A unique and forward-thinking book that sheds new light on the origins, dynamics, and cosmopolitan culture of the Kongo Kingdom from a cross-disciplinary perspective.

Between the sixteenth and the nineteenth centuries, the west central African kingdom of Kongo practiced Christianity and actively participated in the Atlantic world as an independent, cosmopolitan realm. Drawing on an expansive and largely unpublished set of objects, images, and documents, Cecile Fromont examines the advent of Kongo Christian visual culture and traces its development across four centuries marked by war, the Atlantic slave trade, and, finally, the rise of nineteenth-century European colonialism. By offering an extensive analysis of the religious, political, and artistic innovations through which the Kongo embraced Christianity, Fromont approaches the country's conversion as a dynamic process that unfolded across centuries. The African kingdom's elite independently and gradually intertwined old and new, local and foreign religious thought, political concepts, and visual forms to mold a novel and constantly evolving Kongo Christian worldview. Fromont sheds light on the cross-cultural exchanges between Africa, Europe, and Latin America that shaped the early modern world, and she outlines the religious, artistic, and social background of the countless men and women displaced by the slave trade from central Africa to all corners of the Atlantic world.

A fascinating account of the effects of turbulent history on one of Africa’s most storied kingdoms, Kongo: Power and Majesty presents over 170 works of art from the Kingdom of Kongo (an area that includes present-day Republic of Congo, Democratic Republic of Congo, and Angola). The book covers 400 years of Kongolese culture, from the fifteenth century, when Portuguese, Dutch, and Italian merchants and missionaries brought Christianity to the region, to the nineteenth, when engagement with Europe had turned to colonial incursion and the kingdom dissolved under the pressures of displacement, civil war, and the devastation of the slave trade. The works of art—which range from depictions of European iconography rendered in powerful, indigenous forms to fearsome minkondi, or power figures—serve as an assertion of enduring majesty in the face of upheaval, and richly illustrate the book’s powerful thesis.

Lutete devoted much of his attention to aspects of Kongo ritual and religious belief, including minkisi and the rituals for the installation of chiefs. The original text of what he had to say about chiefship is printed, with translation notes. The work of other informants is also used."--BOOK JACKET.

Explores the transatlantic connections between Central Africa and North America over the past 500 years in the visual and performing arts of both cultures.

"[Bockie's] description of Kongo culture is vivid, beautifullyclear, and absolutely authentic, as only a native could make it.... I don't know ofanything of its kind that is both as good, ethnographically, and asreadable." -- Wyatt MacGaffey "Simon Bockie haswritten an engaging, often personal account of the views and behaviors surroundingdeath in his own society, the Kongo of Lower Zaire, northern Angola, and theCongo." -- Cahiers d'Etudes africaines ..". excellentbook of Kongo religious life and thought... " --Religion "It is a book that is remarkably well written, bothfor its readability and for its explanatory value.... the book is a superb startingplace for understanding Kongo religion, and will work as an introduction to Africanreligion in general as well." -- International Journal of African HistoricalStudies ..". an excellent introduction for anyone seeking tounderstand Kongo traditional culture and thought." --Oshun Rich in anecdote and case histories, Death and the InvisiblePowers is a personal account of the spiritual life of the Kongo people. It describesthe ancient traditions that nourish a culture whose name symbolizes the heart ofCentral Africa.