Overcome with rage, Zale abandons the Daemonium to pursue revenge against Lucikefer. However, the threat of the Royal is overshadowed by the emergence of a far darker and more powerful force. With an army under their command, this new darkness begins a reign of terror only the Daemonium can stop. Daemnos was just the beginning . . .

The author conveys a look at loving relationships and people set in a tropical paradise--Eleuthera Island in the Bahamas, where love conquers all.

This book offers a radical reinterpretation of the Slavic pagan religion made on the basis of a thorough re-examination of all reliable sources. What did Slavic pagan religion have in common with the Afro-American cult of voodoo? Why were no Slavic gods mentioned before the mid-tenth century, and why were there no Slavic gods at all between the Dnieper and the Order? Why were Slavic foundation legends similar to the totemic myths of the nomadic peoples of the Eurasian Steppe, and who were Slavic Remus and Romulus? What were the Indo-European roots of Slavic hippomantic rituals, and where was the Eastern Slavic dragon Zmey Gorynych born? Answers to these and many other provocative questions can be found in this book.

Eager to rule the land, Terek, a powerful wizard trains an army and a dragon to act on his will. Forces gather to oppose him, but a knight seeks the only person who may be able to defeat him and it just happens to be Terek's brother.

Even people familiar with cinema believe there is no such thing as a Soviet Holocaust film. The Phantom Holocaust tells a different story. The Soviets were actually among the first to portray these events on screens. In 1938, several films exposed Nazi anti-Semitism, and a 1945 movie depicted the mass execution of Jews in Babi Yar. Other significant pictures followed in the 1960s. But the more directly filmmakers engaged with the Holocaust, the more likely their work was to be banned by state censors. Some films were never made while others came out in such limited release that the Holocaust remained a phantom on Soviet screens. Focusing on work by both celebrated and unknown Soviet directors and screenwriters, Olga Gershenson has written the first book about all Soviet narrative films dealing with the Holocaust from 1938 to 1991. In addition to studying the completed films, Gershenson analyzes the projects that were banned at various stages of production. The book draws on archival research and in-depth interviews to tell the sometimes tragic and sometimes triumphant stories of filmmakers who found authentic ways to represent the Holocaust in the face of official silencing. By uncovering little known works, Gershenson makes a significant contribution to the international Holocaust filmography.

A city in ruins, battles against vampires and a journey into the goblin-infested Khanian mountains as the fourth age continues.

Just when Sheila, Snapper and Pen are beginning to adjust to their lives, adopted into a new family, an old adversary emerges. Kalik, an evil sorcerer who they thought was vanquished, reappears. Unknown to the children, she has come back with her two evil sisters to destroy them. These three, dark shadows lurk and scheme a plot to steal the children's magical powers. A coven of good witches, deep in the heart of Stonehenge have mysteriously disappeared. Their bodies were never discovered... only the remains of their spell-books lay scattered. Glimpses of these witches have been spotted at the ancient, burial chamber, long forgotten, on the Northern shores of Ireland. Snapper, Sheila and Pen find themselves on a quest to rescue them. Along the way they are given magical gifts to help them on this quest by mystical druids. They will need to rely on each other, their magical training and Raven's help if they are going to go up against the deadly, three, dark shadows!