This is an etymological study of the origins of the word kibosh, which has long been one of the great mysteries of the English language. Unconvincing derivations have been suggested from Yiddish to Gaelic and Italian, and thus far consensus among lexicographers has leaned toward referencing the word as ‘origin unknown’. In this study, the authors present convincing and important new evidence in favour of the derivation of kibosh from the word for a fearsome Middle Eastern whip, known as the kurbash. This monograph is one of the most significant etymological works directed at a single phrase. It is the gold standard on deep-drill, focused and exhaustive single-word lexicography and will be of interest to lexicographers and linguists in the relevant fields.

Photographs by Terry Richardson.

More than a quarter of a century ago, Leo Rosten published the first comprehensive and hilariously entertaining lexicon of the colorful and deeply expressive language of Yiddish. Said “to give body and soul to the Yiddish language,” The Joys of Yiddish went on to become an indispensable tool for writers, journalists, politicians, and students, as well as a perennial bestseller for three decades. Rosten described his book as “a relaxed lexicon of Yiddish, Hebrew, and Yinglish words often encountered in English, plus dozens that ought to be, with serendipitous excursions into Jewish humor, habits, holidays, history, religion, ceremonies, folklore, and cuisine–the whole generously garnished with stories, anecdotes, epigrams, Talmudic quotations, folk sayings, and jokes.” To this day, it is considered the seminal work on Yiddish in America–a true classic and a staple in the libraries of Jews and non-Jews alike. With the recent renaissance of interest in Yiddish, and in keeping with a language that embodies the variety and vibrancy of life itself, The New Joys of Yiddish brings Leo Rosten’s masterful work up to date. Revised for the first time by Lawrence Bush in close consultation with Rosten’s daughters, it retains the spirit of the original–with its wonderful jokes, tidbits of cultural history, Talmudic and Biblical references, and tips on pronunciation–and enhances it with hundreds of new entries, thoughtful commentary on how Yiddish has evolved over the years, and an invaluable new English-to-Yiddish index. In addition, The New Joys of Yiddish includes wondrous and amusing illustrations by renowned artist R.O. Blechman.

For the past twenty-five years Americans have relied on Pulitzer Prize-winning wordsmith William Safire for their weekly dose of linguistic illumination in The New York Times Magazine's column "On Language" -- one of the most popular features of the magazine and a Sunday-morning staple for innumerable fans. He is the most widely read writer on the English language today. Safire is the guru of contemporary vocabulary, speech, language, usage and writing. Dedicated and disputatious readers itch to pick up each column and respond to the week's linguistic wisdom with a gotcha letter to the Times. The Right Word in the Right Place at the Right Time marks the publication of Safire's sixteenth book on language. This collection is a classic to be read, re-read, enjoyed and fought over. Fans, critics and fellow linguists wait with bated (from the French abattre "to beat down") breath for each new anthology -- and, like its predecessors, this one is bound to satisfy and delight. Safire finds fodder for his columns in politics and current events, as well as in science, technology, entertainment and daily life. The self-proclaimed card-carrying language maven and pop grammarian is not above tackling his own linguistic blunders as he detects language trends and tracks words, phrases and clichés to their source. Scholarly, entertaining and thoughtful, Safire's critical observations about language and slanguage are at once provocative and enlightening. Safire is America's go-to guy when it comes to language, and he has included sharp and passionately opinionated letters from readers across the English-speaking world who have been unable to resist picking up a pen to put the maven himself in his place or to offer alternate interpretations, additional examples, amusing anecdotes or just props. The Right Word in the Right Place at the Right Time is a fascinating, learned and piquant look at the oddities and foibles that find their way into the English language. Exposing linguistic hooey and rigamarole and filled with Safire's trademark wisdom, this book has a place on the desk or bedside table of all who share his profound love of the English language -- as well as his penchant for asking "What does that mean?" Or, "Wassat?" This new collection is sure to delight readers, writers and word lovers everywhere and spark the interest of anyone who has ever wondered, "Where did the phrase 'brazen hussy' come from?"

The definitive pronouncement on more than 1,500 of our most commonly mispronounced words. From the language maven Charles Harrington Elster comes an authoritative and unapologetically opinionated look at American speech. As Elster points out, there is no sewer in connoisseur, no dip in diphthong, and no pronoun in pronunciation. The culmination of twenty years of observation and study, The Big Book of Beastly Mispronunciations is more than just a pronunciation guide. Elster discusses past and present usage, alternatives, analogies, and tendencies and offers plenty of advice, none of it objective. Whether you are adamant or ambivalent about the spoken word, Elster arms you with the information you need to decide what is acceptable for you. The Big Book of Beastly Mispronunciations has now been expanded and revised and features nearly 200 new words, including: al-Qaeda bruschetta commensurate coup de grace curriculum vita exacerbate gigabyte hara-kiri machismo Muslim Niger Pinochet Pulitzer sorbet tinnitus w (as in www-dot) and many, many more. Charles Harrington Elster is the pronunciation editor of Black's Law Dictionary and the author of various books about language, including Verbal Advantage, There's a Word for It, and What in the Word? He has been a guest columnist on language for the Boston Globe and the New York Times Magazine and a commentator on NPR and hundreds of radio shows around the country.