” —The Guardian

THE SUNDAY TIMES BESTSELLER 'Fantastic' Lee Child 'Absolutely brilliant' Mick Herron If the truth's in the shadows, get out of the light . . . Lawyer Bobby Carter did a lot of work for the wrong type of people. Now he's dead and it was no accident. Besides a distraught family and a heap of powerful friends, Carter's left behind his share of enemies. So, who dealt the fatal blow? DC Jack Laidlaw's reputation precedes him. He's not a team player, but he's got a sixth sense for what's happening on the streets. His boss chalks the violence up to the usual rivalries, but is it that simple? As two Glasgow gangs go to war, Laidlaw needs to find out who got Carter before the whole city explodes. William McIlvanney's Laidlaw books changed the face of crime fiction. When he died in 2015, he left half a handwritten manuscript of Laidlaw's first case. Now, Ian Rankin is back to finish what McIlvanney started. In The Dark Remains, these two iconic authors bring to life the criminal world of 1970s Glasgow, and Laidlaw's relentless quest for truth.

The third Laidlaw novel from the Father of Tartan Noir explores “the ruin of the body, the corruption of the soul and the shattering of society” (The Wall Street Journal). Strange Loyalties begins with Jack Laidlaw’s despair and anger at his brother’s death in a banal road accident. But his nagging doubts about the dynamics of the incident lead to larger questions about the nature of pain and injustice and the greater meaning of his own life. He becomes convinced there is more to his brother’s death. His investigations will lead to a confrontation with his own past and a harrowing journey into the dark Glasgow underworld. The Laidlaw books are widely considered to be among the greatest achievements of Scottish crime writing and the founding novels of what has since become known as the school of Tartan Noir that includes authors like Val McDermid, Denise Mina, and Ian Rankin. “This extraordinary and beautifully written novel . . . sets a high standard among contemporary thrillers. . . . Strange Loyalties, like its detective hero, is captivating and unforgettable.” —Publishers Weekly Praise for William McIlvanney and the Laidlaw series “A crime trilogy so searing it will burn forever into your memory. McIlvanney is the original Scottish criminal mastermind.” —Christopher Brookmyre, international bestselling author “The Laidlaw books are like fine malt whiskey—the pure distilled essence of Scottish crime writing.” —Peter May, international bestselling author “Fastest, first and best, Laidlaw is the melancholy heir to Marlowe. Reads like a breathless scalpel cut through the bloody heart of a city.” —Denise Mina, award-winning author of Conviction

THE SECOND IN THE ORIGINAL LAIDLAW TRILOGY. WINNER OF THE CWA SILVER DAGGER THE DARK REMAINS, Laidlaw's first case, out 2 September 2021. PRE-ORDER NOW! 'In a class of his own' Guardian 'Reads like a breathless scalpel through the bloody heart of a great city' Denise Mina Eck Adamson, an alcoholic vagrant, summons Jack Laidlaw to his deathbed. Probably the only policeman in Glasgow who would bother to respond, Laidlaw sees in Eck's cryptic last message a clue to the murder of a gangland thug and the disappearance of a student. With stubborn integrity, Laidlaw tracks a seam of corruption that runs from the top to the bottom of society. Acclaimed for its corrosive wit, dark themes and original maverick detective, the Laidlaw trilogy has earned the status of classic crime fiction.

Set in the fifteen lanes that comprise Mumbai's red light district Fifteen Lanes compellingly explores class, race and gender through the alternating voices of two teenage protagonists. Noor lives in a Mumbai brothel with her mother and siblings and is immensely grateful for the chance to go to school, hoping it will help her escape being sold into the sex trade. Grace is the Canadian daughter of the CEO of one of Mumbai's largest banks. When the two eventually meet at a NGO support centre for women and children, their lives and perspectives are irrevocably changed.

Emma Maria Rossini appears to be the luckiest girl in the world. She's the daughter of a beautiful and loving mother, and her father is one of the most famous film actors of his generation. She's also the granddaughter of a rather eccentric and obscure Italian astrophysicist. But as her seemingly charmed life begins to unravel, and Emma experiences love and tragedy, she ultimately finds solace in her once-derided grandfather's Theorem on the universe. The Space Between Time is humorous and poignant and offers the metaphor that we are all connected, even to those we have loved and not quite lost.