Noliwe M. Rooks's Ladies' Pages sheds light on the most influential African American women's magazines--Ringwood's Afro-American Journal of Fashion, Half-Century Magazine for the Colored Homemaker, Tan Confessions, Essence, and O, the Oprah Magazine--and their little-known success in shaping the lives of black women. Ladies' Pages demonstrates how these rare and thought-provoking publications contributed to the development of African American culture and the ways in which they in turn reflect important historical changes in black communities.

Second Edition (includes 5 additional women) A coloring book celebrating women in American political history. This book invites readers to discover the contributions of 69 courageous and tenacious women -- founding mothers, abolitionists, suffragists, feminists, labor and civil rights leaders, and pioneering female politicians who fought for women's rights and women's lives. It's not "just" a coloring book! Each coloring page is accompanied by a short bio and a fascinating fact and quotation along with suggestions for further reading and places to visit. It's inclusive and diverse, featuring many unsung heroines. Whether you want to color, read, or use this book as a springboard to learn more, this book has something for all ages. With Illustrations by 36 Artists: Aarti Arora, Aditi Tandon, Aileen Wu, Amber McGonegal, Arlene Holmes, Barbara Schneider, Caroline Mack, Caroline Yorke, Crina Magalio, Diana Patton, Holly Bess Kincaid, Jasmine Florentine, Jen Wistuba, Jill Obrig, Jill Schmidt, Jody Flegal, Judy Hnat, Julie Goetz, Justine Turnbull, Kat Schroeder, Kim Defibaugh, Kim Wood, Laura Leigh Myers, Laura Davidson, Lena Shiffman, Leslie Simon, Lynnor Bontigao, Mariya Kovalyov, Mary Delaney Connelly, Monisha Kulkarni, Natalie Obedos, Rachel Wintemberg, Sheryl Depp, Tiffany Castle, Tish Wells, and Victoria Ford.

In preparing a book of etiquette for ladies, I would lay down as the first rule, "Do unto others as you would others should do to you." You can never be rude if you bear the rule always in mind, for what lady likes to be treated rudely? True Christian politeness will always be the result of an unselfish regard for the feelings of others, and though you may err in the ceremonious points of etiquette, you will never be impolite. Politeness, founded upon such a rule, becomes the expression, in graceful manner, of social virtues. The spirit of politeness consists in a certain attention to forms and ceremonies, which are meant both to please others and ourselves, and to make others pleased with us; a still clearer definition may be given by saying that politeness is goodness of heart put into daily practice; there can be no _true_ politeness without kindness, purity, singleness of heart, and sensibility.

Written by Europe’s first professional woman writer, The Treasure of the City of Ladies offers advice and guidance to women of all ages and from all levels of medieval society, from royal courtiers to prostitutes. It paints an intricate picture of daily life in the courts and streets of fifteenth-century France and gives a fascinating glimpse into the practical considerations of running a household, dressing appropriately and maintaining a reputation in all circumstances. Christine de Pizan’s book provides a valuable counterbalance to male accounts of life in the middle ages and demonstrates, often with dry humour, how a woman’s position in society could be made less precarious by following the correct etiquette.

Beginning in the late nineteenth century, mainstream magazines established ideal images of white female culture, while comparable African American periodicals were cast among the shadows. Noliwe M. Rooks’s Ladies’ Pages sheds light on the most influential African American women’s magazines––Ringwood’s Afro-American Journal of Fashion, Half-Century Magazine for the Colored Homemaker, Tan Confessions, Essence, and O, the Oprah Magazine––and their little-known success in shaping the lives of black women. Ladies’ Pages demonstrates how these rare and thought-provoking publications contributed to the development of African American culture and the ways in which they in turn reflect important historical changes in black communities. What African American women wore, bought, consumed, read, cooked, and did at home with their families were all fair game, and each of the magazines offered copious amounts of advice about what such choices could and did mean. At the same time, these periodicals helped African American women to find work and to develop a strong communications network. Rooks reveals in detail how these publications contributed to the concepts of black sexual identity, rape, migration, urbanization, fashion, domesticity, consumerism, and education. Her book is essential reading for everyone interested in the history and culture of African Americans.

Provides profiles of the women who influenced the history of the United States as wives of its presidents.