As a first order witness of the Greek New Testament, Family 13 has a long history in the field of textual criticism. Nearly seventy years after Kirsopp and Silva Lake’s publication, La Famille 13 dans l’évangile de Marc offers an enlarged, wholly up-to-date and thoroughly revised study of the text of the Gospel of Mark for the witnesses considered as family members by Didier Lafleur. His extensive survey includes the history of the discovery of the manuscripts, their codicological description and new research on the text. The most part of the book is devoted to the edition of minuscule 788 (Athens, Nat. Lib. 74), considered by the author as the nearest member to the archetype of the group (f 13). Based on quite new collations for the all extant manuscripts, the edition provides a positive apparatus. Considérée comme témoin de premier ordre du Nouveau Testament grec, la Famille 13 s’enracine profondément dans l’histoire de la critique. Soixante-dix ans après la publication de Kirsopp et Silva Lake, La Famille 13 dans l’évangile de Marc offre un panorama exhaustif sur le texte de cet évangile pour les témoins considérés par Didier Lafleur comme membres de ce groupe (f 13). Son étude englobe la mise en lumière des manuscrits, leur description codicologique et de nouvelles recherches philologiques. L’auteur édite le texte du minuscule 788 (Athènes, Bibl. nat. 74), qu’il considère comme le témoin le plus proche de l’archétype de la famille. Collationés à nouveaux frais pour le texte de Marc, tous les manuscrits de la Famille 13 apparaissent ici pour la première fois dans une édition critique.

A renewed interest in textual criticism has created an unfortunate proliferation of myths, mistakes, and misinformation about this technical area of biblical studies. Elijah Hixson and Peter Gurry, along with a team of New Testament textual critics, offer up-to-date, accurate information on the history and current state of the New Testament text that will serve apologists and offer a self-corrective to evangelical excesses.

Fifteen essays discuss aspects of the textual history of the Greek, Coptic, Georgian and Armenian Psalter and Gospels. La comparaison des versions anciennes de la Bible, ici des Psaumes et des évangiles, met en évidence la richesse et la variété de la tradition manuscrite. Voici un éventail de contributions sur ces versions.

Uniquely authoritative and wide-ranging in its scope, The Oxford Dictionary of the Christian Church is the indispensable reference work on all aspects of the Christian Church. It contains over 6,500 cross-referenced A-Z entries, and offers unrivalled coverage of all aspects of this vast and often complex subject, from theology; churches and denominations; patristic scholarship; and the bible; to the church calendar and its organization; popes; archbishops; other church leaders; saints; and mystics. In this new edition, great efforts have been made to increase and strengthen coverage of non-Anglican denominations (for example non-Western European Christianity), as well as broadening the focus on Christianity and the history of churches in areas beyond Western Europe. In particular, there have been extensive additions with regards to the Christian Church in Asia, Africa, Latin America, North America, and Australasia. Significant updates have also been included on topics such as liturgy, Canon Law, recent international developments, non-Anglican missionary activity, and the increasingly important area of moral and pastoral theology, among many others. Since its first appearance in 1957, the ODCC has established itself as an essential resource for ordinands, clergy, and members of religious orders, and an invaluable tool for academics, teachers, and students of church history and theology, as well as for the general reader.

Identifying the “scenes” of written texts is a critical skill for following the course set by an author. Even a small variation in course heading can result in compounding an error over time with regard to one’s intended destination. Perhaps nowhere is this more important than in the opening unit of Mark’s Gospel. In this book, Brad Johnson sets out to follow the course prescribed by the author of the second Gospel. Making use of the principles of Inductive Bible Study, rhetorical criticism, and a study of ancient prologues, Johnson makes a twofold case that Mark’s opening unit (the first fifteen verses) demonstrates a formal integrity and performs a rhetorical function. As such, the Markan prologue situates the public life and ministry of Jesus within the broader context of an epic drama. A failure to acknowledge the unique contribution of Mark as author in this regard will likely result in a destination the author never intended.

This bibliography is a comprehensive listing of books, facsimiles, collations and articles relating to some 3,500 Greek New Testament manuscripts, including references to photographic plates and albums. These are divided into the conventional categories of papyri, majuscules, minuscules and lectionaries, as classified in the current Gregory-Aland register. This third revised edition supersedes the two previous editions. Entries from those earlier editions and from three supplements, published as articles in Novum Testamentum, as well as newly published material, are to be found here. The author is grateful for the help of editor Barbara Cangemi.

The story of the woman taken in adultery features a dramatic confrontation between Jesus and the Pharisees over whether the adulteress should be stoned as the law commands. In response, Jesus famously states, “Let him who is without sin be the first to throw a stone at her.” To Cast the First Stone traces the history of this provocative story from its first appearance to its enduring presence today. Likely added to the Gospel of John in the third century, the passage is often held up by modern critics as an example of textual corruption by early Christian scribes and editors, yet a judgment of corruption obscures the warm embrace the story actually received. Jennifer Knust and Tommy Wasserman trace the story’s incorporation into Gospel books, liturgical practices, storytelling, and art, overturning the mistaken perception that it was either peripheral or suppressed, even in the Greek East. The authors also explore the story’s many different meanings. Taken as an illustration of the expansiveness of Christ’s mercy, the purported superiority of Christians over Jews, the necessity of penance, and more, this vivid episode has invited any number of creative receptions. This history reveals as much about the changing priorities of audiences, scribes, editors, and scholars as it does about an “original” text of John. To Cast the First Stone calls attention to significant shifts in Christian book cultures and the enduring impact of oral tradition on the preservation—and destabilization—of scripture.