A treasure of delicious mothers to daughters recipes, the kind of old-fashioned ones that time never takes away from our minds and our kitchens, wherever we are...

THE ROUGH GUIDE TO LAOS is the most comprehensive handbook to one of Southeast Asia's least-known destinations. Features include: Detailed coverage of all the sights, from the Buddhist temples of Louang Phabang to the French colonial architecture of Vientiane. Up-to the-minute listings of the best places to eat and stay. Practical guidance on exploring the remote northern hill villages, navigating the Mekong River and elephant-back trekking in the jungle. Lively and informed accounts of Laos's history, culture, ethnic minorities and wildlife. Full-colour photos and more than 30 maps.

Delaissant l'ufologie, et abandonnant les articles de vulgarisation scientifique de ses trois premiers livres, Raymond Terrasse se lance sur les traces de la Belle au bois dormant, a la recherche de variantes possibles. Comme il fut precede sur ce sentier par d'autres auteurs, Raymond Terrasse leur rend hommage dans son avant-propos, expliquant ainsi le titre du livre.

From Hollywood B-movies to Hollywood classics, A Night at the Movies invents what "might have happened" in these Saturday afternoon matinees. Mad scientists, vampires, cowboys, dance-men, Chaplin, and Bogart, all flit across Robert Coover's riotously funny screen, doing things and uttering lines that are as shocking to them as they are funny to the reader. As Coover's Program announces, you will get Coming Attractions, The Weekly Serial, Adventure, Comedy, Romance, and more, but turned upside-down and inside-out.

Max Steiner is one of the greatest—not to mention most prolific—composers of the Golden Age of Hollywood. The winner of three Academy Awards, Steiner’s credits include King Kong, The Informer, Gone with the Wind, Now, Voyager, Since You Went Away, Johnny Belinda, and The Caine Mutiny. Though known for timeless melodies that symbolize the glamor of Hollywood’s Golden Age, Steiner has also been hailed as a film scoring pioneer. In Max Steiner: Composing, Casablanca, and the Golden Age of Film Music, Peter Wegele unveils the man behind dozens of memorable scores, offering a portrait of the composer from a personal and professional point of view. Beginning with background on the history and techniques of film music, Wegele then examines Steiner’s musical innovations, some of which are still used today. This is followed by a thorough analysis of one of Steiner’s legendary scores—the music to Casablanca. More than eighty transcribed musical examples demonstrate how efficient, musically clever, and tremendously skilled the composer was when he wrote this score. Drawing on quotes, notes from production files, and excerpts from the original script for Casablanca, Wegele provides insight not only into the production history of the film, but also into the workings of Hollywood during the Golden Age. Including an appendix that compares Steiner with four other composers of his age—Erich Wolfgang Korngold, Alfred Newman, Franz Waxman, and Hugo Friedhofer—and a complete filmography of Steiner’s work, this book is an invaluable examination of the composer’s life and career. Film music composers, music scholars and students, directors, and anyone interested in film and music history will enjoy this detailed portrait of a musical genius.