El sol se fue y la luna salió. La noche es oscura y llegó la hora de dormir pero no para todos. Algunas criaturas salen de noche y hacen muchos ruidos. Lee sobre varios amigos nocturnos en español y en inglés. The sun went away and the moon came out. The nighttime is dark and bedtime has arrived but not for everyone. Some creatures come out at night and make lots of noises. Read about various nocturnal friends in Spanish and in English. Visita me página de web para más diversión en www.abcenespanol.net Visit my web-site for more fun at www.abcenespanol.net

A man who does not like the darkness of night finds a way to bring some light to it.

Thought and Poetic Structure in San Juan de la Cruz's Symbol of Night is a comprehensive appraisal of the traditional critical perspectives of mysticism: philosophical, theological, literary, and psychological. Examining the a priori limitations of these approaches, the book presents an original definition of the symbol as an integral whole of experience and expression, and concludes that night is the form - the organizing principle - of spiritual life.

Every human life is made up of the light and the dark, the happy and the sad, the vital and the deadening. How you think about this rhythm of moods makes all the difference. Our lives are filled with emotional tunnels: the loss of a loved one or end of a relationship, aging and illness, career disappointments or just an ongoing sense of dissatisfaction with life. Society tends to view these “dark nights” in clinical terms as obstacles to be overcome as quickly as possible. But Moore shows how honoring these periods of fragility as periods of incubation and positive opportunities to delve the soul’s deepest needs can provide healing and a new understanding of life’s meaning. Dark Nights of the Soul presents these metaphoric dark nights not as the enemy, but as times of transition, occasions to restore yourself, and transforming rites of passage, revealing an uplifting and inspiring new outlook on such topics as: • The healing power of melancholy • The sexual dark night and the mysteries of matrimony • Finding solace during illness and in aging • Anxiety, anger, and temporary Insanities • Linking creativity, spirituality, and emotional struggles • Finding meaning and beauty in the darkness

John A. Crow, a leading Hispanist, has culled the best translations available--by such poets as Richard Franshawe, Edward Fitzgerald, Percy Bysshe Shelley, Lord Byron, Henry Wadsworth Longfellow, William Cullen Bryant, Robert Southey, and many distinguished modern poets--of poems ranging from the eleventh century to the present to make this the most complete collection of both Spanish and Spanish American poetry in English translation. Represented here is work by such twentieth century poets as Gabriela Mistral, Octavio Paz, Federico García Lorca, César Vallejo, Pablo Neruda, Anotnio Machado, and Juan Ramón Jiménez, many of whom the editor has known personally. The inclusion of many contemporary poets whose verse has never before appeared in English makes this anthology a particularly valuable collection.

In the sequel to the acclaimed Beasts Made of Night, Taj has escaped Kos, but Queen Karima will go to any means necessary--including using the most deadly magic--to track him down. Taj is headed west, but the consequences of leaving Kos behind confront him at every turn. Innocent civilians flee to refugee camps as Karima's dark magic continues to descend on the city. Taj must return, but first he needs a plan. With Arzu's help, Taj and Aliya make it to the village of her ancestors, home of the tastahlik--sin-eaters with Taj's same ability to both battle and call forth sins. As Taj comes to terms with his new magic, he realizes there are two very different groups of tastahlik--one using their powers for good, the other for more selfish ends. Aliya is struggling with her own unique capabilities. She's immersed in her work to uncover the secret to Karima's magic, but her health begins to mysteriously deteriorate. With the help of a local western mage, Aliya uncovers her true destiny--a future she's not sure she wants. As Taj and Aliya explore their feelings for each other and Arzu connects with her homeland, the local westerners begin to question Taj's true identity. Karima is on his heels, sending dark warnings to the little village where he's hiding. Taj will have to go back and face her before she sends her most deadly weapon--Taj's former best friend, Bo.

Lanzetta illuminates the transformative potential of the classical tradition of women mystics, especially in light of contemporary violence against women around the world. Focusing on the contemplative process as women's journey from oppression to liberation, Lanzetta draws especially on the mysticism of Julian of Norwich and Teresa of Avila. She lays out the contemplative techniques used by mystics to achieve their highest spiritual potential and also investigates how unjust social and political conditions afflict women's souls. Lanzetta identifies a specific historical female mystical path (the via feminina) and draws contemporary conclusions for how women might understand their bodies, their rights, and their ethics.