A doorway to a new future is ready to open. We are the hinge of that moment. We will let the door swing wide. On a beautiful spring evening – when both moons are full – two teenagers vow eternal love. It is a moment that will have cataclysmic consequences. Not just for them, but for the world on which they live. A world where Prom Night is a matter of life or death, where weapons are grown and trained like pets, and where a chosen few are hearing a voice. A voice that speaks of ... Karagula. Philip Ridley's extraordinary, form-shattering Karagula is a play of epic proportions. Written in a fractured timescale, it explores our constant need to find meaning. To believe we're here for a reason. To have faith in something. Faith in ... anything. Karagula received its world premiere on 10 June 2016 at a secret London location in one of the largest productions ever staged in the Off-West End.

This book revisits In-Yer-Face theatre, an explosive, energetic theatrical movement from the 1990s that introduced the world to playwrights Sarah Kane, Martin McDonagh, Mark Ravenhill, Jez Butterworth, and many others. Split into three sections the book re-examines the era, considers the movement’s influence on international theatre, and considers its lasting effects on contemporary British theatre. The first section offers new readings on works from that time period (Antony Neilson and Mark Ravenhill) as well as challenges myths created by the Royal Court Theatre about the its involvement with In-Yer-Face theatre. The second section discusses the influence of In-Yer-Face on Portuguese, Russian and Australian theater, while the final section discusses the legacy of In-Yer-Face writers as well as their influences on more recent playwrights, including chapters on Philip Ridley, Sarah Kane, Joe Penhall, Martin Crimp, Dennis Kelly, and Verbatim Drama.

Graphic accounts of Australia’s worst disasters – historical as well as events of recent years. From the Ash Wednesday bushfires of 1983 to the implosion of the Royal Canberra Hospital in 1997, and from the shocking Granville railway crash in 1977 to the Sea King helicopter crash of 2005, Australia's history has been punctuated by incidents of disaster and tragedy that have shocked us all. Sometimes warning signs were not read (or were ignored); sometimes human error was to blame. These graphic and compelling accounts by veteran Sydney Morning Herald journalist Malcolm Brown and other award-winning journalists tell us far more than simply what happened - they provide unique insights into the impact of these events on the lives of innocent people. And, interspersed with stories of death and destruction, are heart-warming accounts of courage, grace and just plain good luck.

A doorway to a new future is ready to open. We are the hinge of that moment. We will let the door swing wide. On a beautiful spring evening – when both moons are full – two teenagers vow eternal love. It is a moment that will have cataclysmic consequences. Not just for them, but for the world on which they live. A world where Prom Night is a matter of life or death, where weapons are grown and trained like pets, and where a chosen few are hearing a voice. A voice that speaks of ... Karagula. Philip Ridley's extraordinary, form-shattering Karagula is a play of epic proportions. Written in a fractured timescale, it explores our constant need to find meaning. To believe we're here for a reason. To have faith in something. Faith in ... anything. Karagula received its world premiere on 10 June 2016 at a secret London location in one of the largest productions ever staged in the Off-West End.