El escritor argentino Jorge Luis Borges ha creado en su obra literaria estructuras que ya desde los años 30 y 40 del siglo XX anunciaban la posmodernidad. Su narrativa se caracteriza por relaciones intertextuales y configuraciones paradójicas. El resultado es un texto descentralizado y dialógico que no articula una proposición determinada sino que tiene el impacto de una interpretación multívoca e infinita. Que el carácter innovador de la literatura del escritor argentino procede de su ocupación con la tradición judía –sobre todo con sus técnicas interpretativas– es la tesis que presenta este volumen. Si se considera que la tradición interpretativa de la cultura judía tiene como consecuencia una recepción permanente e infinita, puede decirse que esta tradición no solo es compatible con la literatura de Borges en particular sino también que ha sido una fuente de inspiración para la literatura moderna en general así como para las reflexiones que sobre ella se han hecho. Participan en el volumen: A. de Toro, C. Deppner, R. Fine, E. Fishburn, E. Martín Ortega, K. Meyer-Minnemann, L. Nascimento. DR. CORINNA DEPPNER es actualmente becaria en el Instituto de Romanística de la Universidad de Erfurt. Su investigación postdoctoral abarca la literatura de Teresa de Ávila y Clarice Lispector. Trabajó como profesora encargada en la Universidad de Hamburgo y la Universidad de Erfurt sobre la literatura argentina del exilio y sobre tradiciones místicas en la modernidad. Su tesis doctoral se publicó bajo el título Transformaciones del saber en la narrativa ficcional. Encuentros literarios con la cultura del recuerdo judía en la obra de Jorge Luis Borges, Mario Vargas Llosa y Moacyr Scliar (2016). Otros campos de investigación son: Literatura de los conversos, literatura sefardí y la literatura de Jorge Luis Borges. En 2016 se publicó su monografía El Aleph – Una metáfora de la modernidad y su différance. Der argentinische Schriftsteller Jorge Luis Borges gilt als ein Literat, der bereits in seinen Werken der 30er und 40er Jahre des 20. Jahrhunderts Strukturen geschaffen hat, die später die Postmoderne prägen sollten. Seine Erzählungen sind insbesondere von intertextuellen Bezugnahmen und sich in Paradoxien verstrickende Narrative durchzogen. Die Folge ist ein dezentrierter sowie dialogisierender Text, der keine eindeutige Aussage hervorbringt, sondern in einer vielstimmigen und unabgeschlossenen Textauslegung zur Wirkung kommt. Der Band stellt zur Diskussion, ob ein wesentlicher Grund für Borges’ innovatives, die literarische Postmoderne prägendes Textkonzept darin gesehen werden kann, dass sich der argentinische Schriftsteller nachweislich mit jüdischer Tradition, insbesondere der Schriftkultur, auseinandergesetzt hat. Geht man davon aus, dass die in jüdischer Tradition kultivierte mehrschichtige Textdeutung zugleich einen permanenten, unendlichen Rezeptionsprozess zur Folge hat wird deutlich, dass diese Tradition nicht nur kompatibel zu Borges’ Literatur ist, sondern auch zahlreiche Reflexionen in der modernen Literatur und Literaturforschung angeregt hat.

Borges once stated that he had never created a character: 'It's always me, subtly disguised'. This book focuses on the ways in which Borges uses events and experiences from his own life, in order to demonstrate how they become the principal structuring motifs of his work. It aims to show how these experiences, despite being 'heavily disguised', are crucial components of some of Borges's most canonical short stories, particularly from the famous collections Ficciones and El Aleph. Exploring the rich tapestry of symmetries, doubles and allusions and the roles played by translation and the figure of the creator, the book provides new readings of these stories, revealing their hidden personal, emotional and spiritual dimensions. These insights shed fresh light on Borges's supreme literary craftsmanship and the intimate puzzles of his fictions.

