This work develops the trigonometric functions using a unit circle approach and shows how it leads to the right triangle approach. Graphing techniques are emphasized, including a discussion of polar co-ordinates, parametric equations, and conics using polar co-ordinates.

Dependence, Independence, and Death: Toward a Psychobiography of Delmira Agustini depicts the life of Uruguayan poet Delmira Agustini (1886-1914) based on her poems and other writings. These works give evidence of two constructs related to a psychological conflict in her life. The first is a dependence/independence dichotomy, thematized as a polarized love relationship between speaker and Other, who can represent two individuals or dual aspects of the poet's self. The second involves the poet's fascination with death, which becomes a self-fulfilling prophecy when she is murdered by her ex-husband at the age of twenty-seven.

The Britannica Enciclopedia Moderna covers all fields of knowledge, including arts, geography, philosophy, science, sports, and much more. Users will enjoy a quick reference of 24,000 entries and 2.5 million words. More then 4,800 images, graphs, and tables further enlighten students and clarify subject matter. The simple A-Z organization and clear descriptions will appeal to both Spanish speakers and students of Spanish.

A salvo en la torre de marfil... Gabriel Miller jura que me mantendrá a salvo. Los enemigos acechan afuera, esperando para atacar. Hay un ejército mantenido a raya por estos muros. Pero un instinto animal me advierte que el peligro está mucho más cerca. Ya está aquí. ¿Es Gabriel mi protector o mi enemigo? ¿Es esta casa un refugio o una jaula? No tengo a dónde ir, no queda nadie en quien confiar. No hay escape de un pasado decidido a reclamar su premio.

This graceful translation and bilingual edition, now in paperback, is the first to bring English readers a representative sampling of the poetry Delmira Agustini published before her untimely death on July 6, 1914 at the age of twenty-seven. Translated by native Uruguayan Alejandro Cáceres and including work from each of Agustini's four published books, Selected Poetry of Delmira Agustini: Poetics of Eros is a response to a resurgent interest not just in the poems but in the passionate and daring woman behind them and the social and political world she inhabited. Delmira Agustini was born in Montevideo, Uruguay, on October 24, 1886 to wealthy parents of German and Italian descent. She published her first volume of poetry when she was twenty-one and followed with two more in the next six years: the fourth volume was a posthumous publication. Her life was cut short in 1914, when Enrique Job Reyes, her ex-husband, shot her to death and then turned the gun on himself. Carefully selected for this bilingual, en face edition, the poems collected here track and highlight Agustini's development and strengths as an artist—including her methods of experimentation, first relying on modernista forms and later abandoning them—and her focus on the figure of the male, which she portrays as the crux of devotion and attention but deems ultimately unreachable. Cáceres's introduction presents biographical information and situates Agustini's work and life in a larger political, historical, and literary context, particularly the modernismo movement, whose followers broke linguistic and political ties with the pathos and excesses of romanticism.

Delmira Agustini (1886–1914) has been acclaimed as one of the foremost modernistas and the first major woman poet of twentieth-century Spanish America. Critics and the reading public alike were immediately taken by the originality and power of her verse, especially her daring eroticism, her inventive appropriation of vampirism, and her morbid embrace of death and pain. No work until now, however, has shown how her poetry reflects a search for an alternative, feminized discourse, a discourse that engages in an imaginative dialogue with Rubén Darío's recourse to literary paternity and undertakes an audacious rewriting of social, sexual, and poetic conventions. In the first major exploration of Agustini's life and work, Cathy L. Jrade examines her energizing appropriation and reinvention of modernista verse and the dynamics of her breakthrough poetics, a poetics that became a model for later women writers.