Emma - I know it sounds crazy. You (and Mum!) will be wondering where I've been disappearing to, and when I'll be back. That's why I'm leaving you all this evidence - in case something happens and I DON'T come back. Look at everything in my book. Call the phone numbers. Check out the websites. But, you can't tell ANYBODY about it, unless you want to end up in over your head, like me. But don't worry, I'll be OK (I think). Hey, maybe this is the beginning of a new life for me. For sure it's the end of the old one. Call me. Love, Cathy This book reaches beyond the written word to interact with teenage girls in ways they are quite familiar with in other areas of their lives. From instant-messaging to text-messaging, from surfing the web to having their own sites, the age-old story of 'boy dumps girl and girl wins boy back' is lifted from the page to our three-dimensional, 21st-century world.

Laura has just three weeks to go before her Jewish becoming of age ceremony, called a Bat Mitzvah, when she is assigned a special project. She is to read the diary of Sara Gittler, a young girl her own age who was imprisoned by the Nazis in the Warsaw Ghetto during the Holocaust. Sara never had the chance to celebrate her coming of age, so Laura is to learn about Sara's life and then share her Bat Mitzvah with her "twin" by speaking of her at the ceremony. Reluctant to undertake the project at first, Laura quickly becomes caught up by Sara's struggle to survive. Sara's diary unfolds with the details of her daily life in the Ghetto, a world full of fear, confusion, tragedy and above all, courage. From Sara's brave story in the past, Laura learns how to find the courage to confront the possibility of a friend's current involvement in the desecration of a Jewish cemetery.

A diary, a King, and a young girl's heart. Love Beads from Elvis: The Diary of Kathy Tatum I wasn't looking for it, but I found it just the same. The red leather covering is well worn, and the locking clasp that once kept my secrets safe from the world is missing. There is duct tape on the binding, and the page edges have yellowed over time, but it is, after all, almost fifty years old. A well-worn Polaroid photo slips out... I remember vividly the night it was taken, oh, to be held in his strong arms. He was beautiful then-his skin tanned to a golden brown, his jet black hair neatly combed straight back, how it felt when he gently kissed the back of my neck and sang softly into my ear...

On Diary is the second collection in English of the groundbreaking and profoundly influential work of one of the best-known and provocative theorists of autobiography and diary. Ranging from the diary’s historical origins to its pervasive presence on the Internet, from the spiritual journey of the sixteenth century to the diary of Anne Frank, and from the materials and methods of diary writing to the question of how diaries end, these essays display Philippe Lejeune’s expertise, eloquence, passion, and humor as a commentator on the functions, practices, and significance of keeping or reading a diary. Lejeune is a leading European critic and theorist of diary and autobiography. His landmark essay, "The Autobiographical Pact," has shaped life writing studies for more than thirty years, and his many books and essays have repeatedly opened up new vistas for scholarship. As Michael Riffaterre notes, "Lejeune’s work on autobiography is the most original, powerful, effective approach to a difficult subject. . . . His style is very personal, lively. It grabs the reader as scholarship rarely does. Lejeune’s erudition and methodology are impeccable." Two substantial introductory essays by Jeremy Popkin and Julie Rak place Lejeune’s work within its critical and theoretical traditions and comment on his central importance within the fields of life writing, literary genetic studies, and cultural studies.

Part 1, Books, Group 1, v. 23 : Nos. 1-128 (Issued April, 1926 - March, 1927)