Was the First World War really 'For King and Country'? This is the first full history of the monarchy's role.

The powerfully compelling novelization of the major motion picture by Joel and Luke Smallbone of the band for King & Country. James Stevens was, at one time, a good man with a great life. After the tragic death of his wife and losing custody of his little girl, James is at the darkest crossroad of his life. Angry, desperate, and unable to hold down a steady job, he agrees to drive a box truck on a shady, one-time trip cross country for cash-no questions asked. When he discovers what he is delivering is actually a who, the questions in his mind begin haunting him mercilessly. James becomes an unlikely hero who must fight to save the lives of two young women and finds himself falling in love with one of them. Can love, strength, and faith redefine his past and change the course of his future?

King and Countryis a selection of essays and papers from Ralph A. Griffiths, published variously in Wales, England, France and North America between 1964 and 1990. It explores themes in the history of England and Wales in the Fifteenth Centuryand the dominions of the English crown beyond.

After the end of World War I, international pressures prevented the Allies from implementing direct colonial rule over the former Arab provinces of the Ottoman Empire. Instead, the Allies created a system of mandates for the governance of the Middle East. France was assigned Lebanon and Syria, and Britain was assigned Iraq, Palestine, and Transjordan. First published in 1976, Britain in Iraq has long been recognized as the definitive history of the mandate period, providing a meticulous and engaging account of Britain's political involvement in Iraq as well as rare insights into the motives behind the founding of the Iraqi state. Peter Sluglett presents a historical narrative of the development and implementation of the mandate in the face of considerable opposition in both Iraq and Britain and shows how the British maintained a "reliable" group of Iraqi clients in power to protect imperial interests. Sluglett explores the changing relationship between Britain and Iraq over the eighteen years of occupation and mandate, the interactions between Shi'ite and Sunni populations, the position of the Kurds, the boundary between Turkey and northern Iraq, and policies relating to defense, land tenure and the tribes, and education. A new conclusion attempts to analyze the legacy of the mandate and to offer some explanation for Iraq's continuing weakness as a state and the structural obstacles preventing the emergence of a plural political system.

Over a million Indian soldiers fought in the First World War, the largest force from the colonies and dominions. Their contribution, however, has been largely forgotten. Many soldiers were illiterate and travelled from remote villages in India to fight in the muddy trenches in France and Flanders. Many went on to win the highest bravery awards. For King and another Country tells, for the first time, the personal stories of some of these Indians who went to the Western Front: from a grand turbanned Maharaja rearing to fight for Empire to a lowly sweeper who dies in a hospital in England, from a Pathan who wins the Victoria Cross to a young pilot barely out of school. Shrabani Basu delves into archives in Britain and narratives buried in villages in India and Pakistan to recreate the War through the eyes of the Indians who fought it. There are heroic tales of bravery as well as those of despair and desperation; there are accounts of the relationships that were forged between the Indians with their British officers and how curries reached the frontline. Above all, it is the great story of how the War changed India and led, ultimately, to the call for independence.

Far more than an anthology, FOR KING AND COUNTRY is Brian MacArthur's attempt to write a history of the First World War by drawing on the writings of those who were present at the events they describe. Those writings will be drawn from a broad range of sources: from, most obviously, the officers and men who served on the western front at the Somme and elsewhere, accounts of fear and tedium, horror and occasional joy; also from those were left behind on the home front to wait for news of their loved ones. As well as letters, diary entries and memoir extracts, the book will also include the songs sung in the trenches by the men at the front; there are poems too, the less well known alongside the familiar. The material reproduced will be linked by Brian MacArthur's commentary and notes to create a seamless and movingly immediate narrative of the First World War.

FROM THE HEART OF BELFAST COMES A TERRORIST THREAT THAT SPELLS DOOM FOR BRITAIN'S ONCE AND FUTURE KING . . . AND THE REST OF US AS WELL What SAS Captain Trevor Stirling doesn't know may kill him¾along with every man, woman, and child alive. Stirling thinks his mission is simple: follow a terrorist into the year AD 500 to stop a Northern Irish fanatic bent on murder. If the terrorist succeeds in killing Artorius, the Briton Lord of Battle and the most revered icon of British history, before his greatest military victory, the time-space continuum will fracture, destroying the British nation. And, coincidentally, the rest of the world. In a tale where no one is ever quite who or what they seem, hidden enemies and unexpected allies play out a drama of 21st-century terrorism against the backdrop of Arthurian Britain at its darkest hour. One man, alone in time, struggling to save an entire universe from extinction, must choose between duty to his mission and the growing conviction that he should forsake everything he holds dear to follow a higher duty¾to risk it all. At the publisher's request, this title is sold without DRM (Digital Rights Management).