10 new and original stories with painted illustrations by Nadia Ilchuk. Imaginative stories of day-to-day adventures with human and animal characters that teach a life lesson. The story-telling is in the style of classics like The Adventures of Peter Rabbit, The Wind in the Willows or Winnie the Pooh in which animal characters have normal yet imaginative adventures, providing a vehicle for learning about community, compassion and collaboration. The elements used to craft the stories are: • normal, every-day activities into which is woven a challenge or a difficult situation. • talking animal characters engaged with human characters, involved in adventures. • lessons relating to teamwork, safety, helping others and kindness. About 2000 words per story.

A sweet friendship spanning age and culture blooms in a shared backyard. Khalil lives in the upstairs apartment with his family, which is big and busy and noisy. Downstairs lives Mr. Hagerty, who is quiet. Khalil and Mr. Hagerty don’t appear to have a lot in common, but hot summer days have a way of bringing people together. As Khalil looks for buried treasure in the yard, Mr. Hagerty tends to his garden. Both help each other navigate language — whether it be learning new words or remembering those seemingly forgotten. Before long, an unlikely friendship is born, full of treasure, thoughtfulness, and chocolate cake. Through well-cultivated details and vibrant cut-paper collage, author Tricia Springstubb and illustrator Elaheh Taherian nurture a heart-tugging tribute to the love of good neighbors and to the strength of intergenerational and intercultural bonds.

Set in the aftermath of Iran's fraudulent elections of 2009, Zahra's Paradise is the fictional graphic novel of the search for Mehdi, a young protestor who has vanished into an extrajudicial twilight zone.

"In these engaging, challenging and beguiling dialogues, Pamela Cohn expertly draws from her subjects, personal biography and conceptual intent, process and nearly subconscious motivation, personal revelation and political mission. The result is a work that not only provides a road map to the furthest regions of cinematic possibility in the early 21st century but one whose spirited back-and-forth inspires the reader to think anew about artistic possibility." —Scott Macaulay, editor-in-chief of Filmmaker Magazine “Pamela Cohn has curated and conducted a series of interviews that simultaneously invite you to turn the page, and pause for a moment of reverie. Her interviews furrow the grounds where sensibilities become cinema, and attitudes become forms." —Luke Moody Lucid Dreaming is an unprecedented global collection of discussions with documentary and experimental filmmakers, giving film and video its rightful place alongside the written word as an essential medium for conveying the most urgent concerns in contemporary arts and politics. In these long-form conversations, film curator and arts journalist Cohn draws out the thinking of some of the most intriguing creators behind the rapidly developing movement of moving-image nonfiction. The collection features individuals from a variety of backgrounds who encounter the world, as Cohn says, “through a creative lens based in documentary practice.” Their inspirations encompass queer politics, racism, identity politics, and activism. The featured artists come from a multiplicity of countries and cultures including the U.S., Finland, Serbia, Syria, Kosovo, China, Iran, and Australia. Among those Cohn profiles and converses with are Karim Aïnouz, Khalik Allah, Maja Borg, Ramona Diaz, Samira Elagoz, Sara Fattahi, Dónal Foreman, Ja’Tovia Gary, Ognjen Glavonic, Barbara Hammer, Sky Hopinka, Gürcan Keltek, Adam and Zack Khalil, Khavn, Kaltrina Krasniqi, Roberto Minervini, Terence Nance, Orwa Nyrabia, Chico Pereira, Michael Robinson, J. P. Sniadecki, Brett Story, Deborah Stratman, Maryam Tafakory, Mila Turajlic, Lynette Wallworth, Travis Wilkerson, and Shengze Zhu. Can nonfiction film be defined? How close to reality can or should documentary storytelling be, and is film and video in its less restrictive iterations “truer” than traditional narratives? How can a story be effectively conveyed? As they consider these and many other questions, these passionate, highly articulate filmmakers will inspire not only cinema enthusiasts, but activists and artists of all stripes.

2021 ARAB AMERICAN CHILDREN'S BOOK AWARD WINNER Children's Africana Book Award (CABA) 2021 Honor Book NCSS 2021 Notable Social Studies Book Kanzi’s family has moved from Egypt to America, and on her first day in a new school, what she wants more than anything is to fit in. Maybe that’s why she forgets to take the kofta sandwich her mother has made for her lunch, but that backfires when Mama shows up at school with the sandwich. Mama wears a hijab and calls her daughter Habibti (dear one). When she leaves, the teasing starts. That night, Kanzi wraps herself in the beautiful Arabic quilt her teita (grandma) in Cairo gave her and writes a poem in Arabic about the quilt. Next day her teacher sees the poem and gets the entire class excited about creating a “quilt” (a paper collage) of student names in Arabic. In the end, Kanzi’s most treasured reminder of her old home provides a pathway for acceptance in her new one. This authentic story with beautiful illustrations includes a glossary of Arabic words and a presentation of Arabic letters with their phonetic English equivalents.

For as long as anyone could remember, there have only been twelve Zodiac signs. Talah dreams of another world. One where she doesn't have to hide who she truly is. All she wants is to take the Trials and prove she's a true Zodiac. That she belongs. Training with her best friend, Mazin, Talah prepares to dive into the world of the Zodiacs. Gifted by the stars with two abilities each, the twelve signs have maintained balance in their world for centuries. When her chance finally arrives to compete in the Trials and join her people for good, she is all too eager to prove her place. But beneath the lavish parties and power lies a dark secret their history had forgotten. And with it, a boy she thought she'd never see again. Now, a thirteenth sign threatens to upend the balance... Firas has spent his whole life training for the Trials to take his true place as the Soulinus heir. But when his own family starts hunting him down, he has to learn to survive on his own. Now the leader of a people facing genocide, he must outwit a centuries-old society with powers that rival his own. Thrust into a forgotten civil war neither understand, Talah and Firas must find the balance between tradition and freedom.