A Philip K Dick Award-nominated novel. Eight hundred years ago Doran Falkner gave humanity the stars, and he now lives with his regrets on a depopulated Earth among tumbledown ruins and ancient dreams brought to life by modern technology. But word now comes that alien life has been discovered on a distant world, life so strange and impossible that the revelation of its secrets could change everything. A disillusioned knight on the chessboard of the gods, Doran must confront his own lost promise, his lost love, and his lost humanity, to make the move that will revive the fortunes both of humans and aliens . . . "Knight Moves is an engrossing and evocative read, a tale of immortality and love and death rendered in a style that reminds me more than a little of the early Roger Zelazny. Williams’ people are intriguing and sympathetic, and his portrait of an Earth left transformed and empty by a humanity gone to the stars, where aliens dig among ancient ruins for old comic books while the creatures of legends stir and walk again, will linger in my memory for a long time. Williams is a writer to watch, and– more importantly– to read." –--George R.R. Martin, author of Game of Thrones "Knight Moves uses an unmatched cast of characters, human and otherwise, to tell an intriguing story." –-- Fred Saberhagen, author of the Book of Swords Trilogy

First published in 1923, Knight's Move is a collection of articles and short critical pieces that Viktor Shklovsky, no doubt the most original literary critic and theoretician of the twentieth century, wrote for the newspaper The Life of Art between 1919 and 1921. With his usual epigrammatic, acerbic wit and genius, Shklovsky pillories the bad writers, artists, and critics of his time, especially those who used art as a political or social tool. And at no time is Shklovsky better than when he insists with indignation and outrage that "Art has always been free of life. Its flag has never reflected the color of the flag that flies over the city fortress." As fresh and revolutionary today as they were when written nearly a century ago, these pieces promise to infuriate an English-speaking readership as much as the Russian one of the 1920s.

Knight Moves: The K J Knight Story recounts the fascinating tale of a miscreant young rock drummer growing up in the Motor City during the 1960s and 70s—a dynamic and defining period in rock and roll history. This is also the story of a teenage boy whose world is ripped apart and whose destiny is sealed through his father’s infidelity and the resulting dissolution of his parents’ marriage. As his home life crumbles, young K J immerses himself in his music. And against the backdrop of the madness of the music industry, this aspiring musician nomadically roams from one band to the next in search of a place in the rock-and-roll world. In this no-holds-barred account, author K J Knight describes his life and career, detailing his relentless acts of juvenile delinquency and his impact on the capricious nature of the music scene from Detroit to LA and back with many points in between. This candid, behind-the-scenes memoir could only have been written by a music insider, overflowing as it is with insight into America’s burgeoning rock culture. Knight chronicles his epic highs and shattering lows playing in countless bands. Eventually landing an envious gig with The Amboy Dukes and infamous guitar great Ted Nugent, K J gets a taste of the mythical life of a rock star, including rubbing shoulders with Motor City icons Bob Seger, Alice Cooper, and Iggy Pop. Knight’s passion for both his music and his family provide the emotional core for this searing autobiography, Knight Moves: The K J Knight Story.

BOOK THREE: KNIGHT MOVES Et tu, Vampire? The boys discover they may be tied to a string of serial killings at the college and that they suddenly aren't the only vampire game in town. The vampire count in Charlotte is at least three. Or more. As far as the unhappy boys are concerned, anything more than two is a crowd not to be tolerated. While tracking down the killer and the competition, they encounter coeds, booby traps (not related to the coeds) and a hirsute bounty hunter with a moon fetish and a bad attitude. To catch the killer, Jimmy will have to survive a dive headfirst into the great unwashed horde of Dorkdom (game night at the local comic shop). What's a red-blood-drinking vampire to do? His job. Again.

Budgets and Markets highlights the decisions involved in budgeting and marketing European films. It looks at the origin, development, production, distribution, financing and profit of thirteen European films, including such critical and popular successes as Tacones Lejones (High Heels) by Pedro Almodovar; Oci Ciornie (Dark Eyes) by Nikita Mikhalkov; Peter's Friends by Keneth Branagh and La Discrete by Christian Vincent. Detailed financial data is reinforced by interviews with the producers of each film. The core of the analysis is based on the question 'Was this film made at the right price for the right market?'.

In Stripes: Design Between the Lines, writer and design expert Linda O’Keeffe explores the lineage of lines as they shape culture, art, and style. The illustrations create a rollicking visual ride while the accompanying text—by turns witty and weighty—shows how these potent, sometimes-charged symbols have even changed the course of world history. The simplest and most ancient of all decorative markings, stripes perpetually fascinate. Natural inspirations in the forms of zebra stripes, rippled sand dunes, and intricately gnarled wood grain have led us to use stripes in every permutation: on human bodies from elaborate woven textiles to the iconic Breton T-shirt to sharp pin-striped suits, in art from the earliest cave paintings to vibrant op art canvases, and in industrial design from World War II–era dazzle battleships to the ubiquitous bar code. Their appeal endures. With over 250 full-color images, Stripes: Design Between the Lines provides a wholly original look at one of the most recognizable patterns of all time. Eight thematic chapters present stripes in every conceivable manifestation, from diabolical to decorative, historic to postmodern. The result is a wonderfully varied visual collage that shows how design-savvy people throughout the ages and recent design stars including Jonathan Adler, Geoffrey Beene, Jamie Drake, Jean Paul Gaultier, Josef Hoffman, Sol LeWitt, Todd Oldham, Alberto Pinto, Giò Ponti, Karim Rashid, David Rockwell, Carolyne Roehm, Paul Smith, and Vivienne Westwood have incorporated stripes into their work and daily lives.