Dozens of color and bandw photographs, ranging from the construction of the house to snapshots of family members, illustrate the text which recounts the history of the estate from its founding early in the century through its recent transfer to the National Trust. It tells how each successive generation left its stamp, and includes never before published reminiscences of five generations of Rockefellers. Contains a family tree, visitor information, and a map of the gardens. Annotation copyrighted by Book News, Inc., Portland, OR

What it was like to be as rich as Rockefeller: How a house gave shape and meaning to three generations of an iconic American family One hundred years ago America's richest man established a dynastic seat, the granite-clad Kykuit, high above the Hudson River. Though George Vanderbilt's 255-room Biltmore had recently put the American country house on the money map, John D. Rockefeller, who detested ostentation, had something simple in mind—at least until his son John Jr. and his charming wife, Abby, injected a spirit of noblesse oblige into the equation. Built to honor the senior Rockefeller, the house would also become the place above all others that anchored the family's memories. There could never be a better picture of the Rockefellers and their ambitions for the enormous fortune Senior had settled upon them. The authors take us inside the house and the family to observe a century of building and rebuilding—the ebb and flow of events and family feelings, the architecture and furnishings, the art and the gardens. A complex saga, The House the Rockefellers Built is alive with surprising twists and turns that reveal the tastes of a large family often sharply at odds with one another about the fortune the house symbolized.

Larry Lederman takes readers on a privileged photographic tour through the Rockefeller family gardens in the Hudson Valley and Maine. The Rockefeller family is synonymous with great wealth, extraordinary philanthropy, and exceptional stewardship of unspoiled landscapes. In their private world, the Rockefellers have created extraordinary gardens. Over the course of a century, their grounds have matured and evolved to reflect the layered visions of three generations of the Rockefeller family. At Kykuit in the Hudson Valley, John D. Rockefeller valued broad expanses of lawns with a noble forest of evergreens at the perimeter. His son—John D. Rockefeller Jr.—molded this landscape into a more formal Beaux-Arts garden design. This garden was later enhanced by Nelson A. Rockefeller’s addition of an extensive collection of twentieth-century sculpture, which is still in place today. In The Rockefeller Family Gardens, photographer Larry Lederman gives readers unprecedented access to the two Kykuit gardens—the expansive Beaux-Arts–style garden and a little-known Japanese garden, brought to life by Governor Nelson A. Rockefeller. This book also takes readers inside the garden at Eyrie, the family summer retreat in Seal Harbor, Maine. There, Abby Aldrich Rockefeller collaborated with noted designer Beatrix Farrand to design a walled garden inspired by Asian aesthetics at the perimeter and filled with traditional perennials. Lederman’s photographs capture the beauty of these gardens in all seasons, focusing on the geometry of the designs and the color and light that animates them. This tour through the spaces is accompanied by text from Todd Forrest of the New York Botanical Garden, Cassie Banning of the Abby Aldrich Rockefeller Garden, and Cynthia Bronson Altman of Kykuit to provide commentary on the design and plant materials featured in this captivating collection of photos.

If you dig deep enough, what will you find?

