Mojica dies in the pool at Las Palmas in the Termas del Arapey from a myocardial infarction. The death of the politician and former Tupamaro guerrilla leader, who was leading the polls for the upcoming presidential elections and was the head of the Popular Movement sector within the Progressive Front, raises serious doubts for the police as to whether it was a natural death, despite the ruling from the Forensic Technical Institute. Why did the lifeguard from the City Council of Salto, who should have been by the pool, claim that he had to suddenly go to the bathroom during his shift? Why did he state in his testimony that he had been locked in a bathroom for half an hour, a bathroom that didn't even have a lock on the outside? Why would a presidential candidate, who had been given only a 2% chance of having a heart attack in his most recent medical check-up, suffer a heart attack? Too many questions for the government of Dr. Valdez, from Mojica's own party, to let this slip by. The investigation must be carried out with utmost discretion, but the truth must be uncovered. To achieve that, the investigative duo Goldman and Ielicov, who solved Uruguay's only serial killer case four years earlier, are hired. Many people would have benefited from Mojica's death before he could reach the presidency, but did anyone dare to expedite the process? In his second historical noir novel, the author reveals 40 years of a country with a great democratic tradition that, however, suffered a dictatorship (or re-institutionalization, depending on who you ask) that lasted 12 long years. But it wasn't just the state that harmed the people. People also hurt each other.

On September 26, 1968, Hawaii Five-O premiered on CBS. The show's exotic locale and quality writing and acting made it a fixture in the network's line-up for the next 12 years. Today the detective series continues to be very popular in syndication. The show's history is covered first, focusing on its development and its stars. Complete casts and credits for all regulars are provided for each season; the episode guide gives the title, original air date, director, producer, guest stars a detailed synopsis of each show, and information on Honolulu residents who appeared in it.

Our American Cousin is a three-act play written by English playwright Tom Taylor. The play opened in London in 1858 but quickly made its way to the U.S. and premiered at Laura Keene’s Theatre in New York City later that year. It remained popular in the U.S. and England for the next several decades. Its most notable claim to fame, however, is that it was the play U.S. President Abraham Lincoln was watching on April 14, 1865 when he was assassinated by John Wilkes Booth, who used his knowledge of the script to shoot Lincoln during a more raucous scene. The play is a classic Victorian farce with a whole range of stereotyped characters, business, and many entrances and exits. The plot features a boorish but honest American cousin who travels to the aristocratic English countryside to claim his inheritance, and then quickly becomes swept up in the family’s affairs. An inevitable rescue of the family’s fortunes and of the various damsels in distress ensues. Our American Cousin was originally written as a farce for an English audience, with the laughs coming mostly at the expense of the naive American character. But after it moved to the U.S. it was eventually recast as a comedy where English caricatures like the pompous Lord Dundreary soon became the primary source of hilarity. This early version, published in 1869, contains fewer of that character’s nonsensical adages, which soon came to be known as “Dundrearyisms,” and for which the play eventually gained much of its popular appeal.

Summary of herbicide mechanism of action according to the Herbicide Resistance Action Committee (HRAC) and Weed Science Society of America (WSSA) Classification.

An easy-to-use dictionary of over 80,000 rhyming words.

"Kovalik helps cut through the Orwellian lies and dissembling which make so-called 'humanitarian' intervention possible." —Oliver Stone War is the fount of all the worst human rights violations―including genocide―and not its cure. This undeniable truth, which the framers of the UN Charter understood so well, is lost in today’s obsession with the oxymoron known as “humanitarian" intervention. No More War: How the West Violates International Law by Using 'Humanitarian' Intervention to Advance Economic and Strategic Interests sets out to reclaim the original intent of the Charter founders to end the scourge of war on the heels of the devastation wrought by WWII. The book begins with a short history of the West’s development as built upon the mass plunder of the Global South, genocide and slavery, and challenges the prevailing notion that the West is uniquely poised to enforce human rights through force. This book also goes through recent “humanitarian" interventions carried out by the Western powers against poorer nations (e.g., in the DRC, Congo, and Iraq) and shows how these have only created greater human rights problems – including genocide – than they purported to stop or prevent. No More War reminds the reader of the key lessons of Nuremberg – that war is the primary scourge of the world, the root of all the evils which international law seeks to prevent and eradicate, and which must be prevented. The reader is then taken through the UN Charter and other human rights instruments and their emphasis on the prevention of aggressive war.

Read the story behind the award-winning film Judas and the Black Messiah On December 4, 1969, attorney Jeff Haas was in a police lockup in Chicago, interviewing Fred Hampton's fiancÉe. Deborah Johnson described how the police pulled her from the room as Fred lay unconscious on their bed. She heard one officer say, "He's still alive." She then heard two shots. A second officer said, "He's good and dead now." She looked at Jeff and asked, "What can you do?" The Assassination of Fred Hampton remains Haas's personal account of how he and People's Law Office partner Flint Taylor pursued Hampton's assassins, ultimately prevailing over unlimited government resources and FBI conspiracy. Fifty years later, Haas writes that there is still an urgent need for the revolutionary systemic changes Hampton was organizing to accomplish. Not only a story of justice delivered, this book spotlights Hampton as a dynamic community leader and an inspiration for those in the ongoing fight against injustice and police brutality.