The Book of Lies was written by English occultist and teacher Aleister Crowley under the pen name of Frater Perdurabo. As Crowley describes it: "This book deals with many matters on all planes of the very highest importance. It is an official publication for Babes of the Abyss, but is recommended even to beginners as highly suggestive." The book consists of 91 chapters, each of which consists of one page of text. The chapters include a question mark, poems, rituals, instructions, and obscure allusions and cryptograms. The subject of each chapter is generally determined by its number and its corresponding Qabalistic meaning.

The Writings of Aleister Crowley 2 presents three essential texts by the black magick master: White Stains, The Psychology of Hashish and The Blue Equinox. Each work has been updated for the digital age with new formatting and punctuation, along with original footnotes and illustrations.

This is Volume One of a three-volume set, comprising much of Crowley's early material, written mostly between 1898-1902. His earliest works, written between 1887-1897, were almost entirely destroyed by authorities due to their offensive nature. In writing the material that appears in this volume, Crowley toned things down a notch and moved away from the more lurid and graphic sexual themes he had been primarily focused on. He concentrates almost entirely on religion and mythology in this collection. This reflects a time in his life when he was awakening to an important mystical and spiritual level. It can be seen by the reader how Crowley continues to grow and mature into more advanced ideas in the two remaining volumes, as well. It is hard to think of Crowley as a poet, but his style and advanced mystical vocabulary are unique and go beyond that of everyday poets. His plays are also interesting. Crowley once said that the last play, "Tanhauser: The Story of All Time," contained the theory of special relativity, which Einstein clarified more fully and scientifically three years later, in 1905. This volume contains four poems, five plays, four sections of shorter poems, an Epilogue, and an interesting Appendix on Qabalistic Dogma.

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.