Kierkegaardian Phenomenologies, edited by J. Aaron Simmons, Jeffrey Hanson, and Wojciech Kaftanski, offers a substantive, diverse, and timely consideration of phenomenological engagements within the thought of Søren Kierkegaard. Featuring original essays from a distinguished collection of established and emerging global scholars representing different schools of thought, this volume explains how the interest in a phenomenological reading of Kierkegaard is not only vital, but continues to grow in importance by cultivating new readers and inviting old readers to revisit their views. Divided into four parts—"Phenomenological Explorations", "On Hearing and Seeing", "Rethinking Faith and Despair", and "Kierkegaard and New Phenomenology"—this collection not only reflects the current state of scholarly conversations in both Kierkegaardian studies and phenomenological research, but also envisions new directions in which they should go, exploring ways that a Kierkegaardian approach to phenomenology might help us to re-envision Kierkegaard scholarship and re-enliven phenomenological philosophy.

Kierkegaard himself hardly requires introduction, but his thought con tinues to require explication due to its inherent complexity and its unusual method of presentation. Kierkegaard is deliberately un-systematic, anti-systematic, in the very age of the System. He made his point then, and it is not lost upon us today. But that must not deter us from assembling the fragments and viewing the whole. Kierkegaard's religious psychology in particular may finally have its impact and generate the discussion it deserves when its outlines and inter-locking elements are viewed together. Many approaches to his thought are possible, as a survey of the literature about him will readily reveal. ! The present study proceeds with the simple ambition of looking at Kierkegaard on his own terms, of thus putting aside biographical fascination or one's own personal religi ous situation. I understand the temptation of both, and have seen the dangers realized in Kierkegaard scholarship. In English-language Kier kegaard scholarship, we are now in a new phase, in which the entire corpus of Kierkegaard's authorship is at last viewed as a whole. We have passed the stages of "fad" and of under-formed. Almost all the corpus is available in English, or soon will be. Perhaps now Kierkegaard can be viewed, understood, and criticized dispassionately and objectively, not withstanding author Kierkegaard's personal horror of those adverbs. The present study hopes to make its contribution toward this goal.

Jeffrey Hanson is an adjunct assistant professor of philosophy at Boston College. --Book Jacket.

A 2023 Choice Reviews Outstanding Academic Title Nationalism is a globally resurgent phenomenon. From Britain to India to the United States of America, we find nations vociferously reasserting their own sovereignty, ethnic composition, and intrinsic superiority. Thomas J. Millay demonstrates how Kierkegaard’s ascetic voice speaks directly to our present crisis.Kierkegaard and the New Nationalism: A Contemporary Reinterpretation of the Attack upon Christendom analyzes the late writings of Kierkegaard in light of this new relevance, for Kierkegaard’s attack upon Christendom is also an attack upon nationalism. For Kierkegaard, taking on nationalism is not simply a matter of undermining false identity constructions. Attacking nationalism is a matter of renunciation: it requires ascetic discipline, such that the selfish motives at the core of one’s identity construction are uprooted and replaced by a self-giving love marked by the willingness to suffer.

Ethical Silence: Kierkegaard on Communication, Education, andHumility examines a new area of Kierkegaard scholarship: the ethical value of silence. Through exegesis of Kierkegaard’s later writings, works in what is known as his second authorship, Sergia Hay argues that silence is an essential element of his Christian ethics. Starting with an overview of Kierkegaard’s ideas concerning ethics and communication, Hay builds a case for a Kierkegaardian notion of ethical silence by showing how silence contributes to the fulfillment of ethical imperatives by halting chatter, setting the “fundamental tone” for ethical activity, curbing excessive self-love, and providing another mode for educating and expressing love. Most importantly, silence can be used to humble the self and elevate the neighbor, creating conditions of Christian equality. Ethical silence is not the silence of the ineffable or what cannot be said, this is the silence of what can be said but should not.

Volume one of Søren Kierkegaard’s Either/Or explores the crisis of the modern secular void—with its attendant doubt, ennui, and alienation—from the first-person perspective of an aesthete who, lacking any epistemic or moral foundations, grows increasingly obsessed with what he calls “the interesting.” In a close explication of the history of that aesthetic concept and a thorough exegesis of this volume, Kierkegaard’s Concept of the Interesting: The Aesthetic Gulf in Either/Or I explores the aesthete’s views on beauty, opera and music, tragedy and comedy, time, unhappiness, the difference between suffering and pain, boredom, eroticism, deception, and seduction, along with the ways in which these precipitate the ambition for increasingly interesting experiences. In this examination, Anthony Eagan thoroughly reveals Kierkegaard’s own perspective on how an exclusively aesthetic attitude can lead to an ever-more voracious tendency to interpret the world in a private, self-defeating, and unscrupulous fashion—one arising from and ultimately leading to moral solipsism and despair. This book develops a comprehensive understanding of Either/Or I that is crucial for understanding the rest of Kierkegaard’s authorship.

What do Christians mean when they talk about revelation? What sort of truth do Jesus and the Bible disclose? Knowledge or doctrine, required beliefs or a moral code, the answers Christians give to these questions tend to be objective in form: something they “have” that others lack. In Clouds of the Cross in Luther and Kierkegaard: Revelation as Unknowing, Carl S. Hughes draws on Martin Luther and Søren Kierkegaard—two of the most Christocentric and biblically oriented theologians in history—to suggest a much-needed alternative. Hughes blends historical, philosophical, and constructive approaches to theology in lively and engaging prose. He spotlights the objectifying tendencies in Luther’s thought that become so influential in modernity, while also finding resources in Luther’s own theology for a very different approach. Then, Hughes turns to Søren Kierkegaard—one of Luther’s fiercest critics and, at the same time, most faithful inheritors. Hughes argues that Kierkegaard carries some of Luther’s most provocative themes further than Luther himself ever dares. The result is a “Kierkegaardian-Lutheran” theology of revelation that resonates with mystical and apophatic theology, resembles art more than information, and transforms lives to incarnate the love of Christ in diverse and ever-changing ways.