While he was working to complete the Allmannajuvet Zinc Mine Museum in southern Norway in 2016, Swiss architect Peter Zumthor asked Norwegian architectural historian Mari Lending to engage in a dialogue about the project. In meandering, impressionistic style, and drawing on their favorite writers, such as Johann Peter Hebel, Stendhal, Nabokov, and T. S. Eliot, their exchanges explore how history, time, and temporalities reverberate across Zumthor's oeuvre. Looking back, Zumthor ponders on how a feeling of history has informed his attempts at emotional reconstruction by means of building, from architectural interventions in dramatic landscapes to his design for the redevelopment of the Los Angeles County Museum of Art, which conceived the building on a suitably grand urban scale. This small, beautifully designed book records the conversation between Zumthor and Lending, accompanied by photographs taken by the renowned Swiss architectural photographer H l ne Binet. The resulting book is a surprisingly revelatory view of one of the most interesting and restlessly creative architects of our era.

Atmosphere is an essential concept for Swiss architect Peter Zumthor. In his text Atmospheres (1996), Zumthor identified a series of themes that play a role in his work in achieving architectonic atmosphere. OASE exchanges ideas with Zumthor about the current relevance of this text, and about the practice of bringing together these elements in the design and construction process. Finnish architect Juhani Pallasmaa relates atmosphere in architecture to examples and theories from other disciplines like psychology and the visual arts. Zumthor and Pallasmaa also introduce the work of contemporary architects who in their view succeed in truly creating atmosphere through construction.

Peter Zumthor was selected to construct the Swiss Pavilion at the EXPO2000 in Hanover, and to this end, he created an unusual wood structure, the "Soundbodies" of Switzerland. Swiss architecture, music, the written word, fashion design and gastronomy are all drawn together to create a place to discover, to enjoy and to relax in.

Peter Zumthor was selected to construct the Swiss Pavilion at the Expo 2000 in Hanover, and to this end, he created an unusual wood structure. Looking at this work of art, this text notes that the structure is really an exhibition in itself.