In May 2006 Jacob Zuma was found not guilty of the rape of Fezekile Ntsukela Kuzwayo – better known as Khwezi – in the Johannesburg High Court. Another nail was driven into the coffin of South Africa's fight against sexual violence. Vilified by Zuma's many supporters, Khwezi was forced to flee South Africa and make a life in the shadows, first in Europe and then back on the African continent. A decade after Zuma's acquittal, Khwezi died. But not before she had slipped back into South Africa and started work with journalist Redi Tlhabi on a book about her life. About how, as a young girl living in exile in ANC camps, she was raped by the 'uncles' who were supposed to protect her. About her great love for her father, Judson Kuzwayo, an ANC activist who died when Khwezi was almost ten. And about how, as a young adult, she was driven once again into exile, suffering not only at the hands of Zuma's devotees but under the harsh eye of the media. In sensitive and considered language, Red Tlhabi breathes life into a woman for so long forced to live in hiding. In telling the story of Khwezi, Tlhabi draws attention to the sexual abuse that abounded during the struggle years, abuse that continues to plague women and children in South Africa today.

The first edition of Zuma, published in late 2008, concluded with Jacob Zuma's future balancing on a knife's edge. National elections loomed, but so did corruption charges and endless court battles. Since then Zuma's star has spectacularly risen - the corruption charges were dropped, he led the ANC to election victory and duly became President of South Africa, and his new cabinet and government appointments were generally well received. But he has also recently suffered a huge blow with revelations of another love-child, this time with the daughter of soccer supremo Irvine Khoza. Many of his supporters have distanced themselves from him, and Zuma is looking isolated. Pundits are once again wondering how long he'll survive as President. In this revised and updated edition, Jeremy Gordin takes the reader right up to present. He covers in detail the highs and lows of Zuma's past 18 months, including the final salvoes of his legal battles, as well as his first year as President. New material in this edition also includes the 'Pedro' document (a document Zuma wrote in 1986), and accurate information on his wives and children.

Children are often touted as the “future” of the church, but their role in the church today is less frequently considered. In The Gifts They Bring, New Testament scholar, pastor, and mother Amy Lindeman Allen challenges readers to reconsider the way we view children in the church, focusing on our present life together as a diverse, inclusive community of faith. To do this, Lindeman Allen looks to the past, rereading familiar Gospel accounts with an eye to the experience of childhood in Jesus’ world, highlighting both the gifts that children brought to Jesus’ ministry as well as those they received from him. Through this lens, she invites readers to reconsider the age and relationship of well-known and lesser-known Bible characters, including the Bethlehem shepherds; James and John, the two disciples who followed Jesus alongside their mother; and the young boy whose lunch Jesus used to feed the five thousand. In the process, Lindeman Allen reconsiders ministry with children today, moving away from a transactional model of imparting wisdom to children to a dialogical model of learning and serving together with children. Each chapter reads a different Gospel story in conversation with experiences of real children in the church today, bringing into focus the varied gifts that children bring in a practice of inclusive ministry. These gifts include participation, proclamation, advocacy, listening, sharing, and partnership. Readers will grow more attuned to recognize the gifts that we each bring—children and adults—as essential members working together as one community in the body of Christ and so to share in the gift of Christ together.

Women are disproportionately affected by HIV and AIDS. By focusing on the pandemic at its epicentre in Southern Africa, this book explores the gendered power inequalities driving women's vulnerability to HIV and provides suggestions of how to individually and collectively address women's oppression.

In her debut novel, Dreaming in Colour, Uvile Ximba explores with subtlety, humour and probing insight the connections between the joyful reclaiming of pleasure and the healing of buried traumas. As students at university in Makhanda during the #RUReferenceList campaign, Langa and her lover Khwezi have a passionate and complex relationship. Puzzling gaps in her memory haunt Langa, yet her dreams are vivid with colours and symbols that hint at a nightmare of forgotten violations and losses. So many secrets -- and Langa has had enough of secrets and silences. Who can she turn to? Her mother? Her grandmother? Khwezi? Or herself? Dreaming In Colour is Langa's story of coming out to herself, of discerning the history behind the closed door of conscious memory.

This authorized biography was made possible through the gracious help of my mother-in-law, Rhoda Kadalie, who provided generous access to her files, letters, photographs, and extensive library of documents. She made time to sit with me for several hours of interviews from September through October 2021, to answer questions as they arose, and to offer innumerable clarifications. Rhoda also reviewed the first draft of the biography in December 2021, making corrections and additions, and contributing some of her own original vignettes, never before published.

This volume examines how African indigenous popular music is deployed in democracy, politics and for social crusades by African artists. Exploring the role of indigenous African popular music in environmental health communication and gender empowerment, it subsequently focuses on how the music portrays the African future, its use by African youths, and how it is affected by advanced broadcast technologies and the digital media. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which can only be unraveled by the knowledge of myriad cultural backgrounds from which its genres originate. With a particular focus on scholarship from Nigeria, Zimbabwe and South Africa, this volume explores how, during the colonial period and post-independence dispensation, indigenous African music genres and their artists were mainstreamed in order to tackle emerging issues, to sensitise Africans about the affairs of their respective nations and to warn African leaders who have failed and are failing African citizenry about the plight of the people. At the same time, indigenous African popular music genres have served as a beacon to the teeming African youths to express their dreams, frustrations about their environments and to represent themselves. This volume explores how, through the advent of new media technologies, indigenous African popular musicians have been working relentlessly for indigenous production, becoming champions of good governance, marginalised population, and repositories of indigenous cultural traditions and cosmologies.