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England, 1813. Nineteen-year-old Catherine Bennet lives in the shadow of her two eldest sisters, Elizabeth and Jane, who have both made excellent marriages. No one expects Kitty to amount to anything. Left at home in rural Hertfordshire with her neurotic and nagging mother, and a father who derides her as "e;silly and ignorant,"e; Kitty is lonely, diffident and at a loss as to how to improve her situation. When her world unexpectedly expands to London and the Darcy's magnificent country estate in Derbyshire, she is overjoyed. Keen to impress this new society, and to change her family's prejudice, Kitty does everything she can to improve her mind and manners-and for the first time feels liked and respected. However, one fateful night at Pemberley, a series of events and misunderstandings conspire to ruin Kitty's reputation. Accused of theft-a crime almost worse than murder among the Georgian aristocracy-she is sent back home in disgrace. But Kitty has learnt from her new experiences and what she does next does next will not only surprise herself, but everyone else too.

Alex Stanton just inherited a dukedom but his true passion is uncovering charlatans and frauds wherever he finds them. Spiritualist and medium Evangeline “Evie” Jones is the biggest fake of all and he’s determined to expose her lies for all of London to see. Her prim manner and ladylike airs don’t fool him. He sees the hunger beneath and recognizes a worthy opponent. He can’t deny the dark undercurrents of lust between them. Evie worked her way up from the gutter and she’s not about to abandon the life she’s built for fear of this aristocratic dilettante. She knows his type. She sees the attraction simmering beneath his animosity, and she knows how to use it to keep him off balance. They strike a bargain. He has one week to prove she’s a fake. If he fails, he has to abandon all further attempts. If he succeeds, she’ll not only retire but make a public statement explaining all her tricks. Neither expects to find anything in common, not to mention anything to love, in the other. Both are blindsided by the affinity and blossoming tenderness between them. But even if it were possible for a lowly charlatan to live happily ever after with a duke, more is going on than either suspects. Someone else has brought them together for a sinister purpose of his own. Each book in the Harcastle Inheritance series is STANDALONE: * The Madness of Miss Grey * The Ruin of Evangeline Jones

The 1940s is a lost decade in horror cinema, undervalued and written out of most horror scholarship. This collection revises, reframes, and deconstructs persistent critical binaries that have been put in place by scholarly discourse to label 1940s horror as somehow inferior to a “classical” period or “canonical” mode of horror in the 1930s, especially as represented by the monster films of Universal Studios. The book's four sections re-evaluate the historical, political, economic, and cultural factors informing 1940s horror cinema to introduce new theoretical frameworks and to open up space for scholarly discussion of 1940s horror genre hybridity, periodization, and aesthetics. Chapters focused on Gothic and Grand Guignol traditions operating in forties horror cinema, 1940s proto-slasher films, the independent horrors of the Poverty Row studios, and critical reevaluations of neglected hybrid films such as The Vampire’s Ghost (1945) and “slippery” auteurs such as Robert Siodmak and Sam Neufield, work to recover a decade of horror that has been framed as having fallen victim to repetition, exhaustion, and decline.

In this fast-paced monster mash-up, creatures of the night face the fight of their lives when they square off against one another on TV's first all-supernatural reality show. Talk radio host and werewolf Kitty Norville is expecting cheesy competitions and manufactured drama starring shapeshifters, vampires, and psychics when she signs on for TV's first all-supernatural reality show. But as soon as filming starts, violence erupts, and Kitty suspects that the show is a cover for a far more nefarious plot. When the cameras stop rolling, cast members start dying, and Kitty realizes that she and her monster housemates are -- ironically -- the ultimate prize in a very different game. Stranded with no power, no phones, and no way to know who can be trusted, she must find a way to defeat the evil closing in . . . before it kills them all.

A tale of love and marriage, society balls and courtship, class and a touch of scandal, Pamela Mingle's The Pursuit of Mary Bennet is a fresh take on one of the most beloved novels of all time, Jane Austen's Pride and Prejudice. Growing up with four extraordinary sisters—beautiful and confident Jane and Elizabeth, and flirtatious and lighthearted Lydia and Kitty—wasn't easy for an awkward bookworm like Mary Bennet. But with nearly all of her sisters married and gone from the household, the unrefined Mary has transformed into an attractive and eligible young woman in her own right. When another scandal involving Lydia and Wickham threatens the Bennet house, Mary and Kitty are packed off to visit Jane and her husband, Charles Bingley, where they meet the dashing Henry Walsh. Eager and naïve, Mary is confused by Henry's attentions, even as she finds herself drawing closer to him. Could this really be love—or the notions of a foolish girl unschooled in the art of romance and flirtation?

A unique and inspirational Pride and Prejudice sequel that will resonate with all readers who can relate to Mary Bennet's determination to live according to God's wishes Written by a Franciscan nun, this is a sympathetic tale of the middle Bennet sister from Pride and Prejudice. Pious Mary Bennet tries to do her duty in the world as she thinks God envisions it. Initially believing (mistakenly) that her sister Elizabeth married well only in order to provide for her sisters, Mary is happy to be relieved of the obligation to marry at all so that she can continue her faithful works. But she begins to have second thoughts after further studying marriage through her sisters' experiences as well as spending time with two young men. One is a splendid young buck whose determined courtship must have ulterior motives; the other is a kindly, serious young clergyman whose friendship Mary values more and more. One day she realizes that God very much made man and woman to be together...but which is the man for her?