"[An] engaging mix of history, legend, and romance." -Publisher's Weekly starred review "A fast-paced Arthurian novel with broad appeal." -Historical Novels Review On the path toward greatness, even a hero makes mistakes. Armed with his magical sword and otherworldly horse, Gwalchmai proves himself the most feared and faithful warrior of Arthur's noble followers. But while defending the kingdom, he commits a grave offense against the woman he loves, leading her to disappear from his life and haunt his memories. With his trusted servant, Rhys, a commonsense peasant, Gwalchmai tries to find her in the Kingdom of Summer, where Arthur has sent him. But an unexpected and most malevolent force of evil and darkness is loose-that of his mother, the witch-queen Morgawse-and Gwalchmai finds that the secrets of his past may deny him peace... In the second book of Gillian Bradshaw's critically acclaimed trilogy, Sir Gawain comes to life as Gwalchmai, startlingly human yet fantastically heroic. PRAISE FOR Gillian Bradshaw "Compelling...splendid...vibrant...exhilirating, a novel seduces us into accepting sorcery and sanctity in King Arthur's England." -New York Times Book Review "Courage, darkness, magic, cruelty and kindness, justice and liberation...all the things that you have come to relish in the tales of King Arthur and his brave knights." -Yankee Romance Reviewers "This engaging and enchanting retelling of the Arthur legend will appeal to adults and younger readers alike." -Publishers Weekly

*Finalist for the Pulitzer Prize and the National Book Critics Circle Award* *A New York Times Notable Book* *Winner of the Texas Book Award and the Oklahoma Book Award* This New York Times bestseller and stunning historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West “is nothing short of a revelation…will leave dust and blood on your jeans” (The New York Times Book Review). Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches. Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne’s exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroads, and the amazing story of Cynthia Ann Parker and her son Quanah—a historical feast for anyone interested in how the United States came into being. Hailed by critics, S. C. Gwynne’s account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told. Empire of the Summer Moon announces him as a major new writer of American history.

Disability is not a boundary to holiness, because God is with us. But it can sometimes be an obstacle to full participation in the life of the Church, simply because many do not understand what is needed to help people with disabilities overcome any physical, mental, or interpersonal challenges they may face in church and in leading an Orthodox Christian life. This book addresses the question from theological, practical, and experiential perspectives, giving individuals and families with disabilities the opportunity to voice their needs and suggest some things the rest of us can do to make them welcome in the household of God.

After her mother's mysterious death, a young woman is summoned to the floating city of Sky in order to claim a royal inheritance she never knew existed in the first book in this award-winning fantasy trilogy from the NYT bestselling author of The Fifth Season. Yeine Darr is an outcast from the barbarian north. But when her mother dies under mysterious circumstances, she is summoned to the majestic city of Sky. There, to her shock, Yeine is named an heiress to the king. But the throne of the Hundred Thousand Kingdoms is not easily won, and Yeine is thrust into a vicious power struggle with cousins she never knew she had. As she fights for her life, she draws ever closer to the secrets of her mother's death and her family's bloody history. With the fate of the world hanging in the balance, Yeine will learn how perilous it can be when love and hate -- and gods and mortals -- are bound inseparably together.

"Intelligent and imaginative...even the magic convinces." —Mary Renault, author of The King Must Die On The Path Toward Greatness, Every Hero Makes a Choice Legends sing of Sir Gawain, one of the most respected warriors of King Arthur's reign and one of the greatest champions of all time. But this is not that story. This is the story of Gwalchmai, middle son of the beautiful, infinitely evil sorceress Morgawse, and gifted student of her dark magical arts. A story of an uncertain man, doubting his ability to follow his elder brother's warrior prowess and seeking to find his own identity by bonding with his frightening and powerful mother. Disappointed in himself and despised by his father, Gwalchmai sets out on a journey that will lead him to the brink of darkness... A tale of loss, redemption, and adventure, Hawk of May brings new depth and understanding to Sir Gawain, the legend of King Arthur, and the impact of choices made—and the consequences that follow. "A welcome new light on the horizon of popular Arthurian legend...delightful...a strong sense of love and mysticism...a ripping adventure tale." —Booklist "Will appeal to those who have enjoyed Tolkien's works." —Library Journal "Compelling...splendid...vibrant...exhilarating...a novel that seduces us into accepting sorcery and sanctity in King Arthur's England." —New York Times Book Review

