Knitbot Yoked is a collection of four modern round-yoke sweater patterns and two accessories. Designer Hannah Fettig provides valuable tips and techniques for knitting round-yoked sweaters from the top down. This book also serves as an introduction to Fair Isle knitting.

In Knitbot Essentials, designer Hannah Fettig offers nine of her most popular knitwear designs in one collection. The book features knitting patterns for five easy-going swingy cardigans, a live-in-it cozy pullover, and three must-have accessories. The book includes a primer on creating drape in knitwear along with some of Hannah's favorite knitting techniques.

Modeled in the beautiful backdrop of Georgetown, Maine, are the results of nine essential wardrobe patterns. Each sweater pattern includes two sets of instructions that allow the advanced knitter to choose to knit with seams or without. Included within this book are pattern guides and information on gauge, fit, yarn substitution, and more. Full of beautiful photography and must-have sweater patterns, this knitter's book is sure to be an inspiration for all would-be and longtime knitters.

Enjoy a fresh new approach to sock knitting! Stephanie van der Linden is a master knitter and shows her technical skills to great effect in Op-Art Socks. A collector of op-art ceramics, she was inspired to translate graphic optical illusions into knitted patterns for socks, replicating their eye-popping effects. Op-Art Socks contains 19 projects. Explore graphic colorwork, textured knitting (knit and purl), shadow knitting, and shifting ribbing to create optical illusions. The book includes black and white swatches of all patterns so that you can readily perceive the op-art illusions in each piece. Op-Art Socks is truly unique in theme and designs. Go beyond ordinary sock knitting into new territory!

Knitwear designers Alana Dakos and Hannah Fettig are two friends living on opposite ends of the United States. They have come together to produce Coastal Knits, a compilation of ten fresh designs inspired by Alana's California and Hannah's Maine coastlines. Each design captures the essence of their favorite local destinations, and is accompanied by photographs and essays on the location's special meaning to the designer. It is a personal, inspiration-based collection of sweaters and accessories that knitters of all levels will appreciate.

This book explores sources for wool in Ireland which embrace the slow revolution with ethically-treated sheep, fair-trade wool, and local milling. A step away from the mass-produced acrylics and imported wool blends from other continents to focus once again on knitting with local wool. There are a variety of breeds of sheep being raised in Ireland and Great Britain, each breed with its own special characteristics. Each of these varieties of wool brings a new level of uniqueness to a knitter's work. It is time to allow conscientious small-batch artisan producers to guide us to the very best of what these islands have to offer. If we're so focused on having our eggs be fair-trade and local, why not our knitting wool? These Islands includes eight never before published patterns for hats, a cowl, shawls, fingerless gloves, and boot cuffs using locally-processed wool made from the fleece of Irish, Scottish, or British sheep with names. The patterns are designed by Sara Breitenfeldt, Suzanne McEndoo, and Evin Bail O'Keeffe. The book features 77 full-colour photographs shot on location at Zwartbles Ireland in Kilkenny and in County Cork, Ireland.

"A fascinating history of…[a craft] that preceded and made possible civilization itself." —New York Times Book Review New discoveries about the textile arts reveal women's unexpectedly influential role in ancient societies. Twenty thousand years ago, women were making and wearing the first clothing created from spun fibers. In fact, right up to the Industrial Revolution the fiber arts were an enormous economic force, belonging primarily to women. Despite the great toil required in making cloth and clothing, most books on ancient history and economics have no information on them. Much of this gap results from the extreme perishability of what women produced, but it seems clear that until now descriptions of prehistoric and early historic cultures have omitted virtually half the picture. Elizabeth Wayland Barber has drawn from data gathered by the most sophisticated new archaeological methods—methods she herself helped to fashion. In a "brilliantly original book" (Katha Pollitt, Washington Post Book World), she argues that women were a powerful economic force in the ancient world, with their own industry: fabric.