"Twiga the giraffe is having a baby! Can Koko find her way to the doctor's house in time?"--P. [4] of cover.

From the #1 New York Times bestselling author of Ghost Story comes “an inspired thriller” (The Washington Post) about four Vietnam vets linked by a shattering secret and their global hunt to track down a brutal killer. Koko. Only four men knew what it meant. Now they must stop it. They were Vietnam vets—a doctor, a lawyer, a working stiff, and a writer. Very different from each other, they are nonetheless linked by a shared history and a devastating secret. Now, they have been reunited and are about to embark on a quest that will take them from Washington, D.C., to the graveyards and fleshpots of the Far East to the human jungle of New York, searching for someone from the past who has risen from the darkness to kill and kill and kill.

The title of the book is inspired by a South African phrase made famous by the legendary musician Brenda Fassie in her 1992 song, Istraight lendaba. Like the legend who inspired the book title and the song from which the name of this poetry collection was selected, Putuma wanted to build on the themes she explored in her first book, Collective Amnesia, and go straight to the heart of tackling the legacies of black femme erasure from society as well as in the arts. The success of Collective Amnesia, a bestseller that has sold over 6000 copies and been translated into eight languages around the world, saw Putuma perform for audiences across the continent as well as in Europe. “In writing Hullo, Bu-bye, Koko, Come in, I wanted to reflect on my personal experiences of travelling and performing outside of South Africa and more specifically, Europe. I wanted to understand different aesthetics and forms of memory, documentation, performance, hyper-visibility and erasure. I wanted to look at how those things frame our understanding of women in the archive, legacies of archiving, celebration, fame, culture and black women on and off the stage,” Putuma says. The book is divided into four chapters dealing with subjects related to history, the erasure of black women from the archive and more personal poems where Putuma resuscitates the stories of women in her lineage who have had an influence on her life. “I wanted these excerpts to serve as a conversation between the poems and an archive of sorts - an archive of black women (living and dead) who are looked at, celebrated, uncited, erased and exploited. I wanted to make visible the words of black women who have had to navigate the complexities of a constant gaze that often renders the “looked at” invisible. In my quest, I wanted to further understand and challenge my own methods of citation, documentation and seeing – and in doing that – invite others to do the same,” she says.

Unable to achieve what she aspires, desperate to be number one, Gemma, a newspaper tycoon and a ruthless CEO of a twelve-billion-dollar media conglomerate, with its flagship newspaper ‘Before Dawn’ contrives catastrophic events in order to increase readership and further her ranking. However, when she falls in love, everything changes, and she must sacrifice her world to save the ones she loves. This is truly a story about fake news that happens to be deadly, or better yet, manufactured.

The third and final instalment in the fast-paced kick-ass Koko trilogy described by Booklist as "[A] futuristic wild ride... Great fun". Surviving job loss, an unsettled vendetta, a submarine wreck, heartbreak, and mortal carnage on a tokusatsu scale, Koko P. Martstellar (ex-corporate mercenary and saloon/brothel owner) is trying to reassemble what's left of her life. Being hired to protect global industrialist Bogart Gong seems like as good a place to start as any, but bodyguard work isn't the cakewalk Koko thought it'd be. Throw in some autocratic malfeasance, a hatchet man with a flair for the dramatic, a South American despot, lovers back from the grave, and a high-speed race at a prison, and you've a brain-melting cocktail of cyberpunk satire that's impossible to put down.

‘A bewitching addition to the current South African literary boom. Mohale Mashigo tells her story with charming lucidity, disarming characterisation, subversive wisdom and subtle humour.’ – ZAKES MDA How long does it take for scars to heal? How long does it take for a scarred memory to fester and rise to the surface? For Marubini, the question is whether scars ever heal when you forget they are there to begin with. Marubini is a young woman who has an enviable life in Cape Town, working at a wine farm and spending idyllic days with her friends ... until her past starts spilling into her present. Something dark has been lurking in the shadows of Marubini’s life from as far back as she can remember. It’s only a matter of time before it reaches out and grabs at her. The Yearning is a memorable exploration of the ripple effects of the past, of personal strength and courage, and of the shadowy intersections of traditional and modern worlds.