L’AGE D’OR (1929), the second film by Surrealists Luis Buñuel and Salvador Dalí, remains as shocking now as on its debut with its images of sexual mania, violence, cruelty, filth, and wanton destruction. It also stands as the first-ever film to reference the writings of the Marquis de Sade, including the recreation of murderous and blasphemous scenes from Sade’s atrocity bible 120 Days Of Sodom. This special ebook study of L’AGE D’OR provides an in-depth analysis and history of this seminal Surrealist film, accompanied by a gallery of rare photographic illustrations.

One of the greatest collaborations of cinema history, L'Âge d'Or(1930) united the geniuses of Luis Buñuel and Salvador Dali in the making of a Surrealist masterpiece - a uniquely savage blend of visual poetry and social criticism. The film was banned and vilified for many years in many countries, becoming justly legendary for its subversive eroticism and its furious dissection of 'civilised' values. In a remarkable, intuitive reading of L'Âge d'Or, Paul Hammond interweaves a detailed account of the extraordinary circumstances of its production with a dazzling interpretation of its aesthetic and political nuances. At once authoritative and polemical, this is a study entirely in tune with its subject, a fitting celebration of a major landmark in world cinema.

"An important contribution to film theory. . . . Williams has a fluid, assured style. She is clearly in command of the subject. She's made a strong and original argument for the psychoanalytic basis of Surrealism."--James Monaco, author of The New Wave

A medieval saga with political intrigue reminiscent of Game of Thrones, The Golden Age is an epic graphic novel duology from Roxanne Moreil and Cyril Pedrosa about utopia and revolution. In the kingdom of Lantrevers, suffering is a way of life—unless you’re a member of the ruling class. Princess Tilda plans to change all that. As the rightful heir of late King Ronan, Tilda wants to deliver her people from famine and strife. But on the eve of her coronation, her younger brother, backed by a cabal of power-hungry lords, usurps her throne and casts her into exile. Now Tilda is on the run. With the help of her last remaining allies, Tankred and Bertil, she travels in secret through the hinterland of her kingdom. Wherever she goes, the common folk whisper of a legendary bygone era when all men lived freely. There are those who want to return to this golden age—at any cost. In the midst of revolution, how can Tilda reclaim her throne?

Leni Riefenstahl's Olympia (1938) is one of the most controversial films ever made. Capitalising on the success of Triumph of the Will (1935), her propaganda film for the Nazi Party, Riefenstahl secured Hitler's approval for her grandiose plans to film the 1936 Berlin Olympics. The result was a work as notorious for its politics as celebrated for its aesthetic power. This revised edition includes new material on Riefenstahl's film-making career before Olympia and her close relationship with Hitler. Taylor Downing also discusses newly-available evidence on the background to the film's production that conclusively proves that the film was directly commissioned by Hitler and funded through Goebbels's Ministry of Propaganda and not, as Riefenstahl later claimed, commissioned independently from the Nazi state by the Olympic authorities. In writing this edition, Taylor Downing has been given access to a magnificent new restoration of the original version of the film by the International Olympic Committee.

One of the greatest collaborations of cinema history, L'Âge d'Or(1930) united the geniuses of Luis Buñuel and Salvador Dali in the making of a Surrealist masterpiece - a uniquely savage blend of visual poetry and social criticism. The film was banned and vilified for many years in many countries, becoming justly legendary for its subversive eroticism and its furious dissection of 'civilised' values. In a remarkable, intuitive reading of L'Âge d'Or, Paul Hammond interweaves a detailed account of the extraordinary circumstances of its production with a dazzling interpretation of its aesthetic and political nuances. At once authoritative and polemical, this is a study entirely in tune with its subject, a fitting celebration of a major landmark in world cinema.