This beautiful hardcover edition–containing all three cantos, Inferno, Purgatorio, and Paradiso–includes an introduction by Nobel Prize-winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli's marvelous late-fifteenth-century series of illustrations. The Divine Comedy begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity. Allen Mandelbaum’s astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Everyman’s Library Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

Accepting Dante's prophetic truth claims on their own terms, Teodolinda Barolini proposes a "detheologized" reading as a global new approach to the Divine Comedy. Not aimed at excising theological concerns from Dante, this approach instead attempts to break out of the hermeneutic guidelines that Dante structured into his poem and that have resulted in theologized readings whose outcomes have been overdetermined by the poet. By detheologizing, the reader can emerge from this poet's hall of mirrors and discover the narrative techniques that enabled Dante to forge a true fiction. Foregrounding the formal exigencies that Dante masked as ideology, Barolini moves from the problems of beginning to those of closure, focusing always on the narrative journey. Her investigation--which treats such topics as the visionary and the poet, the One and the many, narrative and time--reveals some of the transgressive paths trodden by a master of mimesis, some of the ways in which Dante's poetic adventuring is indeed, according to his own lights, Ulyssean.

This brilliant new verse translation by Allen Mandelbaum captures the consummate beauty of the third and last part of Dante's Divine Comedy. The Paradiso is a luminous poem of love and light, of optics, angelology, polemics, prayer, prophecy, and transcendent experience. As Dante ascends to the Celestial Rose, in the tenth and final heaven, all the spectacle and splendor of a great poet's vision now becomes accessible to the modern reader in this highly acclaimed, superb dual language edition. With extensive notes and commentary.

Follows the spiritual pilgrim as he puts behind him the horrors of Hell and the trials of Pugatory to ascend to Paradise, where he encounters his beloved Beatrice and meets the Heavenly Court and the Lord.

This is the third book of a trilogy. Click on the links below to view the other two volumes of the trilogy. LA DIVINA COMMEDIA (THE DIVINE COMEDY) : Inferno LA DIVINA COMMEDIA (THE DIVINE COMEDY) : Purgatorio

Dante's Divine Comedy is widely considered to be one of the most significant works of literature ever written. It is renowned not only for its ability to make truths known but also for its power to make them loved. It captures centuries of thought on sin, love, community, moral living, God's work in history, and God's ineffable beauty. Like a Gothic cathedral, the beauty of this great poem can be appreciated at first glance, but only with a guide can its complexity and layers of meaning be fully comprehended. This accessible introduction to Dante, which also serves as a primer to the Divine Comedy, helps readers better appreciate and understand Dante's spiritual masterpiece. Jason Baxter, an expert on Dante, covers all the basic themes of the Divine Comedy, such as sin, redemption, virtue, and vice. The book contains a general introduction to Dante and a specific introduction to each canticle (Inferno, Purgatorio, and Paradiso), making it especially well suited for classroom and homeschool use.

Paradiso is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology. In the poem, Paradise is depicted as a series of concentric spheres surrounding the Earth, consisting of the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, the Fixed Stars, the Primum Mobile and finally, the Empyrean. It was written in the early 14th century. Allegorically, the poem represents the soul's ascent to God.