Karmelin Is The Moving Saga Of A Young Orphaned GirlýS Trials And Tribulations And Of Her Attempt To Break Free From The Shackles Of Poverty, And As She Grows Older, To Bring Up Her Daughter In A Small Gossip-Ridden Village In South Goa With Dignity And Self-Respect. The Novel Follows The Fortunes Of Karmelin, The Protagonist Who, Let Down By A Drunken Wastrel Of A Husband And Pursued By Poverty, Bravely Maps Her Own Destiny. She Is Eventually Compelled To Work As A Maid In Kuwait To Ensure A Better Future For Her Family And To Repay Old Debts.

This ýHistory Of Konkani Literatureý Studies The Evolution Of Konkani Language And Literature From The Earliest Times To The Present Day. It Also Studies The Origins Of Konkani Language And The Influence Of Other Language. It Provides Concise Information On Konkani Journalism, ChildrenýS Literature, Folklore And Folk Theatre And Follows The Evolution Of Various Literary Forms Like Poetry, Novel, Short-Story And Essay.

‘Knit India Through Literature...' is a mega literary project, first of its kind in Indian literature, is the result of the penance-yagna done for 16 years by Sivasankari, noted Tamil writer. 'Knit India Through Literature' has inolved intense sourcing, research and translation of literature from 18 Indian languages. The project she says aims to introduce Indians to other Indians through literature and culture and help knit them together. The interviews of stalwart writers from all 18 languages approved by the eighth schedule of Indian Constitution, accompanied by a creative work of the respective writer are published with her travelogues of different regions, along with an indepth article by a scholar on the cultural and literary heritage of each of the language, in four volumes - South, East, West and North respectively. Her travelogues, her interviews and the overview of each literature she has sought, all reveal one important unity... the concern our writers and poets express in their works for the problems that beset our country today. Through her project Sivasankari feels writers can make an invaluable contribution with their writings to change the thinking of the people and help eliminate those problems. In this volume ‘West’ she deals with four languages Konkani, Marathi, Gujarati and Sindhi that are spoken in western region of India.

‘Knit India Through Literature...' is a mega literary project, first of its kind in Indian literature, is the result of the penance-yagna done for 16 years by Sivasankari, noted Tamil writer. 'Knit India Through Literature' has inolved intense sourcing, research and translation of literature from 18 Indian languages. The project she says aims to introduce Indians to other Indians through literature and culture and help knit them together. The interviews of stalwart writers from all 18 languages approved by the eighth schedule of Indian Constitution, accompanied by a creative work of the respective writer are published with her travelogues of different regions, along with an indepth article by a scholar on the cultural and literary heritage of each of the language, in four volumes - South, East, West and North respectively. Her travelogues, her interviews and the overview of each literature she has sought, all reveal one important unity... the concern our writers and poets express in their works for the problems that beset our country today. Through her project Sivasankari feels writers can make an invaluable contribution with their writings to change the thinking of the people and help eliminate those problems. In this volume she deals with Konkani one of the languages spoken in western region of India.

In March 2001, the website Tehelka broke Operation West End, the biggest undercover news story in Indian journalism. Using spycams and masquerading as arms dealers, Tehelka's reporters infiltrated the Indian government, bribed army officers, gave money to the president of the ruling party and the defence minister's close colleague right in the defence minister's residence. This eventually forced both the ministers'resignations. In a rigorously researched and searing authentic account of the Tehelka expose and its aftermath, Madhu Trehan does a forensic study of the imperatives at the root of it, the characters and heroes and villains of the story, and of how the system got back: by obfuscating, by attempting to destroy the investors without leaving any footprints. In the style of Rashomon, the story is related by numerous participants of the same incidents and, of course, none of the stories tally. With exhaustive personal interviews, this is a must-read for anybody who wants to understand modern India - or even better, modern international journalism.