‘[An] incredible debut’ - Stylist 'A novel about home, about belonging and exile; a compelling and complex insight into a recent past that still resonates' - Irish Times Uganda 1972 A devastating decree is issued: all Ugandan Asians must leave the country in ninety days. They must take only what they can carry, give up their money and never return. For Asha and Pran, married a matter of months, it means abandoning the family business that Pran has worked so hard to save. For his mother, Jaya, it means saying goodbye to the house that has been her home for decades. But violence is escalating in Kampala, and people are disappearing. Will they all make it to safety in Britain and will they be given refuge if they do? And all the while, a terrible secret about the expulsion hangs over them, threatening to tear the family apart. From the green hilltops of Kampala, to the terraced houses of London, Neema Shah’s extraordinarily moving debut Kololo Hill explores what it means to leave your home behind, what it takes to start again, and the lengths some will go to protect their loved ones.

'A remarkably accomplished, polished debut.' MALORIE BLACKMAN 'Rightfully tipped for greatness' SUNDAY TIMES 'This moving tale of love and loss ... is well worth the wait' INDEPENDENT ' W hat's distinctive is the modern, multi-ethnic vision of masculinity she presents and the solidarity that emerges from it ... undeniably powerful too.' GUARDIAN ' A sprawling and epic dual narrative ... woven together with gentle urgency; sensitive and with a rare perspective on how our mixed race backgrounds can help form feelings of both internal power and conflict.' I-D MAGAZINE 'You can't exactly stop birds from flying, can you? They go where they will...' 1960s UGANDA. Hasan is struggling to run his family business following the sudden death of his wife. Just as he begins to see a way forward, a new regime seizes power, and a wave of rising prejudice threatens to sweep away everything he has built. Present-day LONDON. Sameer, a young high-flying lawyer, senses an emptiness in what he thought was the life of his dreams. Called back to his family home by an unexpected tragedy, Sameer begins to find the missing pieces of himself not in his future plans, but in a past he never knew. Shortlisted for the Goldsboro Books Glass Bell Award 2022

How do you behave in a poker game with a genocidal murderer? General Mohammed Siad Barre of Somalia had a revolver lying beside his overflowing ashtray on the baize card table. Dictators bully and cheat, not only at cards. Field Marshal General Idi Amin Dada of Uganda, fleeing his overthrow, abandoned his mansion on Kololo Hill. Amin’s mansion showed us his madness, his vanity, his love of the cartoon characters Mickey Mouse, Goofy, Popeye and Olive Oil, and his hypochondria – the bathroom contained more medicine than a chemist’s shop. On their trips to African summitry, Iraq’s Saddam Hussein and Libya’s Muammar Gaddafi, worldly yet fanatical, were an enigma. Yasser Arafat and King Hassan of Morocco were diminutive men, but charming in meetings face-to-face. Arafat was full of bonhomie as he tapped the pistol on his belt. Angus Shaw, an award-winning international journalist, was born in Southern Rhodesia, now Zimbabwe. In this brutally honest memoir, he tells of friendship, joy and pain, of lies, of moral decay, and of sex, drink and drugs, as he journeys through seven blood-steeped African wars, culminating in that pinnacle of madness and depravity, the genocide in Rwanda. His story is peopled by cruel dictators and warlords, fighters whose dreams of freedom went unconsummated, great statesmen like the icon of peace Nelson Mandela, the jet-setting Pope John Paul II making pilgrimages to Africa, and idols of movies and music who visited his beleaguered Paradise of Fools. Published by Boundary Books

In The Last Brother by Nathacha Appanah, 1944 is coming to a close and nine-year-old Raj is unaware of the war devastating the rest of the world. He lives in Mauritius, a remote island in the Indian Ocean, where survival is a daily struggle for his family. When a brutal beating lands Raj in the hospital of the prison camp where his father is a guard, he meets a mysterious boy his own age. David is a refugee, one of a group of Jewish exiles whose harrowing journey took them from Nazi occupied Europe to Palestine, where they were refused entry and sent on to indefinite detainment in Mauritius. A massive storm on the island leads to a breach of security at the camp, and David escapes, with Raj's help. After a few days spent hiding from Raj's cruel father, the two young boys flee into the forest. Danger, hunger, and malaria turn what at first seems like an adventure to Raj into an increasingly desperate mission. This unforgettable and deeply moving novel sheds light on a fascinating and unexplored corner of World War II history, and establishes Nathacha Appanah as a significant international voice.