This volume is based on the section “Transnationalities – Transidentities – Hybridities – Diasporization”, organized by the Ibero-American and Francophone Research Centres of the University of Leipzig as part of the First Annual Conference of the Centre for Area Studies at the University of Leipzig. By now, already a decade has passed since our conference section took place and it is due to various circumstances that this volume has not been published earlier. It carries along, in some sense, its own migration trace. Nevertheless, the questions examined in the contributions have reached even more relevance since then in both, the Old World and the New, due to the various political, social, economic and ecological crisis around the globe that have led to the increased arrival of refugees to Europe and the harsh discussion about a concrete or “intelligent” wall to shield the USA from Latin American migrants, among others. Today, there is an urgent political and social need for concepts of living together in much more heterogeneous and much less familiar societies. The questions, notions and cases explored in the nine contributions that comprise this publication focus on this emergency. Participants on the volume: A. Chanady; A. de Toro; W. Ch. Dimock; D. Ingenschay; J. Mecke; M. Rössner; G. Pisarz-Ramirez; C. Sieber. ALFONSO DE TORO is Professor emeritus for Spanish, Portuguese, Ibero-American and Francophone Literatures and Cultures at the University of Leipzig. He is the founder and director of the Ibero-American and Francophone Research Centers (IAFS and FFSL). His research and publications are focused on theatre, narrative, and poetry in France, the Maghreb, Spain, Latin America, and Italy; as well as on culture, post-modern, post-colonial theories and hybridity and diaspora theories. CORNELIA SIEBER is Professor for Spanish, Portuguese and Latin-American Culture at the Faculty of Translation Studies, Linguistics and Cultural Studies of the Johannes Gutenberg University Mainz – Germersheim. She is director of the Centre for Latin American and Transatlantic Studies (CELTRA) and Co-Director of the IAFS. Her research and publications are focused on transcultural and migratory dynamics, gender structures and post-coloniality. ******** This volume is based on the section “Transnationalities – Transidentities – Hybridities – Diasporization”, organized by the Ibero-American and Francophone Research Centres of the University of Leipzig as part of the First Annual Conference of the Centre for Area Studies at the University of Leipzig. By now, already a decade has passed since our conference section took place and it is due to various circumstances that this volume has not been published earlier. It carries along, in some sense, its own migration trace. Nevertheless, the questions examined in the contributions have reached even more relevance since then in both, the Old World and the New, due to the various political, social, economic and ecological crisis around the globe that have led to the increased arrival of refugees to Europe and the harsh discussion about a concrete or “intelligent” wall to shield the USA from Latin American migrants, among others. Today, there is an urgent political and social need for concepts of living together in much more heterogeneous and much less familiar societies. The questions, notions and cases explored in the nine contributions that comprise this publication focus on this emergency. Participants on the volume: A. Chanady; A. de Toro; W. Ch. Dimock; D. Ingenschay; J. Mecke; M. Rössner; G. Pisarz-Ramirez; C. Sieber. ALFONSO DE TORO is Professor emeritus for Spanish, Portuguese, Ibero-American and Francophone Literatures and Cultures at the University of Leipzig. He is the founder and director of the Ibero-American and Francophone Research Centers (IAFS and FFSL). His research and publications are focused on theatre, narrative, and poetry in France, the Maghreb, Spain, Latin America, and Italy; as well as on culture, post-modern, post-colonial theories and hybridity and diaspora theories. CORNELIA SIEBER is Professor for Spanish, Portuguese and Latin-American Culture at the Faculty of Translation Studies, Linguistics and Cultural Studies of the Johannes Gutenberg University Mainz – Germersheim. She is director of the Centre for Latin American and Transatlantic Studies (CELTRA) and Co-Director of the IAFS. Her research and publications are focused on transcultural and migratory dynamics, gender structures and post-coloniality.

Indice: Daniel LINK: Literatura de compromiso. - Jose AMICOLA: La incertidumbre de lo real: la narrativa de los 90 en la Argentina en la confluencia de las cuestiones de genero. - Julio PREMAT: Saer fin de siglo y el concepto de lugar. - Margarita REMON RAILLARD: La narrativa de Cesar Aira: una sorpresa continua e ininterrumpida. - Carmen de MORA: El cuento argentino en los anos 90. - Ana PORRUA: Lo nuevo en la Argentina: poesia de los 90. - Genevieve FABRY: Continuidades y discontinuidades en la poesia de Juan Gelman: una glosa de Incompletamente. - Jorge DUBATTI: Teatro argentino y destotalizacion: el canon de la multiplicidad."

The Enciclopedia de Linguistica Hispánica provides comprehensive coverage of the major and subsidiary fields of Spanish linguistics. Entries are extensively cross-referenced and arranged alphabetically within three main sections: Part 1 covers linguistic disciplines, approaches and methodologies. Part 2 brings together the grammar of Spanish, including subsections on phonology, morphology, syntax and semantics. Part 3 brings together the historical, social and geographical factors in the evolution of Spanish. Drawing on the expertise of a wide range of contributors from across the Spanish-speaking world the Enciclopedia de Linguistica Hispánica is an indispensable reference for undergraduate and postgraduate students of Spanish, and for anyone with an academic or professional interest in the Spanish language/Spanish linguistics.

Silvia Roig explores the narrative of Aurora Bertrana (1892-1974), an unknown writer today, but a successful and recognized female author in Catalonia and Spain during the 20th century. Aurora Bertrana's works are almost never mentioned in manuals of literature. Her rich, intellectual work has not received the attention it deserves, relegated almost to absolute oblivion. The author reviews and studies twenty-four of Bertrana's novels written in Catalan andSpanish, including: Ariatea (1960), El pomell de les violes (MS), L'inefable Philip (MS), La aldea sin hombres (mn.), La madrecita de los cerdos (MS), Entre dos silencis (1958), La ninfa d'argila (1959), Fracàs (1966) and La ciutat dels joves: reportatge fantasia (1971). She studies her work, published and unpublished, from a feminist approach, taking into account the intellectual history of Spain and Catalonia. Bertana's strong commitment to social issues reveals her association with the Modernist and Noucentists trends of her time. Bertrana's novels reveal a unique interest in non-Western cultures and lifestyles and her work undertakes controversial topics and socio-cultural issues, while she observes and draws special attention to the situation of women in different circumstances and cultural geographies. This book is therefore anchored on interpretive and theoretical parameters that intersect with consideration of gender, such as travel-and-gender and war-and-gender. Roig uses the work of feminists such as Simone De Beauvoir, Shulamith Firestone, Jelke Boesten, Margaret and Patrice Higonnet, Michelle Zimbalist Rosaldo and Julia Kristeva to help assess Bertrana's engagement with gender and socio-political issues. This approach is particularly well suited for a writer like Bertrana, a Catalan and Republican intellectual woman forced into self-exile during the Spanish Civil War and the dictatorship of Francisco Franco. Silvia Roig is a Faculty Member, BMCC Department of Modern Languages, The City University of New York.