"Olga lives in her kiosk. Every day she looks after her customers and dreams of faraway places. Until one day, a series of absurd events turns her world upside down and Olga finds herself on an unexpected journey"--Back cover.

Created by artist Fabiana de Barros in 1998, when she took part in an artistic exchange between Switzerland, Brazil, and France, in João Pessoa (state of Paraíba), the Fiteiro Cultural [Culture Kiosk] had the intention of being an ideal space, capable of transforming into an atelier, a stage, an exhibition venue, or a place suited for resting, reading, and thinking.This second edition of Aberto [Open]: Culture Kiosk reinterprets and updates the work whose name it bears. The book was strengthened in its function of recording, analyzing, and displaying the visual memory of the structure and the impact of the Fiteiro Cultural in the cities it has visited and on the people that dedicated their reflection to it.

The 'Silver Age' of Spain ran from 1898 to 1939 and was characterized by intense urbanization, widespread class struggle and mobility and a boom in mass culture. This book offers the most detailed scholarly analysis of kiosk literature, one of the mass culture's manifestations, examined through the lens of contemporary interdisciplinary theories.

From the reign of Ptolemy IV Philopator (221-204 BC), an extensive building and decoration programme is attested throughout Egypt, with a specific emphasis on the cult of Osiris and the child gods. The royal legitimation, in which Horus of Edfu and Amun of Thebes played a major role, was a further focal point. With the Theban revolt (206-186 BC), the royal support of the Egyptian temples stopped abruptly and was only resumed under Ptolemy VI Philometor. In the temple of Amun-Ra at Karnak, the Kiosk of Taharqa was a key contribution of the Kushite period (746-655 BC). Under Ptolemy IV, a major restoration campaign took place in the First Courtyard: the gate of the Second Pylon was rebuilt and the Kiosk substantially renovated. Its intercolumnar walls were remodelled and carved with ritual scenes of royal legitimation. The soubassement was decorated with a procession of nomes, received by the goddess Waset, and the column shafts and abaci were engraved with the royal names. In this book, the Kiosk's Ptolemaic texts and iconographic decoration are presented and analysed. A global study of Philopator's architectural activities places the Kiosk in the larger context of Karnak and beyond. In addition, a palaeographic study of the hieroglyphic texts is published.

Brief history of Hereford cattle: v. 1, p. 359-375.