"On a cold, windswept night, Fiona arrives on a tiny, isolated island in Orkney. She accepted her old friend's invitation with some trepidation - her relationship with Madison has never been plain sailing. But when she approaches Madison's cottage, the windows are dark. The place has been stripped bare. No one knows where Madison has gone. As Fiona tries to find out where Madison has vanished to, she begins to unravel a web of lies.Madison didn't live the life she claimed to. And now Fiona's own life is in danger . . ."--Publisher.

Longlisted for the 2022 CMI Management Book of the Year Award Who do you bring with you to work? Try as we might, we cannot leave part of ourselves under the pillow with our pyjamas when we go to work. We bring all that we are. In this collection of stories, Gabriella Braun shares insights from over twenty years of taking psychoanalysis out of the therapy room and into the staff room. She shows us why a board loses the plot, nearly causes their company to collapse, and how they come through. We see the connection between a headteacher's professional and personal loss. We understand seemingly unfathomable behaviour - why a man lets his organisation push him around, a lawyer becomes paranoid, a team repeatedly creates scapegoats, and founders of a literary agency feud. At a time when we are re-thinking the workplace, ALL THAT WE ARE shows that by taking human nature seriously, we can build more humane organisations where people and their work can thrive.

THE MOST TALKED ABOUT BOOK OF THE YEAR ''As filthy as it is funny, you won''t be able to put it down'' Dolly Alderton ''Extremely funny, touching and wonderfully refreshing on women and sexual desire'' Marian Keyes ''You will be intoxicated by this witty and honest exploration of female desire'' Elle ''Insatiable is a story about loneliness and trying to fit in, about our desire to be loved and included, how it''s easy to confuse being wanted with being used. It''ll draw people in with the shagging, but people will stay because they''re rooting for Violet.'' Evening Standard Stuck in a dead-end job, broken-hearted, broke and estranged from her best friend: Violet''s life is nothing like she thought it would be. She wants more - better friends, better sex, a better job - and she wants it now. So, when Lottie - who looks like the woman Violet wants to be when she grows up - offers Violet the chance to join her exciting start-up, she bites. Only it soon becomes clear that Lottie and her husband Simon are not only inviting Violet into their company, they are also inviting her into their lives. Seduced by their townhouse, their expensive candles and their Friday-night sex parties, Violet cannot tear herself away from Lottie, Simon or their friends. But is this really the more Violet yearns for? Will it grant her the satisfaction she is so desperately seeking? Insatiable is about women and desire - lust, longing and the need to be loved. It is a story about being unable to tell whether you are running towards your future or simply running away from your past. The result is at once tender and sad, funny and hopeful. * ''This novel shines with dark humour, sharp intelligence, sizzling sex scenes, and a piercing portrayal of loneliness. Not even the most insatiable reader could ask for more.'' Katherine Heiny ''Filthy, funny, and raw, Insatiable is utterly addictive'' Louise O''Neill ''Come for the absolute filth and stay for the empathetic and sensitive way that Daisy Buchanan writes about all the chaos and conflict of being a young woman in a hard-edged, hard-faced world.'' Red ''A piercing insight into the unreal demands modern women place on themselves and told with real humour and energy, we love this book so much'' Stylist ''A raucous unravelling of female desire and bodily pleasures, in all their maddening complexity'' Emma Jane Unsworth ''Few books out in the early half of the year are as flat-out entertaining as Buchanan''s fizzy, filthy story of a young woman''s sexual awakening.'' i paper ''I''d call Insatiable Jilly Cooper for the Instagram generation, but that wouldn''t do this book justice'' Lauren Bravo ''Daisy brings characters to life like no other writer, pumping them full of humour, vulnerability and sexy sexy sex'' Lucy Vine ''Gloriously rude and brave about the nature of women''s desire'' Sophia Money-Coutts ''I raced through this funny, filthy and utterly compelling debut about female sexuality, ambition and vulnerability... I''m still thinking about it long after turning the final page.'' Daily Mail ''I can''t believe this is a fiction debut - she writes stories like she''s been doing it for fifty years'' Laura Jane Williams ''Insatiable is an unashamedly filthy and yet deeply sensitive exploration of female desire, aspiration and vulnerability, and Daisy is an exciting new voice in contemporary fiction.'' Hannah Beckerman ''It reminded me of Bridget Jones''s Diary - if Bridget were bisexual and Daniel Cleaver were a couple who were into group sex.'' Julie Cohen ''Erica Jong for the Instagram age.'' Keith Stuart ''Intelligent, observant prose that gives a snap-shot of life experienced by millennial women.'' Kate Sawyer ''Like going for a drink with your wisest and smuttiest friend'' Jessica Moor ''Funny, filthy ... Buchanan offers astute social observation, while the development of Violet as an ardent yet vulnerable heroine to root for makes her a millennial counterpart to Jilly Cooper''s Bella or Octavia.'' The Sunday Times