Katherine Mansfield had a career-long engagement with the literary marketplace from the age of eighteen. This book examines how she developed as a writer within a range of book and periodical publishing contexts, reconsidering her writing's enactment of a commercially viable modern aesthetic in her experimentation with the short story form.

A reinterpretation of Katharine Mansfield's work that expands our understanding of her place in Modernism.

Includes a literary reflection on Mansfield's work by award-winning novelist Ali Smith. Katherine Mansfield: New Directions brings together leading international scholars to explore and celebrate the modernist short fiction writer, Katherine Mansfield. Reassessing Mansfield's life, work and reputation in the light of new research in literary modernism the book maps new directions for future Mansfield studies in the twenty-first century. Drawing on current work from postcolonial studies, eco-criticism, affect studies, book, periodical and manuscript studies, and auto/biographical and critical-theoretical approaches to her life and art as well as new archival discoveries, this is an essential contribution to our deepening understanding of a central modernist figure.

A revisionist study of Mansfield as a profoundly colonial yet daringly experimental writer, at the forefront of modernism. The essays in this volume draw on the complete journals, letters and stories, to reveal Mansfield as a modernist who transcended her artistic influences through a supreme understanding of voice, being and subjectivity.

This book celebrates the centennial of Bliss's publication by offering new readings of some of Mansfield's most well-known stories.

Katherine Mansfield and Modernism is given a distinct focus in this volume by an emphasis on her under-explored relationship with D. H. Lawrence, to whom, both as artist and person, she felt herself uncannily alike.

Reveals how Katherine Mansfield's understanding of art and music shaped and inspired her writingThis volume emphasises the centrality of Katherine Mansfield to the cultural life of her time, illuminating how her love of painting and of music inspired her art. The Fauvist paintings of the Scottish colourist F.D. Fergusson, the music of Debussy, and indeed, of Wagner, all helped to forge a precise aesthetic, founded above all on the intense study and - in the case of music - practice of artistic technique. The essays in this volume explore Mansfield's relationships with the visual arts and with music, bringing to light the way in which these helped to shape the formal qualities of her writing: its beauty of line and intensely musical effects. Mansfield's relationship with Woolf is also strongly in the frame. As befits a volume dedicated to the arts, there is an introduction, poetry and a new short story by highly-acclaimed writers who count Mansfield amongst their chief inspirations.