Television audiences around the world witness in horror the Moscow assassination attempt upon the American and Russian presidents. The captured gunman is revealed to be the son of one of Britain's most infamous nuclear defectors, which brings the shuffling, believe-nothing Charlie Muffin into the investigation. Within hours, the death of the Russian leader and the diagnosis that the American's president's wife will be maimed brings the pressure on the combined American, Russian and British investigators to a melting point. Only Charlie Muffin refuses to accept the defector's son was the sole shooter and he doesn't endear himself to anyone--including ex-KGB debriefer Natalia Fedova and mother of Muffin's daughter-and must risk his life and his love to prove his case. From the corridors of power in Russia to the offices of MI5, Charlie must once again challenge higher authorities to bring justice to all. In perhaps his most intense thriller to date, Brian Freemantle once again uses his unique understanding of international espionage and intrigue to remarkable results.

"Text and detailed drawings follow the planning and construction of a "typical" castle and adjoining town in thirteenth-century Wales."--Title page verso.

Publisher description

‘... far better than any novel; an incomparable record of a greart family and of a series of great actions.’ The Bulletin When Patrick Durack left Western Ireland for Australia in 1853, he was to found a pioneering dynasty and build a cattle empire across the great stretches of Australia. With a profound sense of family history, his grand-daughter, Mary Durack, reconstructed the Durack saga - a story of intrepid men and ground-breaking adventure. This sweeping tale of Australia and Australians remains a classic nearly fifty years on.

An epic standalone novel of historical fiction tinged with mystery, set against the backdrop of medieval Germany's Peasant War from the best-selling author of the Hangman’s Daughter series. In 1524, in what is now Germany, hundreds of thousands of peasants revolted against the harsh treatment of their aristocratic overlords. Agnes is the daughter of one of these overlords, but she is not a typical sixteenth-century girl, refusing to wear dresses and spending more time with her pet falcon than potential suitors. There is only one suitor she is interested in: Mathis, a childhood friend whom she can never marry due to his low birth status. In the midst of war, Agnes’s falcon finds a mysterious ring, and Agnes begins having strange but seemingly meaningful dreams. Dreams that lead her and Mathis to run away from their home in Trifels Castle and into the midst of the tumultuous Peasants’ War, cast into an adventure that will lead them to shocking revelations about themselves and the future of the emerging German states. “Pötzsch paints picturesque landscapes, whether it’s damp, dark castles, the stink of a medieval tannery, or whirlpool-plagued Rhine River rapids . . . Combine Princess Bride with Germanic history circa 1500, add a dash of Lord of the Rings, and there’s a week of good fun.” — Kirkus Reviews “The war scenes are grimly realistic, and the narration gripping . . . The author makes the fantastical elements work by harnessing them to the grim reality of the Peasants’ War, setting his far-fetched romance in an utterly convincing world of economic hardship, social strife and religious and political uncertainty.” — Wall Street Journal

An anthology of essays from the second year of the English Historical Fiction Authors blog, this book transports the reader across the centuries from prehistoric to twentieth century Britain. Nearly fifty different authors share the stories, incidents, and insights discovered while doing research for their own historical novels. From medieval law and literature to Tudor queens and courtiers, from Stuart royals and rebels to Regency soldiers and social calls, experience the panorama of Britain's yesteryear. Explore the history behind the fiction, and discover the true tales surrounding Britain's castles, customs, and kings.

Medieval Britain was dominated by its kings, and its kings dominated the land with their castles. But what were those castles? Were they fortresses? Palaces? Or symbols of power? Historian Marc Morris answers those fundamental questions.