Fearing his new bride is too innocent for him, Lord Andrew Walters leaves her on the morning after their wedding night. When Lady Jane follows him to London, he takes refuge in Mrs. Chaney's brothel, believing his wife will not follow him to a house of ill-repute. But Andrew has underestimated his bride. Determined to win him back to her marriage bed, Jane visits the brothel and employs the services of Mademoiselle Celine to teach her how to please her husband. When he learns what his wife has been up to, will Andrew embrace her passions, or insist she returns to the country without him? This Regency romance novella contains steamy scenes and elements of domestic discipline.

Soon to be a series on Prime Video! New York Times Bestseller * Publishers Weekly Best Young Adult Book of the Year * Bustle Best Young Adult Book of the Year * YALSA Best Fiction for Young Adults This comical, fantastical, romantical, New York Times bestselling, (not) entirely true story of Lady Jane Grey is “an uproarious historical fantasy that’s not to be missed” (Publishers Weekly, starred review). In My Lady Jane, coauthors Cynthia Hand, Brodi Ashton, and Jodi Meadows have created a one-of-a-kind YA fantasy in the tradition of The Princess Bride, featuring a reluctant king, an even more reluctant queen, a noble steed, and only a passing resemblance to actual history—because sometimes history needs a little help. At sixteen, Lady Jane Grey is about to be married off to a stranger and caught up in a conspiracy to rob her cousin, King Edward, of his throne. But those trifling problems aren’t for Jane to worry about. Jane gets to be Queen of England. Like that could go wrong. And don't miss the authors' next fun read, My Plain Jane!

A beautiful synthesis of Robin Hood legends. --Marion Zimmer Bradley With her king a captive and her coffers drained, England is left in turmoil during the Crusades. After the death of her father in the Holy Land, Lady Marian of Ravenskeep finds herself alone--and at the mercy of men vying for her lands and her beauty. Thrust into games of political intrigue, the sheltered knight's daughter soon learns to trust no one. . . Afforded a hero's homecoming, Sir Robert of Locksley returns from the Crusades a shattered man. In a country he barely recognizes, one torn apart by treachery and betrayal, he finds in Marian a kindred soul. Their quest for justice will take them into the depths of Sherwood Forest, where the dream of a new England will be born. . . "An imaginative and riveting novel, impossible to put down." --Booklist "Robinson expertly evokes the sensations and frustrations of medieval life." --Kirkus "A diverting, delightful book." --Publishers Weekly

Is love “blind” when it comes to gender? For women, it just might be. This unsettling and original book offers a radical new understanding of the context-dependent nature of female sexuality. Lisa M. Diamond argues that for some women, love and desire are not rigidly heterosexual or homosexual but fluid, changing as women move through the stages of life, various social groups, and, most important, different love relationships.This perspective clashes with traditional views of sexual orientation as a stable and fixed trait. But that view is based on research conducted almost entirely on men. Diamond is the first to study a large group of women over time. She has tracked one hundred women for more than ten years as they have emerged from adolescence into adulthood. She summarizes their experiences and reviews research ranging from the psychology of love to the biology of sex differences. Sexual Fluidity offers moving first-person accounts of women falling in and out of love with men or women at different times in their lives. For some, gender becomes irrelevant: “I fall in love with the person, not the gender,” say some respondents.Sexual Fluidity offers a new understanding of women’s sexuality—and of the central importance of love.

Polly Young-Eisendrath´s Women and Desire: Beyond Wanting to Be Wanted was first published by Harmony Books in 1999. Since then, it has become a classic read for those readers– to use a cinematographic expression – who want to use analytical psychology to shed light on what women want. This book, when first published, was described (and still is) as “provocative and vital.” More than 20 years after its publication, this book still shows effectively “how to break out of this double bind so that” women “can encounter the challenges of choice and responsibility for our own desires.” The author “wisely uses mythological and personal stories to help us take control of our sexual, relational, material, and spiritual lives.” Therefore, “If you feel confused, resentful, or trapped in a life that does not seem to be fully yours, then you can find a clear path to your true self, once and for all, with the help of Women and Desire.” This book is the second of the series titled Jungianeum: Re-Covered Classics in Analytical Psychology curated by Stefano Carpani.

“Fascinating . . . Alison Weir does full justice to the subject.”—The Philadelphia Inquirer At his death in 1547, King Henry VIII left four heirs to the English throne: his only son, the nine-year-old Prince Edward; the Lady Mary, the adult daughter of his first wife Katherine of Aragon; the Lady Elizabeth, the teenage daughter of his second wife Anne Boleyn; and his young great-niece, the Lady Jane Grey. In this riveting account Alison Weir paints a unique portrait of these extraordinary rulers, examining their intricate relationships to each other and to history. She traces the tumult that followed Henry's death, from the brief intrigue-filled reigns of the boy king Edward VI and the fragile Lady Jane Grey, to the savagery of "Bloody Mary," and finally the accession of the politically adroit Elizabeth I. As always, Weir offers a fresh perspective on a period that has spawned many of the most enduring myths in English history, combining the best of the historian's and the biographer's art. “Like anthropology, history and biography can demonstrate unfamiliar ways of feeling and being. Alison Weir's sympathetic collective biography, The Children of Henry VIII does just that, reminding us that human nature has changed--and for the better. . . . Weir imparts movement and coherence while re-creating the suspense her characters endured and the suffering they inflicted.”—The New York Times Book Review

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