The definitive book on The Station nightclub fire on the 10th anniversary of the disaster

In late nineteenth-century Boston, home to Herman Melville and Oliver Wendell Holmes, a serial killer preying on children is running loose in the city—a wilderness of ruin caused by the Great Fire of 1872—in this literary historical crime thriller reminiscent of The Devil in the White City. In the early 1870s, local children begin disappearing from the working-class neighborhoods of Boston. Several return home bloody and bruised after being tortured, while others never come back. With the city on edge, authorities believe the abductions are the handiwork of a psychopath, until they discover that their killer—fourteen-year-old Jesse Pomeroy—is barely older than his victims. The criminal investigation that follows sparks a debate among the world’s most revered medical minds, and will have a decades-long impact on the judicial system and medical consciousness. The Wilderness of Ruin is a riveting tale of gruesome murder and depravity. At its heart is a great American city divided by class—a chasm that widens in the aftermath of the Great Fire of 1872. Roseanne Montillo brings Gilded Age Boston to glorious life—from the genteel cobblestone streets of Beacon Hill to the squalid, overcrowded tenements of Southie. Here, too, is the writer Herman Melville. Enthralled by the child killer’s case, he enlists physician Oliver Wendell Holmes to help him understand how it might relate to his own mental instability. With verve and historical detail, Roseanne Montillo explores this case that reverberated through all of Boston society in order to help us understand our modern hunger for the prurient and sensational. The Wilderness of Ruin features more than a dozen black-and-white photographs.

The story of the Riverside Killer is told by the homicide detective who cracked the case and covers the efforts of the investigative team, the double life of stock clerk William Lester Suff, and his six-year murder spree. Original.

John Wayne Cheever keeps his obsession with serial killers in check by a set of rigid rules that he lives by, hoping to the prevent himself from committing murder, but when a body turns up at a laundromat, must confront a danger outside himself.

"An historical survey about asteroid hits sustained by Earth and the defenses being prepared against future asteroid-caused catastrophe"--

Martin Michael Plunkett is a product of his times -- the possessor of a genius intellect, a pitiless soul of brushed steel, and a heart of blackest evil. With criminal tendencies forged in the fires of L.A.'s Charles Manson hysteria, he comes to the bay city of San Francisco -- and submits to savage and terrible impulses that reveal to him his true vocation as a pure and perfect murderer. And so begins his decade of discovery and terror, as he cuts a bloody swath across the full length of a land, ingeniously exploiting and feeding upon a society's obsessions. As he maneuvers deftly through a seamy world of drugs, flesh, and perversions, the media will call him many things -- but Martin Plunkett's real name is Death. His brilliant, twisted mind is a horriying place to explore. His madness reflects a nation's own. The killer is on the road. And there's nowhere in America to hide.

From the author of Serial Killers: The Method and Madness of Monsters comes an in-depth examination of sexual serial killers throughout human history, how they evolved, and why we are drawn to their horrifying crimes. Before the term was coined in 1981, there were no "serial killers." There were only "monsters"--killers society first understood as werewolves, vampires, ghouls and witches or, later, Hitchcockian psychos. In Sons of Cain--a book that fills the gap between dry academic studies and sensationalized true crime--investigative historian Peter Vronsky examines our understanding of serial killing from its prehistoric anthropological evolutionary dimensions in the pre-civilization era (c. 15,000 BC) to today. Delving further back into human history and deeper into the human psyche than Serial Killers--Vronsky's 2004 book, which has been called the definitive history of serial murder--he focuses strictly on sexual serial killers: thrill killers who engage in murder, rape, torture, cannibalism and necrophilia, as opposed to for-profit serial killers, including hit men, or "political" serial killers, like terrorists or genocidal murderers. These sexual serial killers differ from all other serial killers in their motives and their foundations. They are uniquely human and--as popular culture has demonstrated--uniquely fascinating.