In 1894, Abby Aldrich, the outgoing, impulsive daughter of Rhode Island’s Senator Nelson Aldrich, met Brown University student John D. Rockefeller, Jr., the shy and reserved heir to the Standard Oil fortune. This unlikely pair fell in love, but only seven years later did John feel confident enough to propose. Once married, Abby used her empathy, willingness to experiment, and defiant optimism to broaden John’s way of thinking and to expand his vision of what the Rockefeller fortune could do, shaping the family into a progressive force in philanthropy, the arts, and politics. Abby cherished and protected her six children — Babs, John III, Nelson, Laurance, Winthrop, and David — and inspired in them a desire to serve society. She helped open the nation’s eyes to modern art and in 1928, initiated the foundation of New York’s Museum of Modern Art. From behind the scenes Abby helped direct the restoration of Colonial Williamsburg and the building of Rockefeller Center. “Abby Aldrich Rockefeller was a legendary figure, a woman of great wealth and power who used them for great good — in often cunning ways. Astonishingly, no one has written her story before. Now Bernice Kert has done so in a sweeping, meticulous, original biography that illuminates a rare life, an historic family, and modern America.” — Catharine R. Stimpson, University Professor, Rutgers University “Bernice Kert can raise biography to a level of insight and surprise that matches the best fiction. Witness this study of a woman we think we know all about.” — Elizabeth Janeway, author of Man’s World, Woman’s Place “Bernice Kert’s thoroughly researched biography of Abby Aldrich Rockefeller is a welcome and wonderful read. Everyone interested in art and social history will want to read about this most progressive and interesting Rockefeller.” — Blanche Wiesen Cook, author of Eleanor Roosevelt: Volume I, 1884-1933 “[Reading] this biography, the life of Abby Aldrich Rockefeller, is like reading an exciting mystery story. One can hardly wait to turn the page to find out what this extraordinary and fascinating woman did, not only for herself but for everything and everyone she touched, from her husband, to nature, to the opening of a new view into the art world. The vitality of Abby Rockefeller, as depicted here by Bernice Kert, is a lesson to all women.” — Brooke Astor “What might have been a kind of family mausoleum turns out to be a fascinating read, brimming with fresh material from unpublished archives and interviews with eyewitnesses. Bernice Kert’s thorough and engaging portrait brings to life an enormously influential American woman who had an historic impact on both her extraordinary family and the arts — as a pioneering collector and patron, and as the innovating founder of two major museums.” — J. Carter Brown, Director Emeritus, National Gallery of Art “Kert, despite all her exhaustive research, happily lets her subject retain all of her formidable vitality and independence... Kert deals not only with the couple’s marriage — which was, in spite of some strains, a lifelong love affair — and the six Rockefeller children, but also with Abby’s generous contributions to art, education, and politics, as well with as her role in creating Rockefeller Center and Colonial Williamsburg. A splendidly intelligent, very readable portrait of a woman who was as wise in the rearing of her family as in the spending of her great wealth.” — Kirkus Reviews “In this elegantly written, carefully researched and psychologically astute biography, Abby Rockefeller emerges as a loveable and intelligent woman who wielded her great privilege to a variety of socially beneficial ends.” — Publishers Weekly “Bernice Kert [has] an eye for offbeat biography... Kert’s penetrating close-up captures not only [Abby’s] remarkable personality but the suffocating nuances of post-Victorian matrimony; women readers in particular will relish Abby’s refusal to be pigeonholed.” — Ted Berkman, Los Angeles Times “A picture of a complex and engaging woman, one who was at once very much a part of her time and extraordinarily ahead of it... Although the Modern museum was at the heart of Abby Aldrich Rockefeller’s work... her interests were far ranging. They included the advancement of civil rights, historic preservation and education. The portrait of her in this book is that of a model aristocrat, a wealthy, well-bred woman who understood power and the creative, contemporary uses of the concept of noblesse oblige. Kert shows Abby Rockefeller to have been, in her way, very much a feminist.” — Robert Duffy, St. Louis Post-Dispatch

This magnificent book describes the great country houses built with American industrial fortunes from the end of the Civil War until 1940. The American Country House draws on the rich and often amusing writings of contemporaries to evoke the lives the buildings served as well as architectural shapes they took. 275 illustrations.

"From the intimate perspective of three friends and neighbors in mid-nineteenth century Auburn, New York-the "agitators" of the title-acclaimed author Dorothy Wickenden tells the fascinating and crucially American stories of abolition, the Underground Railroad, the early women's rights movement, and the Civil War. Harriet Tubman-no-nonsense, funny, uncannily prescient, and strategically brilliant-was one of the most important conductors on the underground railroad and hid the enslaved men, women and children she rescued in the basement kitchens of Martha Wright, Quaker mother of seven, and Frances Seward, wife of Governor, then Senator, then Secretary of State William H. Seward. Harriet worked for the Union Army in South Carolina as a nurse and spy, and took part in a river raid in which 750 enslaved people were freed from rice plantations. Martha, a "dangerous woman" in the eyes of her neighbors and a harsh critic of Lincoln's policy on slavery, organized women's rights and abolitionist conventions with Susan B. Anthony and Elizabeth Cady Stanton. Frances gave freedom seekers money and referrals and aided in their education. The most conventional of the three friends, she hid her radicalism in public; behind the scenes, she argued strenuously with her husband about the urgency of immediate abolition. Many of the most prominent figures in the history books-Lincoln, Seward, Daniel Webster, Frederick Douglass, Charles Sumner, John Brown, Harriet Beecher Stowe, William Lloyd Garrison-are seen through the discerning eyes of the protagonists. So are the most explosive political debates: about women's roles and rights during the abolition crusade, emancipation, and the arming of Black troops; and about the true meaning of the Declaration of Independence and the Constitution. Beginning two decades before the Civil War, when Harriet Tubman was still enslaved and Martha and Frances were young women bound by law and tradition, The Agitators ends two decades after the war, in a radically changed United States. Wickenden brings this extraordinary period of our history to life through the richly detailed letters her characters wrote several times a week. Like Doris Kearns Goodwin's Team of Rivals and David McCullough's John Adams, Wickenden's The Agitators is revelatory, riveting, and profoundly relevant to our own time"--