Explores the proliferation of true crime audiovisual texts across multiple media platforms. Justice on Demand: True Crime in the Digital Streaming Eraoffers a theoretical rumination on the question asked in countless blogs and opinion pieces of the last decade: Why are we so obsessed with true crime? Author Tanya Horeck takes this question further: Why is true crime thought to be such a good vehicle for the new modes of viewer/listener engagement favored by online streaming and consumption in the twenty-first century? Examining a range of audiovisual true crime texts, from podcasts such as Serialand My Favorite Murderto long-form crime documentaries such as The Jinxand Making a Murderer,Horeck considers the extent to which the true crime genre has come to epitomize participatory media culture where the listener/viewer acts as a "desktop detective" or "internet sleuth." While Facebook and Twitter have re-invigorated the notion of the armchair detective, Horeck questions the rhetoric of interactivity surrounding true crime formats and points to the precarity of justice in the social media era. In a cultural moment in which user-generated videos of real-life violence surface with an alarming frequency, Justice on Demandaddresses what is at stake in the cultural investment in true crime as packaged mainstream entertainment. Paying close attention to the gendered and racialized dimensions of true crime media, Horeck examines objects that are not commonly considered "true crime," including the subgenre of closed-circuit television (CCTV) elevator assault videos and the popularity of trailers for true crime documentaries on YouTube. By analyzing a range of intriguing case studies, Horeck explores how the audience is affectively imagined, addressed, and commodified by contemporary true crime in an "on demand" mediascape. As a fresh investigation of how contemporary variations of true crime raise significant ethical questions regarding what it means to watch, listen, and "witness" in a digital era of accessibility, immediacy, and instantaneity, Justice on Demandwill be of interest to film, media, and digital studies scholars.

Where is social justice in the Gospel? Where is social justice in the Singapore Church? These are the two main questions this book seeks to explore. Through the recount of the author's journey of discovering social justice in the Bible, on the streets of Singapore, in the long history of the Singapore and global Church, a survey of local Christians and interviews with Christian justice-seekers and pastors, this book challenges the Singapore Church, as God's Kingdom community, to reclaim biblical social justice as an integral facet of living the Gospel and manifesting God's Kingdom.

In this book, Elan Journo explains the essential nature of the conflict, and what has fueled it for so long. What justice demands, he shows, is that we evaluate both adversaries—and America's approach to the conflict—according to a universal moral ideal: individual liberty. From that secular moral framework, the book analyzes the conflict, examines major Palestinian grievances and Israel's character as a nation, and explains what's at stake for everyone who values human life, freedom, and progress. What Justice Demands shows us why America should be strongly supportive of freedom and freedom-seekers—but, in this conflict and across the Middle East, it hasn't been, much to our detriment.

Focusing on three hunger strikes occurring on university campuses in California in the 1990s, Ralph Armbruster-Sandoval examines people's willingness to make the extreme sacrifice and give their lives in order to create a more just society.

The “fierce” and “remarkable” memoir from one of the nation’s most influential and celebrated civil rights attorneys—second cousin of former Secretary of State Condoleezza Rice—is “a rallying cry for social justice” (More magazine). Connie Rice has taken on the bus system, the school system, the death penalty, gangs, and the LAPD—and won. Now, with an electrifying, inimitable voice, Rice illuminates the origins and inspiration for her life’s work in this “genuinely compelling” (Kirkus Reviews) account. Part memoir, part call to action, Power Concedes Nothing is pas­sionate, provocative, and studded with dramatic stories of a life in the trenches of civil rights. Inspired by the words of Martin Luther King, Jr., Connie Rice has written a “remarkable” (Publishers Weekly) blueprint for a new generation of justice seekers.

Human rights is an empowering framework for understanding and addressing justice issues at local, domestic, and international levels. This book combines US-based case studies with examples from other regions of the world to explore important human rights themes – the equality, universality, and interdependence of human rights, the idea of international crimes, strategies of human rights change, and justice and reconciliation in the aftermath of human rights violations. From Flint and Minneapolis to Xinjiang and Mt. Sinjar, this book challenges a wide variety of readers – students, professors, activists, human rights professionals, and concerned citizens – to consider how human rights apply to their own lives and equip them to be changemakers in their own communities.

Examines the false conviction of Dale N. Johnston for the murders of eighteen-year-old Annette Cooper Johnston and nineteen-year-old Todd Schultz.