“We’ll be careful, don’t worry.” The man in his forties nodded. His two companions headed for the truck, but he paused. “Kino,” the man said, his expression deadly serious. “What is it?” “Ye didn’t ask about what’s in the back of the truck. Why is that?” “Why, what’s in there?” Kino replied immediately. The man went silent for a moment, then smiled abruptly. “Our sin.” In a desolate, snow-covered land, Kino and Hermes find three men in the wilderness starving to death. Despite not knowing the men—nor their intentions—Kino decides to hunt rabbits and cook to nurse them back to health. Though the men are truly thankful for these kind deeds, what Kino doesn’t know just might come back to bite them…

A high-profile Ashtanga Yoga teacher introduces an inspirational 30-day program that will “completely overhaul your attitude . . . eliminate negativity . . . while also allowing yoga to transform your body” (PopSugar) “The brave heart of a yogi is defined by actions that make the world a better place.” Live with authenticity. Practice patience. Let go of negativity. These are some of the core tenets of a yoga lifestyle, on and off the mat. Yoga is about much more than twisting yourself into shapes—the heart of this ancient practice is an inner journey, one of reflection, spiritual awakening, and ultimately a calm, clear mind. The Yogi Assignment is a 30-day introduction to these life-affirming and simple—yet revolutionary—principles. Led by master Ashtanga yoga teacher Kino MacGregor, this journey will challenge and uplift your body, mind, and spirit. Each day offers a practice and meditation that will help you confront your emotional, physical, and mental limitations and inspire real change in your life. MacGregor is a fierce, loving guide who encourages you to look deeply within to find your wellspring of inner strength and courage.

Kino’s Journey is about a character named Kino who travels around the world with a talking motorcycle named Hermes. Kino travels to many mystical worlds, each with its unique customs and people. Kino’s policy is to only stay three days in every town without exception, saying it’s enough time to learn about the each place and moving on to explore the next new place.

When Kuroyukihime returns from her school trip, she finds that Nega Nebulus has had quite the harrowing adventure in her absence, having been taken very much to task by a new threat--Dusk Taker! It seems, though, that the Black Legion has emerged stronger than ever and with two new members to boot! Could it be that they are ready to tackle a new challenge and take their adventures to the next frontier...?!

“So, who’s the kid?”“My name is…” ××××× hesitated for a moment, turning slightly to look back along the road they were traveling. Beyond the red horizon, her homeland’s gates sank into the distance, never to be seen again. Facing forward once more, ××××× looked past Kino’s side to focus intently on the path ahead before answering. “My name is—” Kino travels with the trusty talking motorrad, Hermes. The duo are always together, with Hermes providing speed, and Kino providing balance. They stay in each country for no more than three days, as a rule—enough time to learn about each destination’s unique customs and people. And so Kino and Hermes journey ever onward…

In the end, Kino broke down. No, maybe “broke down” isn’t the right way to put it. “Gave in” is more like it.“Fine, then! If you insist on refusing to see your child as her own person—that she’s such an impediment you really don’t need—then I’ll bring her on my journey with me! That’s all right with you, I’m sure!” Haughty officials. Evil kids. A miserable land. Kino and Hermes head to a country that is known as “the worst of the worst,” but the country’s people, who were rumored to be cruel and uncaring, turn out to be the kindest people that Kino and Hermes have met on their journey. Despite the country’s kindness and warm hospitality, something “warmer” might be brewing deep beneath the surface…

This book explores anime auteur Hayao Miyazaki's films through the lens of the monomyth of the Heroic Quest Cycle. According to Joseph Campbell and other mythology researchers, the Quest is for boys and men, with women acting as either the Hero's mother or the Prize at the end of the journey. Miyazaki nearly exclusively portrays girls and young women as heroes, arguing that we must reassess Campbell's archetype. The text begins with a brief history of animation and anime, followed by Miyazaki's background and rise to prominence. The following chapters look at each of Miyazaki's films from the perspective of the Heroic Quest Cycle, with the last section outlining where Miyazaki and other animators can lead the archetype of the Hero in the future.