This volume unites, for the first time, contributions from the three fields of Latin literature: Classical, Medieval and Neo-Latin, reflecting on its continuity. It's particular interest for the studies of European literary history lies in the interactions between Latin and the national literatures.

A.E. Housman (1859-1936) was a man of many apparent contradictions, most of which remain unresolved 150 years after his birth. At once a deeply emotive lyric poet and a precise and dedicated classical scholar, he achieved fame in both of these diverse disciplines. Although his poetic legacy has received much scholarly analysis, and yet more attention has been devoted to reconstructing his private life, no previous work has focused on Housman the classical scholar; yet it is upon scholarship that Housman most wished to leave his mark. This timely collection of papers by leading scholars reassesses the breadth and significance of Housman's contribution to classical scholarship in both his published and unpublished writings, and discusses how his mantle has been passed on to later generations of classicists.

This volume deals with the question of the continuity of Latin literature throughout its history. For the first time, contributions are brought together from each of the three fields within the studies of Latin literature: Classical, Medieval and Neo-Latin, reflecting on problems such as the transmission of the Latin heritage, the creation and perpetuation of a classical normativeness and the reactions against it. The book is divided into three parts, corresponding to the theoretical principle of organic development: “Beginnings?”, “Perfections?”, “Transitions?”, thus questioning the validity of a similar evolutionistic model. Because of the numerous points of contact between Latin and the national literatures, the volume is of particular relevance for the studies of the European literary history. Contributors include: Davide Canfora, Perrine Galand-Hallyn, Sander Goldberg, Thomas Haye, Marc van der Poel, Michael Roberts, Francesco Stella, Wim Verbaal, Gregor Vogt-Spira, and Jan Ziolkowski.

Every epoch has its artists, thinkers, and creators, and behind many of these people, there is a patron waiting in the wings. Patronage and Humanist Literature in the Age of the Jagiellons looks at the relationship between humanist scholars and their patrons in east central Europe during the early sixteenth century. It is the first study in English specifically to address literary patronage as it existed in this particular time and place. Drawing on the writings of three itinerant scholar-poets associated with the courts of Cracow, Buda, and Vienna, Jacqueline Glomski argues that, even while they supported the imperial pretensions of the Jagiellonian monarchs, the humanist scholars of east central Europe also created effective propaganda for themselves by representing their own role in the conferring of fame upon their patrons. Using a wide array of source material, from dedicatory letters to panegyric and political literature, Glomski describes how important patronage was to the scholar-poets, and analyzes the process by which conventions of Renaissance humanism spread across Europe. Patronage and Humanist Literature in the Age of the Jagiellons is an insightful historic account that is accessible to anyone interested in patronage at the time of the European Renaissance.