A NEW YORK TIMES BOOK REVIEW EDITOR'S CHOICE PICK ONE OF THE LONDON TIMES' TOP TWENTY-SIX FICTION BOOKS OF THE YEAR LA TIMES 5 BEST BOOKS OF 2022 BBC CULTURE'S 50 BEST BOOKS OF 2022 LONGLIST FOR THE MARK TWAIN AMERICAN VOICE IN LITERATURE AWARD "[Holleran's] new novel is all the more affecting and engaging because the images of isolation and old age here are haunted . . . in 1978 Holleran wrote the quintessential novel about gay abandon, the sheer, careless pleasure of it: Dancer From the Dance. Now, at almost 80 years of age, he has produced a novel remarkable for its integrity, for its readiness to embrace difficult truths and for its complex way of paying homage to the passing of time." —Colm Toibin, The New York Times Book Review "It’s rare to find fiction that takes this kind of dying of the light as its subject and doesn’t make its heroes feel either pathetic or polished with a gleam of false dignity . . . This sad, beautiful book captures the sensations Holleran’s characters are chasing — as well as the darkness that inevitably comes for them, and us." —Mark Athitakis, The Los Angeles Times One of the great appeals of Florida has always been the sense that the minute you get here you have permission to collapse. The Kingdom of Sand is a poignant tale of desire and dread—Andrew Holleran’s first new book in sixteen years. The nameless narrator is a gay man who moved to Florida to look after his aging parents—during the height of the AIDS epidemic—and has found himself unable to leave after their deaths. With gallows humor, he chronicles the indignities of growing old in a small town. At the heart of the novel is the story of his friendship with Earl, whom he met cruising at the local boat ramp. For the last twenty years, he has been visiting Earl to watch classic films together and critique the neighbors. Earl is the only person in town with whom he can truly be himself. Now Earl’s health is failing, and our increasingly misanthropic narrator must contend with the fact that once Earl dies, he will be completely alone. He distracts himself with sexual encounters at the video porn store and visits to Walgreens. All the while, he shares reflections on illness and death that are at once funny and heartbreaking. Holleran’s first novel, Dancer from the Dance, is widely regarded as a classic work of gay literature. Reviewers have described his subsequent books as beautiful, exhilarating, seductive, haunting, and bold. The Kingdom of Sand displays all of Holleran’s considerable gifts; it’s an elegy to sex and a stunningly honest exploration of loneliness and the endless need for human connection, especially as we count down our days.

More than one million American children are schooled by their parents. As their ranks grow, home schoolers are making headlines by winning national spelling bees and excelling at elite universities. The few studies conducted suggest that homeschooled children are academically successful and remarkably well socialized. Yet we still know little about this alternative to one of society's most fundamental institutions. Beyond a vague notion of children reading around the kitchen table, we don't know what home schooling looks like from the inside. Sociologist Mitchell Stevens goes behind the scenes of the homeschool movement and into the homes and meetings of home schoolers. What he finds are two very different kinds of home education--one rooted in the liberal alternative school movement of the 1960s and 1970s and one stemming from the Christian day school movement of the same era. Stevens explains how this dual history shapes the meaning and practice of home schooling today. In the process, he introduces us to an unlikely mix of parents (including fundamentalist Protestants, pagans, naturalists, and educational radicals) and notes the core values on which they agree: the sanctity of childhood and the primacy of family in the face of a highly competitive, bureaucratized society. Kingdom of Children aptly places home schoolers within longer traditions of American social activism. It reveals that home schooling is not a random collection of individuals but an elaborate social movement with its own celebrities, networks, and characteristic lifeways. Stevens shows how home schoolers have built their philosophical and religious convictions into the practical structure of the cause, and documents the political consequences of their success at doing so. Ultimately, the history of home schooling serves as a parable about the organizational strategies of the progressive left and the religious right since the 1960s.Kingdom of Children shows what happens when progressive ideals meet conventional politics, demonstrates the extraordinary political capacity of conservative Protestantism, and explains the subtle ways in which cultural sensibility shapes social movement outcomes more generally.