Anne Jamieson is not immune to death—after all her boyfriend is a police detective. But when she finds a dead woman floating in a pool, suspicion falls on Anne's friend, Candace Warren. Not only was she recently released from jail, she's a convicted murderer. And the murder scene is Candace's former home. With her friend the only suspect, Anne takes matters into her own hands. She joins the country club where the deceased was a member—to track down the real killer. After a second body surfaces in the club's hot tub, Anne becomes the target. Can she and her Snoop Group cronies catch the killer before Anne ends up in her own watery grave?

With his dying breath, Bobby Lowell begs Ellison Russell, "Tell her I love her." Unable to refuse, Ellison struggles to find the girl the murdered boy loved. Too bad an epically bad blind date, a vindictive graffiti artist, and multiple trips to the emergency room keep getting in the way. Worse, a killer has Ellison in his sights, her newly rebellious daughter is missing, and there's yet another body in her hostas. Mother won't be pleased. Now Ellison must track down not one but two runaway teenagers, keep her promise to Bobby, and elude the killer-all before her next charity gala committee meeting.

Swimming into the lifeless body of her husband's mistress tends to ruin a woman's day, but becoming a murder suspect can ruin her whole life. It's 1974 and Ellison Russell's life revolves around her daughter and her art. She's long since stopped caring about her cheating husband, Henry, and the women with whom he entertains himself. That is, until she becomes a suspect in Madeline Harper's death. The murder forces Ellison to confront her husband's proclivities and his crimes--kinky sex, petty cruelties and blackmail. As the body count approaches par on the seventh hole, Ellison knows she has to catch a killer. But with an interfering mother, an adoring father, a teenage daughter, and a cadre of well-meaning friends demanding her attention, can Ellison find the killer before he finds her?

Ellison Russel is back! More murder. More mystery. More laughs.

A New York Times bestseller | Soon to be a major motion picture “Witty, endearing and greatly entertaining.” —Wall Street Journal “Don’t trust anyone, including the four septuagenarian sleuths in Osman’s own laugh-out-loud whodunit.” —Parade Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it's too late?

"In the remote Bocas del Toro, Panama, William Dathan Holbert, aka 'Wild Bill,' is awaiting trial for the murder of five fellow American ex-patriots. Holbert's first victims were the Brown family, who lived on a remote island in the area's Darklands. There, Holbert turned their home into the 'Jolly Roger Social Club,' using drink- and drug-fueled parties to get to know other ex-pats ... But this is not just a book about what Holbert did and the complex financial and real estate motives behind the killings; it is about why Bocas del Toro turned out to be his perfect hunting ground, and why the community tolerated--even accepted--him for a time"

A historical thriller based on the real-life 1941 robbery of a Kentucky golf club that ended in the murder of a young champion golfer and her mother. Today, the name Marion Miley is largely unrecognizable, but in the fall of 1941, she was an internationally renowned golf champion, winning every leading women’s tournament except the elusive national title. This unassuming twenty-seven-year-old woman was beloved by all she met, including celebrities like jazz crooner Bing Crosby. With ambitions to become a doctor, it seemed Marion Miley was headed for greatness. But on September 28, 1941, six gunshots broke through the early morning stillness of the Lexington Country Club. Marion had been brutally murdered. News of her death spread quickly, headlining major papers such as the New York Times. Support flooded in, spurring police in the hunt for her killers. However, the bombing of Pearl Harbor less than two months later would redirect public attention and sweep Marion's story to a forgotten corner of time?until now. The Murder of Marion Miley recounts the ensuing manhunt and trial, exploring the impact of class, family, and opportunity in a world where steely determination is juxtaposed with callous murderous intent. As the narrative voice oscillates between Marion’s father, her best friend, and one of her killers, an ever-present specter of what could have been?not just for Marion, but for all those affected by her tragic death?is conjured. Drawing on intensive research typical of the true crime genre, Beverly Bell produces a passionate homage to one of the greatest golfers of the early twentieth century. Praise for The Murder of Marion Miley “Don’t let Beverly Bell fool you: she must have been reporting live in 1941 from the scene of Lexington’s most notorious crime. Bell writes with a golden erudition and preternatural imagination that keep the wide-eyed reader up all night—think Truman Capote.” —Patty Friedmann, author of Where Do They All Come From? “In The Murder of Marion Miley, author Beverly Bell takes literary crime-writing to new heights. Unearthing the remains of an actual 80-year-old crime—the murder of a world-class golfer in her prime—Bell creates a lyrical, page-turning novel about chance, class, and the strains of family bonds. Set in Kentucky’s Bluegrass region in the weeks before and after Pearl Harbor, Bell’s book recounts the crime while plunging us into the minds of an assortment of American characters of the 1940s. From its riveting opening scene, The Murder of Marion Miley is story-telling excellence.” —Neil Chethik, author of FatherLoss: How Sons of All Ages Come to Terms With the Deaths of Their Dads