Sixteen-year-old Rebecca Middleton and best friend Jasmine Meens make their trip of a lifetime to the Queens Jewel in the Atlantic, oblivious to secrets beneath the islands idyllic guise and to the horrors that await them on the dark side of Paradise. Sunny days and teal surf welcome the Canadian teenagers as they roam the twenty- square miles of the seemingly pristine British territory. But on this searing July night, a full moon, an unusual storm, a cancelled cruise, absent taxis, and chance meetings end in the gruesome kidnap, rape, torture, and murder of Rebecca Middleton. Emotions left over from long-standing racial inequities impact Beckys case from the moment of her slaughter--especially the hangings of two black men for the murders of five white men during those racially charged 1970s--a matter many still prefer not to discuss. Repercussions from the young Canadian tourists death and its investigative and judicial failures create international uproar that catches the attention of famed U.S. forensic scientists Dr. Michael Baden and Dr. Henry Lee. During an inquiry brought about by a tourist boycott of Bermuda, advocate LeYoni Junos exposes truths behind this tangled web of deceit. But it won't be long before LeYoni Junos suffers those consequences typically experienced by those who fail to lie in the tide. Then, almost eight years after Rebeccas murder, the case catches the attention of British human rights lawyer Cherie Booth, QC, wife of former Prime Minister Tony Blair, who terms Bermudas responses repugnant to justice." Meanwhile, despite responsibility for territories "good governance," Britain treads lightly. This is a true story of murder, collusion, conspiracy, and cover-up designed to protect the secrets of privilege, and hide the poverty, violence and drugs that darken Bermudas tranquil pastels, a third-world setting of mysterious beauty and international influence incongruent with its size.

Lily Summerhays remembers how she died in each of her past lives. Ever Abrams does too. Lily is reckless and fearless. Ever is cautious and follows the rules. Lily wants to leave boring, rural Ryland and explore the world. Ever wants to stay in quiet, safe Ryland for the rest of her life. Lily was killed eighteen years ago while trying to solve her friend's murder. Ever is Lily reborn, and now she will have to break every rule and face every fear to find Lily's killer--before he kills her twice. From Clara Kensie, author of the RITA(R) award-winning Deception So series and the critically-acclaimed Aftermath, comes KILL ME ONCE, KILL ME TWICE: a dual-timeline, dual-romance, dual-mystery/thriller with a touch of magical realism for fans of The Walls Around Us and Vanishing Girls.

VIM- Kill Me FirstBane and Cane find their dad and speak to him about why he never found them, why he let his own father raise Bane and why he left Cane behind.... When they get their answers, they hunt down their mother but dear ole Mom has a surprise waiting for them.

Nothing makes Portland detective Archie Sheridan happier than knowing that Gretchen Lowell—the serial killer whose stunning beauty is belied by the gruesome murders she's committed—is locked away in a psych ward. Archie can finally heal from the near-fatal physical and emotional wounds she's inflicted on him and start moving on with his life. To this end, Archie throws himself into the latest case to come across his desk: A cyclist has discovered a corpse in Mount Tabor Park on the eastern side of Portland. The man was gagged, skinned, and found hanging by his wrists from a tree. It's the work of a killer bold and clever enough to torture his victim for hours on a sunny summer morning in a big public park and yet leave no trace. And then Archie gets a message he can't ignore—Gretchen claims to have inside knowledge about this grisly murder. Archie finally agrees to visit Gretchen, because he can't risk losing his only lead in the case. At least, that's what he tells himself . . . but the ties between Archie and Gretchen have always been stronger, deeper, and more complex than he's willing to admit, even to himself. What game is she playing this time? And even more frightening, what long-hidden secrets from Gretchen's past have been dredged up that someone would kill to protect? At once terrifying and magnetic, "Beauty Killer" Gretchen Lowell returns with a vengeance in Kill You Twice, Chelsea Cain's latest razor-sharp psychological thriller.

NOW WITH A NEW CHAPTER AND AN UPDATED RESOURCES SECTION Suicide has touched the lives of nearly half of all Americans, yet it is rarely talked about openly. In her highly acclaimed book, Susan Blauner—a survivor of multiple suicide attempts—offers guidance and hope for those contemplating ending their lives and for their loved ones. “Each word written with thoughtful intent; each story told with the deepest of honesty and humility, and in doing so Blauner puts forward a life-saving book."—Daniel J. Reidenberg, PsyD, Executive Director, Suicide Awareness Voices of Education (www.save.org) “I continued to romanticize my death by suicide: who would find me; what I’d look like. I spent hundreds of hours planning my funeral, imagining the remorse of my family and friends. I wrote good-bye letters, composed wills, and disrupted the lives of everyone close to me. Then reality hit.”—Susan Rose Blauner The statistics on suicide are staggering. The World Health Organization estimates that nearly 800,000 people die by suicide every year, which is one person every 40 seconds, and for each completed suicide there may be twenty or more attempts. In How I Stayed Alive When My Brain Was Trying to Kill Me, Susan Blauner is the perfect emissary for a message of hope and a program of action for these millions of people. A survivor of multiple suicide attempts, she explains the complex feelings and fantasies that surround suicidal thoughts. In a direct, nonjudgmental, and loving voice, she offers affirmations and suggestions for those experiencing life-ending thoughts, and for their friends and family. With an introduction by Bernie Siegel, M.D., this important, timely book has now been updated with a revised resources section, and a new chapter on the author’s experiences since the book’s initial publication.

Mirabelle's past is shrouded in secrecy, from her parents' tragic deaths to her guardians' half-truths about why she can't return to her birthplace, Beau Rivage. Desperate to see the town, Mira runs away—and discovers a world she never could have imagined. In Beau Rivage, nothing is what it seems—the strangely pale girl with a morbid interest in apples, the obnoxious playboy who's a beast to everyone he meets, and the chivalrous guy who has a thing for damsels in distress. Here, fairy tales come to life, curses are awakened, and ancient stories are played out again and again. But fairy tales aren't pretty things, and they don't always end in happily ever after. Mira has a role to play, a fairy tale destiny to embrace or resist. As she struggles to take control of her fate, Mira is drawn into the lives of two brothers with fairy tale curses of their own...brothers who share a dark secret. And she'll find that love, just like fairy tales, can have sharp edges and hidden thorns.

A deeply personal collection of poetry and art by the award-winning actor, comedian, and composer. With a poetic voice that is by turns lyrical and plainspoken, Charlyne Yi writes about the uncertainty of relationships, the absurdity of societal expectations, family trauma, and identity. In this intimate collection, you’ll find poems and accompanying line illustrations that are playful and profound, sometimes darkly funny, and often acutely moving. “Direct, personal and attention holding. It’s Yi as you may not have seen or heard her before . . . In short bursts that barely fill a page, often accompanied by line illustrations to underscore them, the poetic voice in Yi’s first book of poetry can be alternately angry, playful, blunt, and lyrical.” —The MetroWest Daily News “It’s clear that the reader is about to embark on a literary journey marked by an acceptance—and worship—of all things tender, open, sensitive, authentic, and human. It also offers ideas on kindness, race, culture . . . a testimony to being alive—it’s powerful in its quietness, its exactness. It’s soft, real, and to the point.” —Little Infinite