In 1837, at the age of twenty-three, Angela Burdett-Coutts inherited a vast fortune from her banker grandfather, making her one of the richest and thus potentially powerful women in Victorian England. She moved in the highest social circles: entertaining the rising stars of the political scene, Disraeli and Gladstone; attending scientific lectures with Faraday; pursuing her philanthropic work with Dickens; and falling in love with the aged Duke of Wellington. Her acts of charity were enormous and wide-ranging-establishing a home for 'fallen women', pioneering model housing, battling for sanitary reform, supporting the NSPCC and the RSPCA, and promoting technical education and domestic science. A devout Anglican, she built churches, founded colonial bishoprics and encouraged the missionary work of Livingstone and others. Despite all this activity, Angela remained throughout her life a shy and supremely private person. The full range of her charity will probably never be known, for she often acted through intermediaries such as Dickens, describing herself only as 'lady unknown'. And a 'lady unknown' she has largely remained, her role in Victorian England strangely overlooked or forgotten. Edna Healey has uncovered much new material, including unpublished correspondence from Dickens, Livingstone, Gladstone, Wellington, Faraday and Henry Irving, to provide a fascinating insight into this most remarkable lady.

A New York Times Book Review Editors' Choice New York Times Notable author María Gainza, who dazzled critics with Optic Nerve, returns with the captivating story of an auction house employee on the trail of an enigmatic master forger In the Buenos Aires art world, a master forger has achieved legendary status. Rumored to be a woman, she specializes in canvases by the painter Mariette Lydis, a portraitist of Argentinean high society. But who is this absurdly gifted creator of counterfeits? What motivates her? And what is her link to the community of artists who congregate, night after night, in a strange establishment called the Hotel Melancólico? On the trail of this mysterious forger is our narrator, an art critic and auction house employee through whose hands counterfeit works have passed. As she begins to take on the role of art-world detective, adopting her own methods of deception and manipulation, she warns us “not to proceed in expectation of names, numbers or dates . . . My techniques are those of the impressionist.” Driven by obsession and full of subtle surprise, Portrait of an Unknown Lady is a highly seductive and enveloping meditation on what we mean by "authenticity" in art, and a captivating exploration of the gap between what is lived and what is told.

Seduction is something Fionna Hawkes knows nothing about. So when she encounters a sexy stranger on a moonlit street, her first instinct is to defend herself against her darkly handsome suitor. But letting go of suspicion and allowing herself to fall for Lord Aidan McBride brings even greater danger. In his eyes, she glimpses a powerful passion she longs to fulfill. In his arms, she aches with the secret she longs to unburden. A secret that could cost her her livelihood—and her life. Aidan could never resist a mystery, especially one as mesmerizing as the lovely Miss Hawkes! Drawing her into the shelter of his embrace, he won't rest until he convinces her to reveal everything. Braving the danger that stalks Fionna at every turn, Aidan is determined to defend her—and just as determined to claim her as his own.

'A typical day on the 4 to 12 shift, as I am at present, so that the sheer agony of it may be placed on record for me to look back on, perhaps one day in the far distant future when this period may be seen like a nightmare and be mercifully semi-observed in oblivion so that I shall remember only the glory of my position as the first and only woman on the watch and holding the most responsible position of any woman in the Hut.' October 12th 1942. When Elisa Segrave uncovered a cache of wartime diaries written by her mother, she had no idea that she would be brought face to face with a character utterly different from the troubled woman who had become so reliant on her. Now, on the pages before her, Segrave encountered Anne Hamilton-Grace, a young woman who had grown up in immense privilege and luxury but who leapt at the first opportunity to join the war effort. Through determination she excelled in the world of secret intelligence. Leaving the world of finishing school and hunt balls behind her, Anne’s journey took her to Hut 3 at Bletchley Park, to Bomber Command in Grantham and, finally, to a newly liberated Germany. In The Girl From Station X, Segrave opens the pages of her mother’s diaries to us and recreates her life both before and after the war. At once a vivid recreation of a dramatic era and a powerful portrait of a mother-daughter relationship, this is an original and affecting work about what it means to come to know someone through their writing; about how Anne unwittingly found a way to link her life with her daughter’s decades after they had given up trying to communicate.

"In this delightful autofiction―the first book by Gainza, an Argentine art critic, to appear in English―a woman delivers pithy assessments of world–class painters along with glimpses of her life, braiding the two into an illuminating whole." ―The New York Times Book Review, Notable Book of the Year and Editors' Choice The narrator of Optic Nerve is an Argentinian woman whose obsession is art. The story of her life is the story of the paintings, and painters, who matter to her. Her intimate, digressive voice guides us through a gallery of moments that have touched her. In these pages, El Greco visits the Sistine Chapel and is appalled by Michelangelo’s bodies. The mystery of Rothko’s refusal to finish murals for the Seagram Building in New York is blended with the story of a hospital in which a prostitute walks the halls while the narrator’s husband receives chemotherapy. Alfred de Dreux visits Géricault’s workshop; Gustave Courbet’s devilish seascapes incite viewers “to have sex, or to eat an apple”; Picasso organizes a cruel banquet in Rousseau’s honor . . . All of these fascinating episodes in art history interact with the narrator’s life in Buenos Aires―her family and work; her loves and losses; her infatuations and disappointments. The effect is of a character refracted by environment, composed by the canvases she studies. Seductive and capricious, Optic Nerve marks the English–language debut of a major Argentinian writer. It is a book that captures, like no other, the mysterious connections between a work of art and the person who perceives it.

Reprint of the original, first published in 1874. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

These four Stefan Zweig stories, newly translated by the award-winning Anthea Bell, are among his most celebrated and compelling work. The titular tale is a devastating depiction of unrequited love, which inspired a classic Hollywood film, directed by Max Ophüls and starring Joane Fontaine. Elsewhere in the collection, a young man mistakes the girl he loves for her sister, two erstwhile lovers meet after an age spent apart, and a married woman repays a debt of gratitude to her childhood sweetheart. Expertly paced, laced with the acutely accurate psychological detail and empathy that are Zweig's trademarks, this is a powerful addition to Pushkin's growing collection of his work.