It is my hope that this publication of a "lost" work by Galiani will interest scholars of many nations and disciplines. Few writers could make a more compelling claim upon such a cosmopolitan audience. An Italian with deep roots in his homeland, Galiani achieved celebrity in the salons of Paris. An ecclesiastic, his most notable concerns were worldly, to say the least. An erudite classicist, Galiani was passionately concerned about economics and technology. A philosophe and ostensibly something of a subversive, he was enthralled by power and he served for many years as a government agent and adviser at home and abroad. Galiani embodied many of the preoccupations and paradoxes of the Enlightenment. His torians and literary analysts devoted to the study of the lumie'res through out Europe are bound to find Galiani's work important. In recent years there has been an efflorescence of interest in the history of political economy and its relationship not only to the history of ideas but also to the history of social structure, economic development, admin istrative institutions, collective mentalities, and political mobilization. Galiani's work helps to crystalize many of these connections which scholarly specialization has tended to obscure. Galiani had a leading voice in one of the most significant debates in the eighteenth century on the implications of radical economic, social, and institutional change.

Ne d'une mere toxicomane et d'un pere alcoolique, Luc est un enfant maltraite. Devenu peintre, il decide de se venger et tue ses parents. Puis, progressivement, alors que personne ne le soupconne, il prend plaisir a violer et a tuer. Dans cette confession, Luc explique comment et pourquoi il est devenu psychopathe, tout en decrivant ses etats d'ame avant, pendant et apres ses crimes."

A beautifully illustrated, new edition of this pioneering study of art since 1945. Focussing mainly on the relationship between American and European Art, this book offers an up-to-date introduction to the major artists and movements of recent years.

French Phrases Vol.3: English & French THIS EDITION: French Phrases seeks to bridge the gap between knowing individual words and knowing how to create or understand sentences. Sentences are phrases or a combination of phrases, and phrases are a combination of words. The simplest phrases are the simplest ways of combining words. Exposure to a wide variety of phrases, especially in increasing complexity, provides the basis for obtaining a solid grasp of a new language. The reason being, phrases can be combined with other phrases to create endless possibilities in language. French Phrases contains a wide variety of phrases, but it also demonstrates how phrases can increase in complexity – through the inclusion of individual words or other phrases. The reader can choose between four formats: Section 1: English to French Section 2: French to English Section 3: English Section 4: French The text can be used to obtain a fundamental grasp of French grammar. An understanding of the rules that underpin the way words combine into phrases, or phrases combine into sentences, allows the language learner to expand their capacity exponentially simply by increasing vocabulary. With this in mind, the text includes an introductory section summarising the important aspects of French grammar. The dual-language text has been arranged for quick and easy cross-referencing. The text can be used on its own. However, the content is ideal for reinforcing and expanding on a basic grasp of the language. With an increasingly robust grasp of the language, the language learner can easily and fruitfully move on to more advanced bilingual text — like in 2Language Books editions —, or suitable French only text: a simple novel, a French news website, etc. Many basic language books offer some form of audio support. Internet services — primarily news based radio stations — offer podcasts. Audio from television is an additional resource, and can be formatted for use on various digital platforms. However, if audio is an important component of your interest in languages, electronic devices that support quality text-to-speech (TTS) will likely be appealing. With a library card, TTS technology (in a device that supports the relevant content), and the above mentioned resources (as digital content), an entire language learning system is available for not much more than a cup of coffee! There is no substantial financial outlay to get you started. Furthermore, there are no additional ongoing fees (and updates), and there are no expiry dates on ‘premium’ content and resources. (A Dual-Language Book Project) 2Language Books

The first systematic assessment of the symphonic style of the Czech composer Bohuslav Martinu [1890-1959], tracing the evolution of his musical language and including detailed analyses of all six symphonies. Over the past few decades the music of the Czech composer Bohuslav Martinu (1890-1959) has enjoyed a slow but steady rise in popularity, and his six symphonies, written between 1942 and 1953, have now been recorded many times; concert performances are on the increase, too. But Martinu and the Symphony is not only the first book in English intended to help the music-lover to a deeper understanding of these glorious works - it is by far the most comprehensive work on the subject in any language. Each Symphony is examined in turn, the analyses revealing what makes each creation so individual yet also so clearly part of a close-knit family of works and identifying the elements of his melodic, harmonic and instrumental style which produce Martinu's very personal vibrant and organic symphonic manner. Martinu and the Symphony is illustrated with almost 200 musical examples, taken not only fromthe Symphonies but also from his other works for large orchestra. His path to symphonic mastery is examined in unprecedented detail: attention is at last paid to the early orchestral works which, although largely unperformed andunpublished even now, afford fascinating glimpses of the composer to come. A study of the late triptychs The Frescoes of Piero della Francesca and The Parables rounds out this appraisal of Martinus enthralling symphonic and orchestral legacy.

I Modern times has invented its own brand of Apocalypse. Famine is no longer one of the familiar outriders. The problems of material life, and their political and psychological implications, have changed drastically in the course of the past two hundred years. Perhaps nothing has more profoundly affected our institutions and our attitudes than the creation of a technology of abundance. - Even the old tropes have given way: neither dollars nor calories can measure the distance which separates gagne-pain from gagne-hi/leek. 1 Yet the concerns of this book seem much less remote today than they did when it was conceived in the late sixties. In the past few years we have begun to worry, with a sort of expiatory zeal, about the state· of our environment, the size of our population, the political economy and the morality of the allocation of goods and jobs, and the future of our resources. While computer projections cast a malthusian pall over our world, we have had a bitter, first-hand taste of shortages of all kinds. The sempiternal battle between producers and consumers rages with a new ferocity, as high prices provoke anger on the one side and celebration on the other. Even as famines continue to strike the third world in the thermidor of the green revolution, so we have discovered hunger in our own midst.