Josef Koudelka has reached acclaimed fame in the United States after his previous books Invasion and Retrospective by Aperture.

A retrospective catalog featuring vintage prints as well as recent, unpublished work by an internationally acclaimed photographer This retrospective catalog features vintage prints as well as recent, unpublished work by internationally acclaimed photographer Josef Koudelka (b. 1938). A leading member of the photo agency Magnum, co-founded by his close friend Henri Cartier-Bresson, Koudelka has been a legend since the publication of his unforgettable eyewitness photographs taken during the invasion of Czechoslovakia by Soviet-led troops in 1968. In addition to Invasion and Exiles, Koudelka's most ambitious project, Gypsies, is featured with the complete set of twenty-two prints first exhibited in 1967. Koudelka's impressive imagery is accompanied here by five essays that provide a thorough understanding of and appreciation for this outstanding artist, willfully independent and reclusive despite his renown.

Josef Koudelka has reached acclaimed fame in the United States after his previous books Invasion and Retrospective by Aperture.

"Koudelka's unsentimental, stark, brooding, intensely human imagery reflects his own spirit, the very essence of an exile who is at home wherever his wandering body finds haven in the night."-Cornell Capa In 1988, Josef Koudelka published what was to become one of his most famous and canonical series: Exiles. These gorgeously austere black-and-white images described the travels and everyday life of the peoples he encountered while roaming Europe. Josef Koudelka: The Making of Exilesis an exploration of the genesis and the making of this photographic journey. Enhanced by numerous photographs that have never been published--in particular the photographer's self-portraits--and captions by Koudelka, it includes numerous archival documents (such as reproductions of his travel journals), thumbnail reproductions of the book's layout, an introduction by curator Clément Chéroux and an essay by photo-historian Michel Frizot, who spent hours interviewing Koudelka. Josef Koudelkawas born in Moravia in 1938. Initially an aeronautic engineer, he launched full time into photography in the late sixties. In 1968, he photographed the Soviet invasion of Czechoslovakia, publishing the results under the pseudonym P.P. (Prague Photographer). Koudelka left Czechoslovakia in 1970 and was briefly stateless before obtaining political asylum in England. Shortly afterwards, he joined Magnum Photos. In 1975 he published Gypsies. Koudelka has exhibited at the MoMA and at the International Centre of Photography in New York, at the Hayward Gallery in London, the Stedelijk Museum in Amsterdam and the Palais de Tokyo in Paris.

With a rising number of women throughout the world picking up their cameras and capturing their surroundings, this book explores the work of 100 women and the experiences behind their greatest images. Traditionally a male-dominated field, street photography is increasingly becoming the domain of women. This fantastic collection of images reflects that shift, showcasing 100 contemporary women street photographers working around the world today, accompanied by personal statements about their work. Variously joyful, unsettling and unexpected, the photographs capture a wide range of extraordinary moments. The volume is curated by Gulnara Samoilova, founder of the Women Street Photographers project: a website, social media platform and annual exhibition. Photographer Melissa Breyer's introductory essay explores how the genre has intersected with gender throughout history, looking at how cultural changes in gender roles have overlapped with technological developments in the camera to allow key historical figures to emerge. Her text is complemented by a foreword by renowned photojournalist Ami Vitale, whose career as a war photographer and, later, global travels with National Geographic have allowed a unique insight into the realities of working as a woman photographer in different countries. In turns intimate and candid, the photographs featured in this book offer a kaleidoscopic glimpse of what happens when women across the world are behind the camera.

Explores European civilisation as a concept of twentieth-century political practice and the project of a transnational network of European elites. This title is available as Open Access.

"The photographer Josef Koudelka is as nomadic & unpredictable as the Gypsies whose existence he has brilliantly chronicled."-Vanity Fair