DigiCat Publishing presents to you this special edition of "Klee Wyck" by Emily Carr. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Douglas & McIntyre is proud to announce definitive, completely redesigned editions of Emily Carr’s seven enduring classic books. These are beautifully crafted keepsake editions of the literary world of Emily Carr, each with an introduction by a distinguished Canadian writer or authority on Emily Carr and her work. Emily Carr’s first book, published in 1941, was titled Klee Wyck ("Laughing One"), in honour of the name that the Native people of the west coast gave to her. This collection of twenty-one word sketches about Native people describes her visits and travels as she painted their totem poles and villages. Vital and direct, aware and poignant, it is as well regarded today as when it was first published in 1941 to instant and wide acclaim, winning the Governor General’s Award for Non-fiction. In print ever since, it has been read and loved by several generations of Canadians, and has also been translated into French and Japanese. Kathryn Bridge, who, as an archivist, has long been well acquainted with the work of Emily Carr, has written an absorbing introduction that places Klee Wyck and Emily Carr in historical and literary context and provides interesting new information.

The Book of Small by Emily Carr is a captivating memoir that takes readers on a journey through the author's childhood and her deep connection with the natural world. Carr's vivid descriptions and evocative storytelling transport us to the rugged landscapes of British Columbia, where she finds solace and inspiration in the wilderness. The Book of Small is not only a personal account of Carr's experiences but also a reflection on the power of art and nature to shape our lives. With its lyrical prose and intimate revelations, Carr's memoir invites readers to discover the beauty and wonder that exist within and around us.

Though fame came late to Emily Carr, today she is hailed as a major and influential figure in the history of Canadian art and as a writer of unique and extraordinary talent. In this book, Courtney Milne has taken the best of Carr's writing about the land she loved and has matched it to a stunning selection of his own photographs of the West Coast. In a vigorous and colourful post-impressionist style, Emily Carr painted the vanishing native villages and totem poles of her beloved coastal British Columbia, and later in her career produced beautifully lyrical paintings expressive of the spirit and rhythms of Western forests, beaches, and skies. She also poured her talent into books about her life and art, her love of animals and nature, her frustrations and disappointments, her many sources of joy. An annual visitor to the West Coast, Courtney Milne has been making photographs with the words of Emily Carr in mind for close to 20 years. To put this book together he has collected his favourite quotes from Carr and combed through many thousands of his photographs to find the perfect image to match a chosen piece of prose. The result is a spellbinding duet of text and pictures from two gifted and sympathetic artists.

While studying art in London, Emily Carr seriously undermined her health and was sent to a sanatorium for a complete rest cure. Bridling at the hospital’s rules, which prohibited excitement of any kind, the always rebellious Carr proceeded to make friends, raise birds, and cause trouble. In words and enchanting sketches, Carr presents a funny, poignant account of her 18-month convalescence.

This autobiography by Emily has been called "probably the finest... in a literary sense, ever written in Canada." Completed just before Emily Carr died in 1945, Growing Pains tells the story of Carr’s life, beginning with her girlhood in pioneer Victoria and going on to her training as an artist in San Francisco, England and France. Also here is the frustration she felt at the rejection of her art by Canadians, of the years of despair when she stopped painting. She had to earn a living, and did so by running a small apartment-house, and her painful years of landladying and more joyful times raising dogs for sale, claimed all her time and energy. Then, towards the end of her life, came unexpected vindication and triumph when the Group of Seven accepted her as one of them. Throughout, the book is informed with Carr’s passionatate love of and connection with nature. Carr is a natural storyteller whose writing is vivid and vital, informed by wit, nostalgic charm, an artist’s eye for description, a deep feeling for creatures and the foibles of humanity--all the things that made her previous books Klee Wyck and Book of Small so popular and critically acclaimed.

Emily Carr’s journals from 1927 to 1941 portray the happy, productive period when she was able to resume painting after dismal years of raising dogs and renting out rooms to pay the bills. These revealing entries convey her passionate connection with nature, her struggle to find her voice as a writer, and her vision and philosophy as a painter.